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Priceless: How I Went Undercover to Rescue the World's Stolen Treasures Paperback – June 7, 2011
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From Publishers Weekly
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to an out of print or unavailable edition of this title.
"Genius... Riveting.... Should be a TV series."--Los Angeles Times
"A rollicking memoir... investigative details dazzle... PRICELESS can read at times, not unpleasantly, as if an art history textbook got mixed up at the printer with a screenplay for THE WIRE."--The New York Times
"Riveting... superbly crafted... absolutely, hands down the best book ever written on art crime."--Associated Press
“I can’t think of a better title for a book than this one, PRICELESS. Because this non-fiction story is priceless, a spellbinding narrative of an FBI agent’s journey into the crazy murk of what is perhaps the most fascinating criminal activity of all, high-stakes art theft into the millions upon millions.”--Buzz Bissinger, New York Times bestselling author of FRIDAY NIGHT LIGHTS and coauthor of SHOOTING STARS
"Entertaining...crime buffs will receive a painless education while they enjoy a lively account of art thieves and the man who pursued them."--Kirkus Reviews
"Wittman's memoir, PRICELESS, is a fast-paced, gripping narrative of stolen national treasures and those who traffic in them. An undercover lawman armed with wit and adrenalin, Wittman exposes the darkest corners of the art world and brings to justice the dangerous criminals who lurk there."--Laney Salisbury, co-author of PROVENANCE: HOW A CON MAN AND A FORGER REWROTE THE HISTORY OF MODERN ART
"In one riveting sequence after another, Robert Wittman reveals the art world’s underbelly as it has never been seen, through the eyes of an undercover agent whose investigative acumen is matched only by his art-history chops. A true page-turner."--Benjamin Wallace, New York Times bestseller author of THE BILLIONAIRE’S VINEGAR
“With suspense, intrigue, and candor, FBI agent Robert Wittman takes us inside the secret world of stolen art as he goes undercover to solve some of the most notorious art thefts of our time.”—Ronald Kessler, New York Times bestselling author of THE BUREAU and IN THE PRESIDENT’S SECRET SERVICE
“PRICELESS is a gem of a story, part James Bond, part art history. If Robert Wittman didn’t already exist, Dan Brown would have made him up.”--George Anastasia, New York Times bestselling author BLOOD AND HONOR, THE LAST GANGSTER and THE SUMMER WIND
"More realistic than THE THOMAS CROWN AFFAIR, more entertaining than CATCH ME IF YOU CAN. It's hard to believe one undercover FBI Agent rescued so many cultural and national treasures......but it's all true.”--Jack Garcia, former FBI undercover agent and New York Times bestselling author of MAKING JACK FALCONE
“PRICELESS is a rare and riveting journey into the little-understood world of art crime. A brilliant professional who sees both the big picture and all of its nuances, Wittman fascinates with tales of his daring adventures as an FBI undercover agent. Demonstrating candor, humor, integrity, and sensitivity, Wittman strips away the myths, bares the truth, and tells it like it is. He and PRICELESS are both precisely that--priceless!”--Andrea Kane, New York Times bestselling author of DRAWN IN BLOOD
From the Hardcover edition.
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Top Customer Reviews
There are suave characters, misfit gangsters and plot twists that can make you laugh or cry (depending on how much of an appreciation of art you may have - and if you don't have much of one, you will by the time you finish this book). Some of the "gangster talk" is right out of Hollywood; you wouldn't believe it if dialogue wasn't culled from bugged meet-ups and hidden video. But it's all real! And its told in a style that at times borders on gumshoe noir, which keeps the action lively.
Highly recommended for a fun summer read; I think anyone would enjoy this international thriller and might even learn something along the way.
"Americans, in particular, are said to be uncultured when it comes to high art, more likely to go to a ballpark than a museum. But as I tell my foreign colleagues, the statistics belie that stereotype. Americans visit museums on a scale eclipsing sports. In 2007, more people visited the Smithsonian Institution museums in Washington (24.2 million) than attended a game played by the Nations Basketball Association (21.8 million), the National Hockey League (21.2 million), or the National Football League (17 million)."
I was shocked by that fact. I was also surprised by the different priority level that the US places on art theft, compared to other countries. Despite the record prices being paid for historical and artistic pieces now, the penalties for their theft weren't comparable. The trails that Wittman goes through trying to deal with and change the investigation procedures in these cases was very interesting.
But the points at which I was most interested in this story, in the memoirs of this FBI agent were when he described his reactions to the stolen treasures he tried to restore to their place in the world.
"This was my first antiquity case, but as I would learn, looters are especially insidious art thieves. They not only invade the sanctuaries of our ancestors, plundering burial grounds and lost cities in a reckless dash for buried treasure, they also destroy our ability to learn about our past in ways other art thieves do not. When a painting is stolen from a museum, we usually know its provenance. We know where it came from, who painted it, when and perhaps even why.Read more ›
First of all, PRICELESS is very much a memoir - it's the story of the author's life, not the story of art crime. I was hoping for the story of art crime - not just Bob Wittman's personal experience with it. I didn't really want to learn all about Bob Wittman's life, but I did. He tells us what his dad did for a living, how he got into the FBI, the time he was charged with drunk driving, what he was doing on 9/11, things that are memorable to him but didn't really catch my interest.
Each chapter focuses on a particular sting that Wittman made. But...apparently undercover work isn't that exciting. Now, I can appreciate that the reality is probably a lot different than the movies, and it's interesting to get a glimpse of the unvarnished truth. But the truth is mighty dull. A lot of these undercover operations boil down to, "This guy was selling some stolen art, so I pretended like I was a broker who wanted to sell it on the black market, and once we were sure the art was authentic we arrested him." Sure, maybe Wittman's heart was pounding at the time, and yeah, it would be kind of crazy to have a fake identity and "befriend and betray" a bunch of criminals. But it's not a page-turner.
I thought Wittman's discussion of art history was really shallow. He got his entire art education by taking a course at an eccentric museum in Philadelphia. It did him a lot of good - but it didn't make him an expert. More like an amateur who doesn't realize that he's got a lot left to learn.Read more ›
Wittman starts you off with names that any layman would be familiar with such as Rembrandt and Picasso... and then takes you on the same educational journey he himself traveled... such as getting educated in a course at an art gallery that simply takes you aback when you're told: "ON THE WALL IN FRONT OF ME, SURROUNDING A THIRTY-FOOT WINDOW HUNG THREE WORKS WITH A COMBINED WORTH OF HALF A BILLION DOLLARS." (Picasso's "THE PEASANTS"... Matisse's "SEATED RIFFIAN"... and Matisse's "THE DANCE".) What the author does from there on out is not only illuminate the world of art... but he shares such a strong empathy for the people whose works of art have been stolen. At times the victims are individuals... at times the victims are galleries... at times the victims are cities and states... and at times the victims are entire countries.Read more ›
Most Recent Customer Reviews
Well written biopic of what it takes to bring back stolen artwork back from the world of thieves. Also is a warning bell for museums to keep a close eye on security measures. Read morePublished 1 day ago by Alan Robison
The stories about recovery of art are interesting, but there are a lot of "I"s in this book.Published 2 days ago by Janet
Enjoyable and easy read. If one likes mysteries and crime related non-fiction, Priceless is a good choice.Published 14 days ago by T. Hestwood
One of the best books on art frauds and forgeries. There are a bunch on the topic -- if you're interested in this subject, by all means read Mr Wittman's title.Published 15 days ago by Jerry Mac
One of the best books I've read in recent years. Easy read, very engaging, fun and educating. I've learned a bit about art, about criminals about art theft and recovery. Read morePublished 18 days ago by Yazon D. Alt
I enjoyed reading about the undercover maneuvering that goes on in a sting.
The politics that goes on amazes me. The FBI is pretty much like any other Federal agency. Read more
This fascinating account of major art theft cases, written by the founder of the FBI Art Crime Team, is both a true-crime story and a bit of an art lesson, since the author(s)... Read morePublished 3 months ago by Rickie Blair
This is a richly captivating memoir about recovering some of the world's most famous stolen art treasures written by the FBI agent whose undercover work was dangerous, exciting,... Read morePublished 4 months ago by SweetP