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Editorial Reviews
2008 solo release by the vocalist from Nevermore and Sanctuary. The album features guitarist Peter Wichers, formerly of Soilwork. Century Media.
--This text refers to an alternate
Audio CD
edition.
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Most Helpful Customer Reviews
31 of 31 people found the following review helpful:
4.0 out of 5 stars
Praise-worthy solo album,
By
This review is from: Praises to the War Machine (Audio CD)
On Warrel Dane's inaugural solo album, the only thing that resembles Nevermore is his vocals. Other than that, from songwriting to production to the overall construction of the music, this is a completely different piece of work, which is great considering artists should release solo albums in order to step out of the confines of their respective bands, not to repeat their past glories.
The first set of listens are likely to result in mixed feelings, not because the music presented here is a disappointment, but rather, because of the fact that one will discover Dane's immense love for non-metal influences, most notably old-school goth music. The album is comprised of song-based material, where Dane is joined by former Soilwork guitarist Peter Wichers and ex-Himsa axeman Matt Wicklund, both of whom have had a tremendous impact on the final form of the compositions. For instance, Matt Wicklund's arrangement of the Sisters of Mercy tune "Lucretia My Reflection" has lent it a distinctly metal flavour. However, Dane opts for a deep, gothic delivery, especially during the spoken parts, which is unlike anything he's done before. Being a solo album, most of the songs are personal statements inspired by Dane's life, like the tragic "Brother", which he calls the most personal song of his entire life; or "This Old Man", where he exudes some of his most powerful and heartfelt vocals ever. Likewise, "Messenger", with its metaphor-filled lyrical agenda, weaves delicate synth textures and a full bass bottom, climaxing with Jeff Loomis' guest appearance. The bleak acoustic guitars of "Let You Down" briefly recall Opeth, though the song is more of a synthesis of everything Nevermore fans love about Warrel Dane: a deep, husky voice blended with powerful outbursts of guitar crunch and mood-intensive acoustic passages. Once again, the lead guitar work here is emotionally engaging and very well integrated into the three-minute running time. Aside from that, the cool synth layerings of "Your Chosen Misery", in which the final part gets punishingly heavy; the great drumming of "August" courtesy of Dirk Verbeuren (though he's just a session player, strangely enough, I cannot imagine listening to any of these tracks with a different drummer); and the groove-oriented drive of the other cover tune "Patterns" (Paul Simon) all add to the diversity and unity of Praises to the War Machine. Those expecting any thrash metal onslaughts are advised to wait for the next Nevermore album, but still, Dane's snarling vocals, the slamming drumming and melodic signature guitars of "When We Pray" and the almost thrashy opening of "The Day the Rats Went to War", with its stab at corrupt politicians, certainly connect Dane to the band we all love and respect. James Murphy plays a sick, dirty guitar solo on the latter, not too different from his wicked playing on This Godless Endeavor, in order to match the subject matter. "Obey", penned by guitarist Peter Wichers, also boasts a worthwhile rhythm workout and a totally unexpected blues-inflected guitar solo, which is built around non-tonal guitar language. Actually Chris Broderick was supposed to play on this one, but it didn't work out once he was hired by Dave Mustaine as the new Megadeth guitarist. The last song "Equilibrium" had me think of Nevermore the first couple of times, but that has waned now. It is comparatively heavier with perhaps the most melodic and smooth guitar solo on the whole record. For years, fans wondered what it'd be like if Warrel Dane were to release a solo album -- here it is. Quite different from both Sanctuary and Nevermore, but definitely worth picking up. This man has one of the most unique and amazing vocals in all of metal, and this record is his proof.
5 of 5 people found the following review helpful:
5.0 out of 5 stars
Superb Solo album from Nevermore's Singer,
By
This review is from: Praises to the War Machine (Audio CD)
What can I say..some people may love this album and some may say it's not "Heavy" enough. I think that Warrel has outdone himself on this album, the emotions in his voice when he sings on the track "Brother" is haunting and moving. Lucretia My Reflection anothe excellent track show's the heavier side to Warrel's voice. The Day the Rats Went to War could be the best track on this album..either way it's a "Must Have" for fans of Nevermore and Sanctuary.
3 of 3 people found the following review helpful:
4.0 out of 5 stars
Decent Collection,
By
Amazon Verified Purchase(What's this?)
This review is from: Praises to the War Machine (Audio CD)
The first CD from Dane as a solo artist is decent enough. Some good, hook laden and straight Metal with the occasional keyboard thrown in for melody. I wont break each song down, but will say the best tracks are 'Let You Down', 'Messenger', 'When We Pray', and 'Equilibrium'.
The positives are that the production absolutely top notch. The sound of the the mix is excellent, and the guitarwork is very well done. You can really crank this out. And the guitar slams! Comes straight at you through the speakers. Obviously due to the fact that the main music writer is the guitarist Peter Wickers, but his soloing in spots is exceptional. Its also good that Warrel Dane strays from the 'Nevermore' sound for the most part, but does'nt go too far off the deep end. There are some heavy moments on this disc, so metalheads should'nt fear. The closing track (Equilibrium) is great! The Negs are that it is pretty average in terms of originality. There is nothing really new or groundbreaking. Just good Metal so don't let that stop you, but doubt it will change the world. And, I really miss the loud screeching screams that Dane used to pull out. But hey, that was 20 years ago. I just think it would of worked well on some of these tracks. That is not to say the vocals here are'nt great, because they are. If you liked him before you will like this. Even if you just like Nevermore's stuff, there is a good touch of that sound on here. Solid debut solo effort.
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