Precise Modern Lovers Order: The Modern Lovers Live In Berkeley And Boston [LIVE]

Modern Lovers

Product Details

• Audio CD (August 2, 1994)
• Original Release Date: August 2, 1994
• Number of Discs: 1
• Format: Live
• Label: Rounder / Umgd
• ASIN: B0000003KT
• Also Available in: Audio Cassette  |  MP3 Download
• Average Customer Review: 4.8 out of 5 stars See all reviews (8 customer reviews)
• Amazon.com Sales Rank: #184,096 in Music (See Bestsellers in Music)

Customer Reviews

Most Helpful Customer Reviews

7 of 7 people found the following review helpful:

5.0 out of 5 stars The absolute BEST you could get!, November 22, 2003

By	Trevor Seigler (South Carolina) - See all my reviews

There is very little of the original Modern Lovers caught on tape out there, at least legally (I'm sure there are plenty of bootlegs floating around). Jonathan Richman and his great band are caught live at two venues, one at Harvard in 1971 and another in Berkeley in 1973, with the inclusion of a great song (Plea for Tenderness) from a Boston gig sometime in 1972(?). The record itself is absolutely essential if you are a Jonathan Richman fan or just looking for something different from the manufactured pop of today's "hit parade". Richman and company don't disappoint, and the record is a unique mixture of the original Lovers' sound.

First formed in the late Sixties when Jonathan Richman became infatuated with the Velvet Underground and started his own band, blending the influence of that band with his earlier love for Fifties-era rock. The result, The Modern Lovers, were together in their original format until 1974, and by the time their one album (really a collection of individual sessions which form a cohesive album) was released in 1976, the band backing Jonathan Richman had changed. Jonathan moved towards softer musical styles, and while this would provide some great music, the original band's sound was lost.

That's what makes this recording so great: here is the "rockin'" Modern Lovers captured in their primal heat, bringing down the house to a bemused audience who doesn't quite know what to make of them. One of the charms of the live shows is the way Jonathan and the band switch from heavy, fast songs like "Someone I Care About" to slower, low-key numbers like "Hospital" or "Girlfriend". The sound captured on this is pure fun and enjoyment, tempered with Jonathan's own hearbreak-fueled songs about girls who hang around in the Cezanne wing of the modern museums.

This is a gem of a record, worth seeking out if you wonder what all the fuss was about. If you have no idea who Jonathan Richman is, this will be a perfect intro. All in all, this along with the original album are perfect compliments to each other, and both illuminate how punk evolved. Get this first, then the album. You can't go wrong...

4 of 4 people found the following review helpful:

5.0 out of 5 stars Essential stuff, December 4, 2001

By A Customer

If you believe, as I do, that the first Modern Lovers album was Jonathan Richman's creative watershed, this is an essential purchase. You can really hear how close their live sound was to the John Cale-produced "demos" that constituted their Beserkley debut. What makes this indispensible, however, is the inclusion of a handful of original songs that were never recorded, as well as Jonathan's inimitable stage patter. Added bonus: The great John Felice, the original 15-year-old Modern Lovers guitarist, is on several tracks. (Who's John Felice, you ask? Check out the 1977 debut album of his boss band the Real Kids, which is available thru Amazon.com. You won't regret it.)

3 of 3 people found the following review helpful:

4.0 out of 5 stars Revealing as an artist's sketchbook..., April 28, 2003

By	Donald B. Payjack (Calgary, AB Canada) - See all my reviews (REAL NAME)

If you already appreciate the unique genius represented by the original Modern Lover's Beserkly release then you will likely find this live collection very interesting and moving... but if you are new to the world of JoJo in general, or the Modern Lovers thang in specific, then this piece would not serve as a good entry point.

For one thing, the sound quality is "bootleg"... also, the song selection / running order leans heavily on slow, meandering sad stuff instead of the more upbeat, cutting/rock-edged stuff. This may turn off first-time or casual listeners... but there are definitely some very magic moments for those with patience and determination... you get some "unheard/unrecorded" songs including the phenomenal "the Mixer" which is easily on par with classics like "Roadrunner" and "She Cracked". Also, alternate lyrics for Roadrunner are interesting and the extended "patter" in-between songs really gives you some intense insight into where Jonathan Richman's head was at during this period.

The stand-out cut for me on this album though was the monumental version of "I'm Straight". During the spoken intro the pain and scars are so fresh that Jonathon sounds like he is seriously about to break into tears... the band unsteadily slids in behind him and things slowly build in intensity until we get to a point by the end of the song where all the microphones and recording gear overload heavily into the red-line as the whole band shrieks the refrain "I'M STRAIGHT!!" at the top of their lungs. I can't think of anything else in the history of recorded music that compares with the emotional intensity of this track... well worth the price of admission alone!