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Robert Hass was born in San Francisco in 1941. He attended St. Mary's College and Stanford University. His books of poetry include Time and Materials, for which he received the Pulitzer Prize in 2007 and the National Book Award in 2008; Sun Under Wood, for which he received the National Book Critics Circle Award in 1996; Human Wishes; Praise, for which he received the William Carlos Williams Award in 1979; and Field Guide, which was selected by Stanley Kunitz for the Yale Younger Poets Series. Hass also worked with Czeslaw Milosz to translate a dozen volumes of Milosz's poetry, including the book-length Treatise on Poetry and, most recently, A Second Space. His translations of the Japanese haiku masters have been collected in The Essential Haiku: Versions of Basho, Buson, and Issa. His books of essays include Twentieth Century Pleasures: Prose on Poetry, which received the National Book Critics Circle Award for criticism in 1984, and Now and Then: The Poet's Choice Columns, 1997-2000. From 1995 to 1997 he served as poet laureate of the United States. He lives in northern California with his wife, the poet Brenda Hillman, and teaches English at the University of California at Berkeley.
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Most Helpful Customer Reviews
15 of 16 people found the following review helpful:
5.0 out of 5 stars
The most important book of poetry I own.,
By A Customer
This review is from: Praise (Paperback)
I can't imagine having not read this beautiful volume of poems. Haas is a master. His poems are holygraphic. You end up being inside them! What he does with time and space is unequaled in all of poetry. No, I'm not his mother! I'm just a totally awed reader who thinks great poetry is one of the hardest things in the world to write. Praise be to Praise!
14 of 15 people found the following review helpful:
5.0 out of 5 stars
One of the Five Best Poetry Books of the 20th Century,
This review is from: Praise (Paperback)
This is Hass at his finest. In this work he deftly moves within and around human experience with a Rilkean penetration and tautness of line. In my view, Hass' later work labors because it attempts to emulate the vogue chattiness of current free verse poetry and doesn't adhere to the intensity he achieves in Praise. There is not disappointing poem in this book, something that many "great" poets haven't achieved in their volumes. All of these poems deserve to be reread often and serious poets should study this book to learn exactly how Hass creates his magic. This book is as good as poetry gets. By all means, buy it.
6 of 6 people found the following review helpful:
5.0 out of 5 stars
a Euclidean reverence for form,
By
This review is from: Praise (Paperback)
Once upon a time, I was a naive college freshman who felt that contemporary poetry just wasn't for me: I felt that I didn't "get" modern poetry and that I just couldn't relate to it. Then, one day, I read Robert Hass's poem "Meditation at Lagunitas," and I was like, "Oh!"
After that, there was no turning back. My favorite poems in this sublime collection, besides "Meditation at Lagunitas," are "Heroic Simile" and "Against Botticelli." All three are poems in which Hass masterfully combines intellectual rigor, lucid expression, wistful romanticism, muted sensuality, and an almost Euclidean reverence for form, structure, symmetry, and recursion.
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