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Of the Presence of the Body: Essays on dance and Performance Theory
 
 
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Of the Presence of the Body: Essays on dance and Performance Theory [Paperback]

Andre Lepecki (Editor)

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Book Description

March 24, 2004
Of the Presence of the Body gathers nine original essays by eminent scholars in the fields of dance and performance studies. Its focus is the historical, cultural and political contexts that inform choreographic and dance practices and critical readings of dance--in other words, how dance operates as critical discourse. The question that runs throughout the essays is the theoretical and political problem of "how dances come to be seen," how the presence of the body leaves its mark on critical theories and performances.

Focusing exclusively on 20th century dance, the interdisciplinary perspectives range from history to race studies, deconstruction, Marxist theory, feminist theory, literary studies and feminist ethnography. The anthology provides an overview of the current methodologies and theoretical developments in the field of dance studies. These essays expand our understanding of the performing body, and their organization around the epistemological problem in dance studies--the dynamics of seeing, remembering and writing--will make the collection useful for classes in dance criticism and theory, cultural theory, performance studies, and aesthetics.

CONTRIBUTORS: Barbara Browning, Ramsey Burt, Thomas De Frantz, Mark Franko, Andre Lepecki, Karmen MacKendrick, Susan Manning, Randy Martin, Peggy Phelan.

Frequently Bought Together

Customers buy this book with Planes of Composition: Dance, Theory and The Global (Seagull Books - Enactments) $29.00

Of the Presence of the Body: Essays on dance and Performance Theory + Planes of Composition: Dance, Theory and The Global (Seagull Books - Enactments)


Editorial Reviews

Review

"Of the Presence of the Body offers contributions to the fields of dance and performance studies that range from truly extraordinary and intellectually powerful to merely effective and articulate. Seldom are so many strong voices gathered in one place." (Amy Koritz, Associate Professor English, Tulane University )

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6 x 9 trim. --This text refers to the Hardcover edition.

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First Sentence:
The notion that Trisha Brown, a choreographer who honed her skills in the radically democratic venue of New York's Judson Dance Theater in the early 1960s, would find her most congenial partner in Claudio Monteverdi, a seventeenth-century Italian composer of opera, seemed a bit outlandish when I first heard it in Brussels in 1998. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
African American, New York, United States, Mama Africa, Mark Franko, World War, Jon Michael Spencer, Judson Dance Theater, Martha Graham, Men Dancers, Peggy Phelan, Rainer's Trio, Rosas Danst Rosas, Trisha Brown, Jacques Derrida, Judson Memorial Church, Alvin Ailey's Revelations, American Notes, Duke University Press, Judith Butler, Katherine Dunham, Pina Bausch, South Africa, Temple University Press, While Freyre
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