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Product Description
Written by one of today's great jazz educators, this is a system for building great-sounding jazz lines. the relationship of the individual lines to chords and progressions is analyzed. In addition, original saxophone studies integrate these concepts with technical proficiency.
About the Author
Arnie Berle is a seasoned jazz educator with numerous books to his credit. He toured for years as a reed and flute player with many of the leading big bands in the country. Later, upon settling in his home town of New York, he became very active as a freelance musician and teacher. In 1964, with the arrival of the Beatles, Arnie decided to study the guitar. His experience with other instruments, including accordion and vibraphone, gave him a much broader musical perspective of the guitar. In 1975, he began writing interviews and articles for Guitar Player Magazine, culminating in his very popular column "Fretboard Basics." He is currently a full-time professor at Mercy College in Dobbs Ferry, New York, and writes a regular column for Just Jazz Guitar Magazine. His name is cited in the International Who's Who in Music.
Written by one of today's great jazz educators, this is a system for building great-sounding jazz lines. the relationship of the individual lines to chords and progressions is analyzed. In addition, original saxophone studies integrate these concepts with technical proficiency.
About the Author
Arnie Berle is a seasoned jazz educator with numerous books to his credit. He toured for years as a reed and flute player with many of the leading big bands in the country. Later, upon settling in his home town of New York, he became very active as a freelance musician and teacher. In 1964, with the arrival of the Beatles, Arnie decided to study the guitar. His experience with other instruments, including accordion and vibraphone, gave him a much broader musical perspective of the guitar. In 1975, he began writing interviews and articles for Guitar Player Magazine, culminating in his very popular column "Fretboard Basics." He is currently a full-time professor at Mercy College in Dobbs Ferry, New York, and writes a regular column for Just Jazz Guitar Magazine. His name is cited in the International Who's Who in Music.
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Before we get into the book any further I think we should have an understanding of just what the words Licks, Phrases, and Patterns mean. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
diminished lick, dominant type chords, major type chords, type licks, following licks, altered dominant scale, minor type chords, eight bar segment, own licks, diminished scale, chromatic notes, altered notes, chord symbol, dorian mode, chord types, blues progression, chord tones, mixolydian mode, blues scale New!
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Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
Before we get into the book any further I think we should have an understanding of just what the words Licks, Phrases, and Patterns mean. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
diminished lick, dominant type chords, major type chords, type licks, following licks, altered dominant scale, minor type chords, eight bar segment, own licks, diminished scale, chromatic notes, altered notes, chord symbol, dorian mode, chord types, blues progression, chord tones, mixolydian mode, blues scale New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
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