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Practical Recording Techniques, Third Edition
 
 

Practical Recording Techniques, Third Edition [Audiobook] [Audio Cassette]

Bruce Bartlett (Author), Jenny Bartlett (Author)
4.2 out of 5 stars  See all reviews (11 customer reviews)


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Book Description

January 11, 2002
Practical Recording Techniques, Third Edition is a hands-on, practical guide for beginning and intermediate recording engineers, producers, musicians, and audio enthusiasts, offering guidance on a variety of recording situations, including small professional studios and on-location recording for both popular and classical music. It gives advice on equipping a home studio-from low-budget to advanced-and includes suggestions for set-up, acoustics, choosing monitor speakers, and preventing hum. Practical Recording Techniques also explains how to judge recordings and use the equipment available to improve them. Filled with tips and shortcuts, Practical Recording Techniques covers situations and topics not covered in similar texts, including documenting the session, recording spoken word, troubleshooting bad sound, and more.

New to this edition are chapters on surround sound techniques, impedance, and audio for the Internet, as well as expanded information on digital recording and MIDI sequencing, and new information on automated mixing.



A step-by-step approach to professional audio recordingCovers the latest techniques for professional studio, home studio, and on-locationLearn how to make quality recordings with affordable home-studio equipment.


Editorial Reviews

Review

"appreciate clear explanations"

"It is packed with well-illustrated graphics and pictures and gives extensive guidance on everything from studio and location recording techniques through to publishing your sounds on the web."
James Eade, Lighting and Sound International

From the Publisher

The book offers up-to-date information on the latest recording technology, such as digital tape recording, hard-disk recording, keyboard and digital workstations, SMPTE, and MIDI. It also guides the beginner through the basics, showing how to make quality recordings with the new breed of inexpensive home-studio equipment. Other topics include: choosing and operating recorder-mixers based on cassette, Mini-Disc, and hard-disk; hum prevention; the latest monitoring methods; microphone selection and placement; audio-for-video techniques; troubleshooting bad sound; guidelines for good sound. With its step-by-step approach and easy-to-read format, this is the ideal book for anyone who wants to create professional sounding recordings. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Audio Cassette
  • Publisher: Focal Press; 3 edition (January 11, 2002)
  • Language: English
  • ISBN-10: 0240804732
  • ISBN-13: 978-0240804736
  • Product Dimensions: 9.3 x 7 x 1.2 inches
  • Shipping Weight: 2.1 pounds
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (11 customer reviews)
  • Amazon Best Sellers Rank: #2,369,363 in Books (See Top 100 in Books)

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Customer Reviews

11 Reviews
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4 star:
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3 star:
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Average Customer Review
4.2 out of 5 stars (11 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

41 of 43 people found the following review helpful:
4.0 out of 5 stars Practical Recording Techniques, June 17, 2000
By A Customer
Here's a useful and comprehensive introduction to professional audio recording aimed primarily at the beginning and intermediate level recording engineer, but useful also for people like me doing home recording. It covers all aspects of equipment, sound, techniques and procedures. In addition to what you'd expect (it's recent enough to cover digital applications), there are sections on spoken word recordings, on-location recording, hum prevention (the electrical, not the oral, variety), how to judge sound quality, and a short but interesting chapter on how an engineer can learn to listen to the art, and not just the sound, of the music being recorded. The Bartletts offer sound advice for how to mic various instruments (well, how would *you* go about micing bagpipes or a hammered dulcimer?). It contains a very useful guide for analyzing and correcting bad sound. Additionally, there are appendices covering the technicalities of dB, SMPTE and a suggested reading list. The glossary is excellent. For someone like me, it filled in all sorts of gaps in my knowledge - now I'm familiar with the Fletcher-Munson effect, I know exactly what an ORTF mic placement is and how to go about clearing up muddy sound. There is little or no input about specific brands or models of gear, but at 458 pages, there's not much room for that, and it's not that kind of book anyway. Thumbs up.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars GREAT INTRO to home audio recording, editing and mixing, January 27, 2009
I am new (just a few weeks) to home recording, DAWs, and all the hardware, software and terminology that goes with it. I saw this book in the store and quickly fell in love with it. FYI, I am the kind of person who will read a book cover to cover when I am trying to learn something new, as long as it is easy to read and techincally sound. This book is both, and covers much more than just recording as stated in the title.

It starts out with some basic terms and concepts, which make the rest of the book easier to follow.

It then discusses the following topics (not a complete list and not necessarily in this order):
- studio equipment, connections, speakers, mics, and other components
- different microphone types and how they might be placed in different recording situations
- bit rate and sampling rate recommendations
- an explanation of when and how to use various SW effects (equalizers, reverb, compressors, limiters, delays, etc)
- and tips for mixing and mastering for newbies

This book was JUST what i needed when i needed it. It may not be for anyone who already has experience or knowledge in the field though. Before i got this book, I tried to read Mixing Audio by Roey Izhaki. That book was very highly recommended (by online reviews), but was difficult for me to read just starting out. I will try to read that one again in a week or so and see if this one has better prepared me. (Another review to come, hehe).

Happy recording/editing/mixing/mastering/etc !!! :-)
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1 of 1 people found the following review helpful:
5.0 out of 5 stars techniques for your personal studio, February 1, 2011
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Just by looking at the cover you already want to dive into this book that covers practical techniques to get your personal music station going. It covers step by step putting together your own audio work station, from microphones down to the XLR cables. Tips for mixing down your music, what mixers, microphones, studio monitors to use. All in all, this is not a book you would want to check out at the library. I highly recommend that you invest in buying this unique guide that will come in handy later on down the road. Thank You
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Inside This Book (learn more)
First Sentence:
Welcome to the brave new world of 21st-century recording! Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
omni condenser mic, mic splitter, aux knobs, surround mics, sharp transient response, excess bass, multitrack recording software, audience mics, compressed audio file format, mic housing, mic list, spaced mics, mini mic, boundary mics, set the sequencer, unbalanced equipment, fader travel, cassette multitracker, mike farther, multitrack tape recording, matching adapter, miking method, stereo mix bus, mixer meters, input fader
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Blues Bash, Windows Media, Super Audio, Pro Tools, Track Step, Radio Shack, Digital Versatile Disc, Dolby Pro Logic, Jam Sync, Liquid Audio, Meridian Lossless Packing, Bruce Bartlett, Digital Rights Management, Hal Klee, Musical Instrument Digital Interface, Potato Head, Using Web-page
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