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The Washington Post called this "a dizzying magic show of a novel, chock-a-block with all the props of Victorian sensation fiction: seances, multiple narrators, a family curse, doubles, a lost notebook, wraiths, and disembodied spirits; a haunted house, awesome mad-doctor machinery, a mausoleum, and ghoulish horrors; a misunderstood scientist, impossible disappearances; the sins of the fathers visited upon their descendants." Winner of the 1996 World Fantasy Award,
The Prestige is even better than that, because unlike many Victorians, Priest writes crisp, unencumbered prose. And anyone who's ever thrilled to the arcing electricity in the "It's alive!" scene in
Frankenstein will relish the "special effects" by none other than
Nikola Tesla.
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Priest, one of Granta's Best Young British Novelists (1983 list), has not been overproductive since he made a small reputation with The Affirmation and The Glamour, published here more than a dozen years ago. His new novel (the title of which refers to the residue left after a magician's successful trick) is enthrallingly odd. In a carefully calculated period style that is remarkably akin to that of the late Robertson Davies, Priest writes of a pair of rival magicians in turn-of-the-century London. Each has a winning trick the other craves, but so arcane is the nature of these tricks, so incredibly difficult are they to perform, that they take on a peculiar life of their own?in one case involving a mysterious apparent double identity, in the other a reliance on the ferocious powers unleashed in the early experimental years of electricity. The rivalry of the two men is such that in the end, though both are ashamed of the strength of their feelings of spite and envy, it consumes them both, and affects their respective families for generations. This is a complex tale that must have been extremely difficult to tell in exactly the right sequence, while still maintaining a series of shocks to the very end. Priest has brought it off with great imagination and skill. It's only fair to say, though, that the book's very considerable narrative grip is its principal virtue. The characters and incidents have a decidedly Gothic cast, and only the restraint that marks the story's telling keeps it on the rails.
Copyright 1996 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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