Customer Reviews

Premier Hits

5 star:		(1)
4 star:		(12)
3 star:		(2)
2 star:		(0)
1 star:		(0)

 

 

Of course, North Americans never took to Gazza the way Brits did. But at the start, he was an edgy "talent": influenced as much by Kraftwerk as by The Drifters. And the chok-a-blok/mechanical nature of this synthpop still causes smiles whenever I play it 'round the house. The best cut here is "Are 'Friends' Electric?", a spacey, moody romp that captured Numan's angst/paranoid/solitary man lyrical hooey quite nicely. The rest of the cuts are winning and great, too (especially the violin riffs on "I Die: You Die"). The remixed version of "Cars" (don't fret fans the original is here, too!) is great also! All told, unless (of course) you're a totally enthralled fan, this is all the Numan you need in one fell swoop. A keeper!

Well... I guess this serves as a pretty decent retrospective of Numan's works... although, in my opinion, a little stingy on the Tubeway Army/Telekon era material. Overall, though, not too shabby and better than most thrown-together compilations. Besides, if tracks like "Bombers" and "We are Glass" don't have you moving like a robot, then maybe you should start your Michael Bolton or Celine Dion collection today, anyway.

QUOTE: Songs like "When I Die You Die" have a sweeping grandeur to them, nonetheless, and earlier works like "Bombers" have an aggressive punk edge. "Stormtrooper in Drag," took Numan's techno-glam phase about as far as it could go, but hey, at least you could dance to it. --Steve Gdula


Steve, the song is called "I Die:You Die..for one, and "Stormtrooper in Drag" is technically not a Numan song but written by his late-friend and bass player Paul Gardiner.. and secondly, Numan is having the biggest resurgence of his entire career right now and no one is paying any attention. Listen to PURE and you'll see what i'm talking about...Finally, latter day synth-whizzes owe EVERYTHING to Numan. He's the godfather of Electronic and Techno music... all fruit SHOULD be laid at the base of his Volcano.. just ask Marilyn Manson, Beck, Billy Corgan, NIN, Foo Fighters... who have all paid homage to Numan and will agree with that sentiment.

Most people remember Gary Numan as a one-hit wonder, that hit being "Cars." While this was most certainly his highest charting song, he was not limited to one tune. Premier Hits includes pre- and post-"Cars" material that will thrill Numanites and please those less than familiar with his other work. Although "Praying to the Aliens" is conspicuously absent, all other GN/TA standards are present. Numan's later tunes do not have the auspicious feel of his early work, but the disc is a good chronicle of his career that fans, both dedicated and casual, will find satisfying.

This collection is a good starting point for a casual fan. But the collection goes wrong in including selections beyond the Telekon album. The selections pulled from the first Tubeway Army album to the fourth, Telekon are all good. The others are average at best. The collection would have been better to include album tracks off of the first four albums instead of the aforementioned post telekon songs.

This is a good starting point for numan fans. It has most of his 80's chart hits and original version of 'cars'. I prefer his darker stuff, but this should not be overlooked. My fave tracks; Cars, I die:you die, Stormtrooper in drag, Are 'friends' electric? and this wreckage - Brilliant!

As far as a rough collection of songs go, this is a good start, however, it's kept strictly to released singles from 1978 - 1983. keep in mind now numan's "cult" status and I can assure you much beter songs we're found on B- sides from this era, as well as album tracks. In any event, you will be doing yourself a favor by picking this one up. Though some tracks may sound dated, there is a reason why bands such as Nine Inch Nails, Foo Fighters, Jesus Jones, have re inturpeted Numan's use of innovative rhythms, icy synths, fretless bass, and anthem-like choruses.

Got around to buying Gary Numan's compilation as I remember liking a couple of his songs when Countdown was still on air in Australia. The song that I remembered liking was "Cars", which is on this compilation...two versions actually. The song that I could never remember liking was "We are glass".

Anyway, this compilation seems really good but I haven't got any of his regular albums to be definitive on that. Numan seems to have pioneered his own brand of synthesiser based pop/rock. Last week I reviewed Australian band's Icehouse debut album [when they were called The Flowers and their album was called "Icehouse"]. Both acts rely heavily on synthesiser and utilise rock guitar at times. They each have their own unique sound, despite both using synthesiser.

Overall, the album is quite strong...no dud tracks per se. It's uniformly listenable. Stand out tracks are "We are glass" which has a cool "chugga chugga" rhythm guitar riff working for it, a nice piano sound, and a great synthesiser melody, along with synthetic hand-claps at times. Having forgotten this song, it's now my favourite Numan song, having rediscovered it. It's Numan at his synthetic, catchy pop best.

Next favourite is the original version of "Cars". There is a new mix of this song to open the compilation, but it doesn't replace the original in my estimation, which closes proceedings. The original has a spacey introduction and follows up with an infectious synth groove, a cool beat and a nice bass guitar sound. There is also a great change of sensibility during the song. There are looooong, open notes by Numan on keyboard.

Can't really say that I have ever heard anything else by Gary Numan, but the song "Bombers" sounds familiar-perhaps MTV utilised the guitar riff in this song for its own network promotions. Not a bad song, catchy guitar riff, repeated throughout.

Numan's singing style, which is sort of New Wave and a bit Punk at times, is often hard to understand. That can be because of how he sings or because sometimes his voice seems to be synthesised as well.

The sound quality of the cd is excellent. When he does one of his extended keyboard notes, you don't hear any snap, crackle or pop.

Not all of these songs utilise synthesiser. For instance "That's too bad". You can also hear instruments like rock guitar, piano, violin, brass and bass guitar, amongst others, on various songs.

Lyrics can be intriguing, on songs like "This wreckage" and "Sister surprise".

Some songs reminded me of other bands or songs, like "I die you die" [has a The Who like keyboard bit in it, and Pete Shelley's "Homosapien" is brought to mind for the outro. Perhaps Shelley was inspired by this song...I'm not sure who recorded what first in any case]; "Sister surprise" had a Talking Heads/David Byrne feel to it.

A good collection for people who want to check out a musician who did things his way, or for people who have forgotten that he had more than one good song. In Australia, you will occasionally hear "Cars" on FM radio, but I really think "We are glass" is Numan's finest achievement.

Check out The Flowers' debut album "Icehouse" for an excellent pop/rock album utilising synthesiser. I reviewed that at this site the other day.

The underestimated influence of Gary Numan is lost on those who remember him from his sole US hit, "Cars." But as an unlikely pop-star who took the icy-cool of Roxy Music and Bowie and ratcheted the man-machine ethos of Kraftwerk to a level of popularity heretofore unseen, Numan can claim responsibility for everything from Nine Inch Nails to Human League.

The early punk single, "Bomber," was made as Numan's entry into a record deal...and the liner notes claim he did it just so he could get his foot in the door. The second album, Replicas, was a total shift away, matching the Bowie fixation to Phillip K Dick (Blade Runner) and the proliferation of inexpensive synthesizers. "Are Friends Electric" and "Down In The Park" are creepy tunes that evoke cheap Horror/Sci-fi movie music, and announced that Numan had something new to say. Given the breakthrough, Numan rapidly released his followups.

Both The Pleasure Principle and Telekon are brilliant albums, matching the robotic personality with memorable songs (including the international smash, "Cars"). It was the ultimate in automaton-music, and while "Cars" may have been his only US hit, "I Die You Die" and "We Are Glass" from "Telekon" were massive overseas. He also became well known for his live shows, where a made-up and costumed Numan indulged in bits of Grand Theater and High Camp.

However, that was a momentum he couldn't sustain. By I, Assassin and Dance, he was running short of new ideas. While the singles were still very cool, the albums were diverging into dance-rhythms and moved away from the unique personalty that made him interesting. The hits "She's Got Claws" and "White Boys and Heroes" are standouts from that period. But there's just no escaping the fact that it's those three classic albums that make the bulk of the best material on this collection, down to "Cars" hitting the charts again in 1987.

Time has caught up with Gary Numan. His legacy touches everyone from The Foo Fighters to Marilyn Manson (both having covered Numan) and has sustained his career. While songs on this CD end with 1983's Warriors (love that Mad max look), he continues to make records. Pure is the best of his latter day work. His albums after leaving Beggars Banquet are left off, which is too bad. He released a couple of strong CD's on IRS that could have easily been mined for bonus material.

Basically this is a great compilation particularly if like me you remember Cars and Are friends electric ? first being released back in the late 70's and were impressed by the innovative electronic weirdness. Very cool stuff I think and there are a number of other less well known but very good tracks on the CD also. My only dissapointment was that the last track Cars (original release) dosnt play properly. I sent back the first CD and got a replacement but it had the same flaw so I decided to keep it anyway as it has the remix which is very similar.