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The Powerful Hand of George Bellows: Drawings from the Boston Public Library
 
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The Powerful Hand of George Bellows: Drawings from the Boston Public Library [Paperback]

Robert Conway (Author)
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Book Description

1882507177 978-1882507177 August 2007
Since his death in 1925, the country's most significant collections of American painting have granted George Bellows a place among their most important artists. Best known for a relatively small number of controversial boxing images, he is equally notable for his contributions to American landscape painting, portraiture, and especially scenes of modern American life. Although his talent is most directly evident in his drawings, until now they have been paid only cursory attention.

The Powerful Hand of George Bellows features drawings and related lithographs by the great American realist George Bellows. It describes for the first time the ingenious combinations of graphic media Bellows used to create them. It also details the circumstances under which he made them and the specifics of his active career as a commercial artist and cartoonist underlying his more celebrated role as a painter. Recorded in these drawings is a new understanding of the meteoric course along which his talents carried him.


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Product Details

  • Paperback: 159 pages
  • Publisher: Trust for Museum Exhibitions (August 2007)
  • Language: English
  • ISBN-10: 1882507177
  • ISBN-13: 978-1882507177
  • Product Dimensions: 9.9 x 8 x 0.7 inches
  • Shipping Weight: 1.4 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,233,982 in Books (See Top 100 in Books)

 

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5 of 5 people found the following review helpful:
5.0 out of 5 stars The perceptive eye of George Bellows, December 5, 2007
By 
C. B Collins Jr. (Atlanta, GA United States) - See all my reviews
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This review is from: The Powerful Hand of George Bellows: Drawings from the Boston Public Library (Paperback)
The drawings and prints of George Bellows housed in the Boston Public Library are indeed a national treasure. Bellows was a native of Columbus Ohio, the only son of older parents. His sister was a grown woman when Bellows was born. He attended Ohio State University but did not complete his senior year. Bellows enrolled in the New York School of Art and was greatly influenced by his teacher, Robert Henri. Bellows became part of the Ash Can School which was a group of realist painters who captured the immediacy and intensity of everyday life in NYC. His career trajectory took off at this point and Bellows created a tremendous body of work, including over 700 paintings and over 200 lithographic editions. Tragically Bellows died at age 43, which certainly makes me wonder at what this outstanding artist would have offered had he lived and painted another 40 years.

This volume contains a wonderful quote by Bellows: "You must take care to distinguish between what immediately interests you and what sets your imagination to work. It is pretty hard to make a distinction between fancy and imagination, but the sooner you learn to make that distinction the better it will be for you."

I am drawn to the work of Bellows, not only for the superb technical proficiency or the commitment to realism, but also to the strong social justice themes that he was willing to adopt in his work. I am attracted to the scenes of dirty and poor immigrants living on top of each other in dirty industrialized New York City. I am attracted to the scenes of urban rough-neck boys living like wharf rats and swimming nude in the nasty Hudson River. I am attracted to his anti-war images where he depicts the brutality and horror of warfare on the citizens of Europe. I am attracted to the sweaty struggling scenes of man on man fist fighting, where Bellows demonstrated his outstanding ability to capture the male form in motion. I enjoy his social commentary whereby he portrays faith healers and tent meetings designed to scare folks into the arms of the Lord. I am moved by the horror of racially based hate crime and murder that Bellows depicted when few other artists would have been willing to depict a crowd of white men burning a black man at the stake.

The 48 drawings, lithographs, and illustrations are informative and powerful. The essays and explanatory captions are excellent and enhance the viewing of the splendid work of a great American artist.
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