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| Song Title | Time | Price | ||
|---|---|---|---|---|
| 1. Also Sprach Zarathustra | 9:03 | Not Available | ||
| 2. Spirit Of Summer | 4:16 | Not Available | ||
| 3. Carly & Carole | 3:43 | Not Available | ||
| 4. Baubles, Bangles And Beads | 5:23 | Not Available | ||
| 5. Prelude To The Afternoon Of A Faun | 5:15 | Not Available | ||
| 6. September 13 | 5:58 | Not Available |
Product Details
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Of course, the big track on the CD is his nine-minute adaptation of Richard Strauss' "Also Sprach Zarathustra", the work that became internationally famous in its original classical form in 1968, when director Stanley Kubrick used it in his sci-fi masterpiece 2001: A SPACE ODYSSEY. Using the famous "Dawn" sequence, with its brass fanfare, and then using it to weave a set of jazz-rock permutations, Deodato comes up with one of the great rock instrumentals of all times. It also won him a much-deserved Grammy in 1973 for Best Pop Instrumental, and hit #2 on the American singles chart (#7 in England) in an abridged version.
A very worthy album PRELUDE is. Take a listen.
The highlight of this disc is the opening rendition of Strausss' "Also Sprach Zarathustra". This is the funkiest rendition of classical music I have ever heard. They rock through the number.
This all-star line up features luminaries such as Stanley Clarke, Ron Carter, Billy Cobham, Ray Barretto and Airto Moreira among others. This is some classic material.
They also cover the "Prelude to The Afternoon of a Faun" and "Baubles, Bangles and Beads" from the Broadway show Kismet. There are also three original compositions. The first track is the deepest on this album. It remains one of my all-time favorite tracks. The rest of the album is good but not quite up to this level.
"Prelude" is an album at once excessive and tacky. It is overindulgent but artistically valid. The music was recorded in 1972 and yet nearly three decades later. It's a time piece that still rings true.
This is jazz with a Brazilan sense that makes "high art" music accessible to those who would never be caught in an orchestra's concert hall.
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