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Praising It New: The Best of the New Criticism [Paperback]

Garrick Davis (Editor)
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Book Description

May 13, 2008
Marked by a rigorously close textual reading, detached from
biographical or other extratextual material, New Criticism was the
dominant literary theory of the mid-twentieth century. Since that
time, schools of literary criticism have arisen in support of or in opposition to
the approach advocated by the New Critics. Nonetheless, the theory remains
one of the most important sources for groundbreaking criticism and continues
to be a controversial approach to reading literature.
Praising It New is the first anthology of New Criticism to be printed in fifty
years. It includes important essays by such influential poets and critics as
T. S. Eliot, Ezra Pound, John Crowe Ransom, Allen Tate, Yvor Winters,
Cleanth Brooks, R. P. Blackmur, W. K. Wimsatt, and Robert Penn Warren.
Together, these authors ushered in the modernist age of poetry and criticism
and transformed the teaching of literature in the schools. As the American
poet and critic Randall Jarrell once noted: “I do not believe there has been another
age in which so much extraordinarily good criticism of poetry has
been written.”
This anthology now makes much of the best American poetry criticism available
again, and includes short biographies and selected bibliographies of its
chief figures. Praising It New is the perfect introduction for students to the
best American poetry criticism of the twentieth century.

Frequently Bought Together

Customers buy this book with 100 Great Poets of the English Language (Penguin Academics Series) $36.45

Praising It New: The Best of the New Criticism + 100 Great Poets of the English Language (Penguin Academics Series)


Editorial Reviews

About the Author

Garrick Davis is the founding editor of the Contemporary
Poetry Review, the largest online archive of poetry criticism in the world (cprw.com). His poetry
and criticism have appeared in the New Criterion,
Verse, the Weekly Standard, McSweeney’s, and the New
York Sun.
He also edited Child of the Ocmulgee: the Selected
Poems of Freda Quenneville
. He is the literature
specialist of the National Endowment for the Arts in
Washington DC.

Product Details

  • Paperback: 288 pages
  • Publisher: Swallow Press; 1 edition (May 13, 2008)
  • Language: English
  • ISBN-10: 0804011095
  • ISBN-13: 978-0804011099
  • Product Dimensions: 8.3 x 5.3 x 0.9 inches
  • Shipping Weight: 12.8 ounces (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #262,249 in Books (See Top 100 in Books)

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5 of 8 people found the following review helpful:
3.0 out of 5 stars "I" for Incomplete, June 4, 2008
This review is from: Praising It New: The Best of the New Criticism (Paperback)
Appearances to the contrary, this awkwardly titled collection is no exercise in cultural nostalgia. True, since the mid-1970s the New Criticism has not dominated professional study of Anglo-American literature, but its discourse still influences our habits of analysis and interpretation. Whether to explain creativity, comprehensive world-pictures, or hidden patterns of meaning, the New Critical mindset meticulously searches out, foregrounds, and clarifies the dense, resonant, and potentially unifying relation of poetic part to whole. Choice of theories and methods is discretionary. Along with the Chicago school, its equally painstaking but less versatile rival, the New Criticism anticipated several aspects of structuralist system-building and indirectly provoked the deconstructionist fixation on universal slipperiness of language and its "necessary" derivatives: instability, undecidability, and self-subversion of text. Given our long-term inattention to the New Criticism as a viewpoint, an attitude, and an historical phenomenon, Garrick Davis's anthology will serve as a partial corrective. In the pages following William Logan's fanfare (originally published in the Spring 2008 Virginia Quarterly Review), Davis provides an intelligently contextualized, if all-American, canon. One caveat: though his theoretical and programmatic selections are consistently significant, many readers will be disconcerted that Davis allotted only 24 of 300 pages to the New Criticism's most powerful and durable achievement, the close reading of specific works.
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
religious poetry, literary criticism possible, fish that lie, pure poem, kernel sentence, poetic state, affective theory, verbal music, vers libre
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, The Intentional Fallacy, United States, Lord Tennyson's Scissors, Post-Kantian Verbal Music, New Criticism, The Sacred Wood, The Affective Fallacy, Poets Without Laurels, Kenyon Review, Miss Emily, The Waste Land, The Morality of Poetry, Arthur Symons, Hart Crane, Professor Crane, The Metaphysical Poets, The Isolation of Modern Poetry, Some Post-Symbolist Structures, The End of the Line, The Formalist Critics, Paradise Lost, Matthew Arnold, Wallace Stevens, Preliminary Problems
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Front Cover | Table of Contents | First Pages | Surprise Me!
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