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  • Precise Modern Lovers Order: The Modern Lovers Live In Berkeley And Boston
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Precise Modern Lovers Order: The Modern Lovers Live In Berkeley And Boston Live


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Audio CD, Live, August 2, 1994
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$11.88
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Audio, Cassette, August 12, 1997
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Precise Modern Lovers Order: The Modern Lovers Live In Berkeley And Boston + Because Her Beauty Is Raw & Wild + Jonathan Richman
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Editorial Reviews


Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Someone I Care About 4:01$0.99  Buy MP3 
listen  2. Dance With Me 5:56$0.99  Buy MP3 
listen  3. She Cracked 4:18$0.99  Buy MP3 
listen  4. Hospital 6:37$0.99  Buy MP3 
listen  5. Womanhood 2:47$0.99  Buy MP3 
listen  6. Dignified And Old 2:52$0.99  Buy MP3 
listen  7. Girlfriend 4:09$0.99  Buy MP3 
listen  8. Foggy Notion 3:05$0.99  Buy MP3 
listen  9. Ride On Down The Highway 3:11$0.99  Buy MP3 
listen10. Pablo Picasso 5:05$0.99  Buy MP3 
listen11. A Plea For Tenderness 7:11$0.99  Buy MP3 
listen12. Walk Up The Street 5:23$0.99  Buy MP3 
listen13. Fly Into The Mystery 3:50$0.99  Buy MP3 
listen14. I'm Straight 6:27$0.99  Buy MP3 
listen15. The Mixer 4:32$0.99  Buy MP3 
listen16. Don't Let Our Youth Go To Waste 1:50$0.99  Buy MP3 
listen17. Roadrunner 4:54$0.99  Buy MP3 

Product Details

  • Audio CD (August 2, 1994)
  • Number of Discs: 1
  • Format: Live
  • Label: Rounder / Umgd
  • ASIN: B0000003KT
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (10 customer reviews)
  • Amazon Best Sellers Rank: #26,628 in Music (See Top 100 in Music)

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Customer Reviews

A must for fans.
M. Scagnelli
Call me a bizzare case but that song that may sound like a bunch of unstructured noise to anybody else brings a tear to my eye every time I hear it.
Michel Farmer
Jonathan moved towards softer musical styles, and while this would provide some great music, the original band's sound was lost.
Trevor Seigler

Most Helpful Customer Reviews

8 of 8 people found the following review helpful By A Customer on December 4, 2001
Format: Audio CD
If you believe, as I do, that the first Modern Lovers album was Jonathan Richman's creative watershed, this is an essential purchase. You can really hear how close their live sound was to the John Cale-produced "demos" that constituted their Beserkley debut. What makes this indispensible, however, is the inclusion of a handful of original songs that were never recorded, as well as Jonathan's inimitable stage patter. Added bonus: The great John Felice, the original 15-year-old Modern Lovers guitarist, is on several tracks. (Who's John Felice, you ask? Check out the 1977 debut album of his boss band the Real Kids, which is available thru Amazon.com. You won't regret it.)
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9 of 10 people found the following review helpful By Trevor Seigler on November 22, 2003
Format: Audio CD
There is very little of the original Modern Lovers caught on tape out there, at least legally (I'm sure there are plenty of bootlegs floating around). Jonathan Richman and his great band are caught live at two venues, one at Harvard in 1971 and another in Berkeley in 1973, with the inclusion of a great song (Plea for Tenderness) from a Boston gig sometime in 1972(?). The record itself is absolutely essential if you are a Jonathan Richman fan or just looking for something different from the manufactured pop of today's "hit parade". Richman and company don't disappoint, and the record is a unique mixture of the original Lovers' sound.
First formed in the late Sixties when Jonathan Richman became infatuated with the Velvet Underground and started his own band, blending the influence of that band with his earlier love for Fifties-era rock. The result, The Modern Lovers, were together in their original format until 1974, and by the time their one album (really a collection of individual sessions which form a cohesive album) was released in 1976, the band backing Jonathan Richman had changed. Jonathan moved towards softer musical styles, and while this would provide some great music, the original band's sound was lost.
That's what makes this recording so great: here is the "rockin'" Modern Lovers captured in their primal heat, bringing down the house to a bemused audience who doesn't quite know what to make of them. One of the charms of the live shows is the way Jonathan and the band switch from heavy, fast songs like "Someone I Care About" to slower, low-key numbers like "Hospital" or "Girlfriend".
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5 of 5 people found the following review helpful By Donny Danger on April 28, 2003
Format: Audio CD
If you already appreciate the unique genius represented by the original Modern Lover's Beserkly release then you will likely find this live collection very interesting and moving... but if you are new to the world of JoJo in general, or the Modern Lovers thang in specific, then this piece would not serve as a good entry point.
For one thing, the sound quality is "bootleg"... also, the song selection / running order leans heavily on slow, meandering sad stuff instead of the more upbeat, cutting/rock-edged stuff. This may turn off first-time or casual listeners... but there are definitely some very magic moments for those with patience and determination... you get some "unheard/unrecorded" songs including the phenomenal "the Mixer" which is easily on par with classics like "Roadrunner" and "She Cracked". Also, alternate lyrics for Roadrunner are interesting and the extended "patter" in-between songs really gives you some intense insight into where Jonathan Richman's head was at during this period.
The stand-out cut for me on this album though was the monumental version of "I'm Straight". During the spoken intro the pain and scars are so fresh that Jonathon sounds like he is seriously about to break into tears... the band unsteadily slids in behind him and things slowly build in intensity until we get to a point by the end of the song where all the microphones and recording gear overload heavily into the red-line as the whole band shrieks the refrain "I'M STRAIGHT!!" at the top of their lungs. I can't think of anything else in the history of recorded music that compares with the emotional intensity of this track... well worth the price of admission alone!
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5 of 5 people found the following review helpful By m_noland on August 22, 2001
Format: Audio CD
Listening to this disk for the first time in a long time, I am struck by just how strange it is. I wonder how Jonathan Richman convinced the other Modern Lovers to publicly participate in his unique musical vision � after all, these guys were pretty good musicians (later playing in the Cars and the Talking Heads among other bands) so presumably they had other opportunities, and this material was not exactly mainstream or fashionable stylistically, thematically, or any other way in 1972-3 when these recordings were made. Indeed, some aspects of these recordings (e.g. some of Richman�s spoken word introductions) verge on being painful. Some nights it must have been embarrassing to be on stage.
So why do it? Well, it�s a pretty thin line between being a crank and being a genius, and some of these songs are brilliant. Anyone could recognize that. And they are unique. Despite their obvious stylistic borrowing from the Velvet Underground, nobody sounded like this either.
So how about the disk? Well, the songs heavily overlap with the John Cale produced first album ("The Modern Lovers"), and given that record�s �live in the studio� sound, the band�s sound isn�t much different, though the audio quality of this disk is worse (no surprise). So, if you don�t have the first album, you�re probably better off starting with it.
However, if you�re a dedicated Jonathan Richman nut then this one is worth having � some of the songs don�t appear anywhere else, the performances are generally strong, and then there are those weird spoken word introductions to remind you just how unique this band was.
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