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| 1. Achilles Last Stand |
| 2. For Your Life |
| 3. Royal Orleans |
| 4. Nobody's Fault But Mine |
| 5. Candy Store Rock |
| 6. Hots On For Nowhere |
| 7. Tea Is For One |
The epic "Achilles' Last Stand" catches Zeppelin at their most powerful and desperate as Jimmy Page builds track upon track of harmonized guitars while the rest of the band thunder maniacally behind him and Plant. It is certainly a task to follow this piece, and sure enough, the other songs don't quite measure up to "Achilles'". The rest of the album is mid-tempo guitar rock inspired by Plants frame of mind post-accident. "For Your Life" is depressing song about drug abuse which contains another fine Page solo. "Royal Orleans" is a short, compact funk-rock piece which supposedly cronicles John Paul Jones' misadventures with a drag queen in New Orleans 2 years previous. "Nobodys Fault But Mine" is a pounding blues-rock song with the Jones-John Bonham rhythm section caught in fine form, making the stop-start riffs sound easy. Pages lead is again worth mentioning. "Candy Store Rock" is a throw-away old-time Elvis-esque rock-and-roll piece which finds Page doing his best Jimmy Burton/Scotty Moore impersonation.
... Read more ›What they do is take a back to basics approach, performing as a band with guitars, bass, drums and Plant's vocals. No acoustic guitars or keyboards, just hard rocking Led Zeppelin. While this is effective, there is a noticeable lack of the dynamics of earlier releases and the eclectic variety that made Led Zeppelin be able to pull off a hard rock tune with mandolins.
The two key tracks on Presence are "Achilles Last Stand" and "Nobody's Fault But Mine."
"Achilles" has a galloping triplet bassline, some of Bonham's best drumming, and layers of Page guitar lines. It's an epic cross of "Immigrant Song" and "Song Remains the Song."
"Nobody's Fault But Mine" begins with a classic Page guitar lick, drenched in effects and gradually building in volume, then mimicked by Plant's vocals. The bass/drum rhythms are tricky here, with lots of stop/start mechanics. Plant's performance is memorable, with such gems as "m-m-m-monkey on my back" or "no-no-no-no-no-nooooo...nobody's fault but mine" plus the return of the harmonica.
"For Your Life" is okay, but kind of a castoff from Physical Graffiti. "Royal Orleans" has some cool funk rhythms. "Candy Store Rock" was a single issue from this release, but I don't think it stands up against their other, more superior work.