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13 of 13 people found the following review helpful:
5.0 out of 5 stars
Masterton Does It Again!, January 7, 2000
David Williams with his young son Danny move into Fortyfoot House, a run down 19th century orphanage in Bonchurch to restore it. He hears scuffling and scratching in the walls and attic that could be a rat and in reality is more like a rat monstrosity. Locally the town has a history of children who disappear, never to be seen again. They are taken where the clock can't find them, taken by this rat/boy creature, Brown Jenkin. He starts to see spirits of people long dead, yet are not dead. He learns the history of the house, which is still happening yesterday, now and tomorrow. The house not only has a sinister past, but an equally sinister present and future. This time travel tale is unsettling, and engrossing. It's an uneasy read. I cannot stress to you enough just how good Masterton is, and if you can only pick up one or two books at a time, let this be on your list.
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9 of 10 people found the following review helpful:
5.0 out of 5 stars
The Return of Brown Jenkin, April 21, 2001
David Williams is not having a good year. His wife leaves him and his son, Daniel, for another man, taking most of his money in the process. In his emotional distraction he loses his business. It is only by happenstance that he finds a position restoring Fortyfoot House, a century old deserted orphanage. No sooner does he settle in but he starts hearing spooky scratching and rustling in the attic. And he sees ghostly presences in the garden and bedroom. The only good news in David's life is the appearance of Elizabeth, an attractive college student, who moves in while on a summer job. She helps with the cooking and provides needed companionship. As David investigates the strange goings on about Fortyfoot House he discovers that the strange noises and lights are blamed by the villagers on a strange rat-like creature called Brown Jenkin. He is associated with the original owners of the house. In 1886 a terrible disease struck the orphanage and all the children died. In some fashion Brown Jenkin had something to do with the deaths. Soon the haunting turns into killing, as first a rat killer, and then a neighbor, are horribly slaughtered. David discovers that the house isn't quite where it appears to be. The horror builds until the lives of both Daniel and Liz are threatened and David is drawn into an insane ritual that promises the end of the world. David must face inhuman evil if he wishes to end the nightmare. Graham Masterton, less known that writers like King, Straub and Koontz, is still one of our best contemporary horror writers. "Prey," written in 1992, is something of a tour-de-force. Masterton makes use of both legends and occult mythology to craft a tale that draws the reader in and keeps him or her reading to the very end. Masterton has the ability to build the horror of a scene so that is has real impact. His narrative flows naturally and his use of internal dialog contributes to the dark atmosphere. "Prey" is a classic of top-notch spookiness.
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9 of 10 people found the following review helpful:
4.0 out of 5 stars
Masterton Delivers Yet Again, July 3, 2000
I have been a fan of Graham Masterton's fiction for a number of years now, since I first came across his work when just a schoolboy. This is certainly a very entertaining horror read, and engages the reader on many levels. Masterton is a master of mood and setting, and here he perfectly captures the air of an English summer on the Isle of Wight, in the midst of which stands Fortyfoot House with all it's menace... The evil presence of a being known popularly to locals as Brown Jenkin, part giant rat, part human, scurries through the walls of the house, twittering and calling in the darkness. Strange lights and sounds come from the attic at night. Why did so many children die in the space of a few days at Fortyfoot House in November 1886? Why is the roof constructed in such a bizarre fashion, so that it's angles appear...impossible? Masterton has drawn heavily from the Cthulhu Mythos originated by classic writer H. P. Lovecraft for this story. At first I was dismayed that he did this, as I am thoroughly versed in the original canon. My fear was that he would take such liberties as to ruin my enjoyment of this book, despite being such a Masterton fan. However, with reflection I do not see it as a problem at all. Sure, he has taken huge liberties with Cthulhu Mythos lore, but why not? Too many people are too precious about it. Besides, the constant addition and taking of liberties only serve to enhance and contribute further to the cycle. While this novel is certainly fringe-Mythos, it is still a fantastic read. And you cannot ask for more than that. With plenty of gory detail to satisfy without overpowering you, Masterton has written another great horror tale. A classic horror page turner.
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