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The Practice of Writing [Hardcover]

David Lodge (Author)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

January 1, 1997
In this absorbing volume, acclaimed novelist David Lodge turns his incisive critical skills to his own profession, saluting the eminent practitioners of fiction who have influenced his writing, and explaining how literary and dramatic works are made and the many different factors that come into play in this process. The constant theme running through these essays is the mysterious process of creativity. Lodge discusses at length the work of writers he particularly admires - Graham Greene, James Joyce, D. H. Lawrence, Henry Green, Kingsley Amis, Vladimir Nabokov, and Anthony Burgess. He addresses the situation of the contemporary novelist, both aesthetically and institutionally, and describes the pleasures of the novelistic text. In delineating the different techniques required to work on a novel and a screenplay, he draws on the experience of adapting his own "Nice Work" and Dickens's "Martin Chuzzlewit" for television, bringing a refreshingly expert candor to the problems that arise between the idea and the performance. The essays conclude with revealing extracts from the diary he kept as his play, "The Writing Game," made its way to the footlights. Lodge's wit and intelligence are evident on every page of this entertaining and instructive volume, which should be of interest both to the practicing writer in any medium and to readers of Lodge who wish to know more about his own art.


Editorial Reviews

Amazon.com Review

English author, literary critic, and Birmingham professor David Lodge has given us a thoughtful collection of essays on writing, serving as an end-of-century bookend for E. M. Forster's Aspects of the Novel. But given the particular century in which Lodge writes, he doesn't stop with prose but also considers stage and television work--he adapted Martin Chuzzlewit for the BBC-- giving the book its greatest strength. Lodge's range runs from academic musings to television scripts, a breadth worthy of any scribe here on the disparate, millennial cusp.

From Publishers Weekly

Lodge, a wry and stylish British novelist (Changing Places) and former university professor, has collected a fair sample of his literary criticism and re-formed it into an insightful and surprisingly unified look at the craft of writing. He says flat out that this is not a book of literary theory but an examination of the way writers go about their work. His aim, he writes, is "to demystify and shed light on the creative process, to explain how literary and dramatic works are made, and to describe the many different factors, not always under the control of the writer, that came into play in the process." The result is a book that should be required reading in any creative writing class not bogged down in dogma. Lodge reviews the work of a number of writers?Graham Greene, D.H. Lawrence, Henry Green, Kingsley Amis, Anthony Burgess, Joyce, Nabokov?but the heart of the book is a series of essays on adapting his own work, as well as Dickens's Martin Chuzzlewit, for television, and on staging a sketch by Harold Pinter; and the diary Lodge kept while his play The Writing Class was in production. Although his nonfiction writing style is not as free of its academic roots as he would like to think and his outlook is not as satiric as readers of his novels might expect, here is a collection that is both engaging and useful.
Copyright 1996 Reed Business Information, Inc.

Product Details

  • Hardcover: 352 pages
  • Publisher: Viking Adult; First American Edition edition (January 1, 1997)
  • Language: English
  • ISBN-10: 0713991739
  • ISBN-13: 978-0713991734
  • Product Dimensions: 9 x 6 x 1.2 inches
  • Shipping Weight: 1.4 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #518,719 in Books (See Top 100 in Books)

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12 of 14 people found the following review helpful:
5.0 out of 5 stars A wonderful book, October 16, 2002
By 
Steven Reynolds (Sydney, Australia) - See all my reviews
(REAL NAME)   
In contrast to the towering arrogance of many critics, academics and novelists who have published reflections on the craft of writing, Lodge stands alone as an enduring voice of common sense - probably because he's worked as all three. This breadth of experience keeps him grounded in the real world - which is good, because that's where writing and reading are actually done. In this collection of essays, he never disappears into theoretical ivory towers, nor does he make ridiculously large claims for the art of the novel or the enormity of his own talent. His essays are characterized by a generous, unpretentious ease. This book will be immensely enjoyable for writers and readers alike, but particularly for writers. Lodge's refreshing honesty about his own writing practices and experiences - especially in adapting his own novels and others - is a treat.
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Inside This Book (learn more)
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First Sentence:
This essay started life as a talk given to a seminar at the University of East Anglia held in November 1990 to mark the twentieth anniversary of the well-known M.A. in Creative Writing programme at that institution. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
classic realist novel, free indirect style, first draft screenplay, press night
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Nice Work, Graham Greene, Martin Chuzzlewit, New York, James Joyce, Morris Zapp, Chris Parr, The Writing Game, Pale Fire, Tom Pinch, Henry James, The Heart of the Matter, Evelyn Waugh, Anthony Burgess, Evening News, Fulvia Morgana, Jane Austen, Birmingham Rep, Changing Places, Chris Menaul, Martin Amis, The End of the Affair, Finnegans Wake, John Adams, King Queen Knave
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