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Presto

RushAudio CD
4.2 out of 5 stars  See all reviews (185 customer reviews)

Price: $6.98 & FREE Shipping on orders over $35. Details
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
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MP3 Music, 11 Songs, 1989 $7.99  
Audio CD, 2004 $6.98  
Vinyl --  
Audio Cassette, 1989 $12.99  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Show Don't Tell (Remasterd LP Version) 5:00$1.29  Buy MP3 
listen  2. Chain Lightning (Remastered LP Version) 4:33$1.29  Buy MP3 
listen  3. The Pass (Remastered LP Version) 4:50$1.29  Buy MP3 
listen  4. War Paint (Remastered LP Version) 5:24$1.29  Buy MP3 
listen  5. Scars (Remastered LP Version) 4:07$1.29  Buy MP3 
listen  6. Presto (Remastered LP Version) 5:45$1.29  Buy MP3 
listen  7. Superconductor (Remastered LP Version) 4:47$1.29  Buy MP3 
listen  8. Anagram (Remastered LP Version) 3:59$1.29  Buy MP3 
listen  9. Red Tide (Remastered LP Version) 4:30$1.29  Buy MP3 
listen10. Hand Over Fist (Remastered LP Version) 4:10$1.29  Buy MP3 
listen11. Available Light (Remastered LP Version) 5:02$1.29  Buy MP3 


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Rush – Geddy Lee, Alex Lifeson, and Neil Peart – is without question one of the most inventive and compelling groups in rock history, equally famed for both its virtuoso musicianship and provocative songwriting.

Just last year, a career-chronicling Rolling Stone feature praised the band for its continuing artistic vitality, noting that “It’s true that Rush ... Read more in Amazon's Rush Store

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Presto + Roll the Bones + Test for Echo
Price for all three: $26.82

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Product Details

  • Audio CD (August 31, 2004)
  • Number of Discs: 1
  • Label: Atlantic
  • ASIN: B0002NRQTS
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (185 customer reviews)
  • Amazon Best Sellers Rank: #9,259 in Music (See Top 100 in Music)

Editorial Reviews


Customer Reviews

Most Helpful Customer Reviews
56 of 61 people found the following review helpful
5.0 out of 5 stars Remastered Magic August 31, 2004
Format:Audio CD
Rush's Presto appeared in 1989 and represents the best of their "middle" period of development (Grace Under Pressure through Roll the Bones) characterized by an new emphasis on melodic inventiveness, a lean, stripped-down, bass "lite" sound, with keyboards and effects used heavily at times. It represented a significant departure from the traditional guitar and drum orientation of Rush's first six studio albums and was not welcomed by all fans. It did, however, produce some very good music, notably on this album, arguably Rush's most orignal effort ever.

Though clearly still a rock album, Presto at times has a somewhat jazzy, funk sound to it, evident immediately on the record's opening track Show Don't Tell, which sounds better in this remastering than the original. Scars, The Pass, the title track, and Red Tide round out the album's best, though the only real second-tier song is the forgettable War Paint.

Originally, many fans complained about the album's somewhat tinny, reedy sonic qualities. This remastering has gone aways toward relieving that problem, with a much more "present" sound to the bass and lower keyboards. The fact remains, however, that Presto is still not a "warm" album in the manner of Counterparts or Moving Pictures. I would characterize the sound as "bright" and somewhat cold. Geddy was still using his Wal bass at this time, and whether because of his preferences or the bass itself, the sonic result was a spare, though crystal clear bass line. Similar results occurred on the Roll The Bones album, which was also produced by Rupert Hine. Neil and Alex's guitar fills are also captured with great clarity. The original album was a favorite in terms of Neil's drum sound and this remastering has only improved the result.
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14 of 14 people found the following review helpful
5.0 out of 5 stars Best Rush Remaster in the Series July 23, 2009
Format:Audio CD
I bought the re-mastered Presto to replace my old CD and I can't believe the difference in sound quality between the two. This album has by far benefitted the most in the Rush re-master series. Adam Ayan has done magic to this magical album. Alex's guitar has been separated from the synthesizers, which now seem to play a much more minor role in the album's sound. Getty's bass is now audible on all tracks and the professor's drum kit has been brought front and center, giving the entire album a more spatial, stereophonic sound.

I heard music on this album that I didn't know was there. You can hear Getty play a nice little bass riff at 2:40 in Chain Lightning, and his string picking behind the piano chords at the intro to Available Light is beautiful. In War Paint, you can now hear Neil hit probably every drum head in his kit. The bass kick drum can now be felt in every song, a fundamental requirement in rock music as Neil himself has said. I've always listened to Rush because I enjoyed their virtuoso musicianship. Singing and lyrics were always second to me. However, while listening to The Pass on this album, I heard two phrases in a way I never had before. You can hear vibrato in Getty's voice during the phrase, "Nothing's what you thought it would be..." that makes the vocal soar across the music. And his unaccompanied, "Christ, what have you done?" literally jumps out of the song and smacks you between the eyes.

The re-mastered Presto is like a whole new album for me and I would recommend it to any Rush fan who classifies themselves as not a fan of Rush's middle period. Now, if only we could get Ayan to re-master Vapor Trails, a great album that sounds like it was mastered inside a garbage can. Are you listening Atlantic?
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10 of 10 people found the following review helpful
Format:Audio CD
When this album came out in November of 1989 I was no longer an avid Rush fan. I had other bands stealing my attention. It wasn't until some years later that I got back into Rush and began to listen to the albums that I had missed. Presto was one of them, so was Roll The Bones and Counterparts. Rush had grown kinda tired to me. There is the old die-hard Rush side of me that digs anything before Moving Pictures (except The Necromancer and maybe Rivendell) and then there is the new Rush fan that likes Signals and Grace Under Pressure and Power Windows. Rush has always broken their albums up in fours (until recently that is) by making a live album to close the door on another section of Rushtory (History. KISStory. Why not Rushtory?) and those live albums have always marked a new direction in the band's sound or motivation. You can hear the most drastic changes after All The World's A Stage and Exit...Stage Left, but even after A Show Of Hands, Rush continued to change. Hold Your Fire had already started the progression Rush was formulating with their latter work and Presto is the culmination of that. Lite and often overlooked, there are still some standout songs here in the mix. Let's look at the listing:

Show Don't Tell - The first time I heard Presto I was hardly impressed. This song did nothing to minimalize my fears. After years of listening to this song and the rest of the album, it grows on you. Presto was one of the first Rush albums that I had to digest for some time before I started to like it. The is a great song, it just took a while for me to realize it.

Chain Lightning - The Presto sound is not gonna go over very well with a lot of the old Rush fans, because it lacks the punch of previous Rush efforts.
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Most Recent Customer Reviews
3.0 out of 5 stars Rush classic
Another good outing from the boys from the great white north. Rush never fails to please the music enthusiast for sure.
Published 14 days ago by Lyle W.
2.0 out of 5 stars It's ALL downhill from the start...
Here's what I really think about Pissto:

1. "Show Don't Tell" Best song on the album; tricks you into thinking the rest will be good... Read more
Published 25 days ago by Toxforth O'Grady
5.0 out of 5 stars It's Rush....why do you need a review?
Brilliant album. Lyrically superb as always. Highlights are Available Light, The Pass, ....ah, bugger it, everything's good here. Read more
Published 1 month ago by Dave
5.0 out of 5 stars One of my favorite!
I just think its one of there best albums! Alittle bit of a change in style of music then there past albums...Great change!2
Published 2 months ago by Kevin Gowins
4.0 out of 5 stars An Underrated Rush Album
This is an album that had some very good songs, such as Show Don't Tell, The Pass, Presto, Superconductor and Available Light. Read more
Published 3 months ago by Andrew Sharp
5.0 out of 5 stars Rush closes out the 1980s on a high note...
I'm not sure how most fans feel about it, but "Presto" might be one of the more underrated Rush albums in their entire catalog imo and I would go so far as to say it's better than... Read more
Published 5 months ago by Paul Carruthers
5.0 out of 5 stars A must have for any Rush fan!!!!
Classic Rush album gave triumphant music. A truly brilliant album. A must have for any Rush fan. Good for the soul.
Published 5 months ago by bugsbunny2795
5.0 out of 5 stars Presto
This is a great album. The songs, the lyrics, the music...all incredible. "Presto" is one of my favorite songs. Just amazing. Listen to it.
Published 5 months ago by Rush is a band
5.0 out of 5 stars WOW!!! I REALLY LIKE THIS ONE!!!!
While you can't compare PRESTO with early RUSH masterpieces, i think it's their BEST album since the classic MOVING PICTURES.... Read more
Published 6 months ago by FLUMINENSE
4.0 out of 5 stars Definite Improvement
The remaster definitely has a better sound than the original. Hard to explain sound but it seems a bit fuller and is easier to listen to. Read more
Published 6 months ago by Jason M. Martin
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