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20 of 21 people found the following review helpful:
4.0 out of 5 stars
I've you've never read the real Pride and Prejudice..., February 5, 2002
...then Pride, Prejudice and Jasmin Field will delight! I admit I have never read the original classic by Jane Austen (no wet noodles, please), so all the events written in PPJF were a complete surprise. Reading the reviews before me, it seems there were many who were looking for a good knock-off. Since I've never read the former, I have no idea how well the parallel is drawn; my review will only observe PPJF by itself. It all starts with a play: an adaptation of Pride and Prejudice performed by a bunch of non-actors for a celebrity audience in order to earn money for breast cancer research. Jasmin (or Jazz if you're her friend), sister George and best pal, Mo, are all auditioning in front of the criticizing and directing eye of Academy Award winner, Harry Noble. Things get started on a rocky path, and as soon as rehearsals begin, Jazz can't imagine seeing the pretentious and callous Harry Noble any more than she has to. There are many side stories in this novel involving many of the characters: the ins and out of co-star love, love with your enemy, tabloid scandals, the search for the truth behind an unpleasant personality, the reality of an ideal marriage, and self-realization. The novel weaves well together and is very readable and fun. The ending was a little too rushed and tidy for my taste, but I still had a great time reading this book. As mentioned before, I've never read the original Pride and Prejudice, so I don't know how Nathan's contemporary version compares. As a stand-alone novel, I was very pleased with what I read and glad that I didn't recognize the characters from a previously told story. Lighthearted, simple, and great weekend entertainment, Pride, Prejudice and Jasmin Field is a exciting teaser of more things to come from Melissa Nathan.
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13 of 13 people found the following review helpful:
4.0 out of 5 stars
pleasant update of the classic, January 1, 2002
Because Jane Austen's Pride and Prejudice is one of my very favorite books, I was both excited and skeptical about Melissa Nathan's debut novel -- wanting it to be good, but not wanting to set my expectations too high. I was pleased to find the style and the contemporary retelling worked well. The author has a quiet humor that works nicely, and the characters were interesting. The Darcy-update, actor Harry Noble, is a likeable and compelling lead; the female protagonist, Jasmin 'Jazz' Field is also nicely written. The book is not flawless. While Austen was always consistent in her POV -- we consistently saw and heard and thought the same things Elizabeth Bennett saw and heard and thought -- the text here is sometimes jarring in its change of perspective, even between paragraphs. The occasional cussing is also disconcerting. There are some clumsy, and unnecessary, contrivances to make the story mirror Austen's exactly. Despite those problems, I enjoyed the book very much and was excited when the protagonists finally 'found' each other, just as I am each time I re-read the original. Nathan is a gifted writer, and I will definitely read her next book.
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16 of 18 people found the following review helpful:
1.0 out of 5 stars
Run, don't walk, August 18, 2003
By A Customer
If you are in any way a student of literature, or have any appreciation for the subtle art of Jane Austen's Pride and Prejudice, drop this book and run! First of all, I confess I was prejudiced (no pun intended) right from the start because it drives me mad when authors give all their characters "cool" and "trendy" names. In real life, characters like these would not all be called Jazz and Mo. They just wouldn't. Note that Helen Fielding in "Bridget Jones' Diary" was fairly successful in spanning the variety of modern British names. This book, on the other hand, is the British equivalent of writing a novel about American professionals and naming them all Krystyl or Alixz. And if only that were its only sin. This book tosses subtlety, character development, realism, and Jane Austen's novel right out the window. Characters seem to have been drawn by choosing the Austen character's most salient trait and blowing it up to billboard size, while failing to provide any redeeming qualities. The Jane Bennet character, sister of the heroine, is beautiful as was Jane in Austen's novel. Because she is beautiful, and because she must reenact Jane's misfortunes, she is also stupid and kind of loose. But the worst by far is the main character, "Jazz," who is to Elizabeth Bennet what Justin Timberlake is to Yo-Yo Ma. Elizabeth in P&P is confident, slightly outspoken, an independent thinker, and not as good a judge of character as she thinks. Jasmin is loud, brassy, rude, sluttish (in the true sense of the word), and downright tacky. Ms. Nathan needs to learn that you do not create an Elizabeth Bennet character by describing a depth-free, loud woman who offends everyone - that's how you get a Caroline Bingley or a Lady Catherine. Lest you think I hated this book because I'm an Austen purist, that is not the case. I love Clueless, I love the not-entirely-faithful Miramax Mansfield Park, and I laughed myself sick through Bridget Jones. If you enjoy reading books about Ab Fab-esque British singles who swear a lot and seem to hate anything that smacks of class or education, by all means read this book. But it is being touted as a "Pride and Prejudice" update, and it is not that. It's a shallow imitator. Avoid it. To sum up: this book is only a delightfully fresh look at "Pride and Prejudice" if you thought P&P had too many big words and too much pesky character development, and not nearly enough references to Britney Spears.
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