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The Pride and the Pressure: A Season Inside the New York Yankee Fishbowl
 
 
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The Pride and the Pressure: A Season Inside the New York Yankee Fishbowl [Hardcover]

Michael Morrissey (Author)
3.2 out of 5 stars  See all reviews (14 customer reviews)


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Book Description

March 13, 2007

Derek Jeter
Jason Giambi
Bernie Williams
Gary Sheffield
Alex Rodriguez
Johnny Damon
Melky Cabrera
Hideki Matsui
Bobby Abreu
Jorge Posada
Mariano Rivera
Chien-Ming Wang
Robinson Cano
Mike Mussina
Randy Johnson

“The Yankees always said they valued players who could handle the white-hot spotlight, could handle life in the Yankee Fishbowl.”
--from The Pride and the Pressure

What’s it really like to wear the pinstripes? This riveting account from New York Post writer Michael Morrissey takes readers inside the clubhouse of the 2006 New York Yankees and reveals what really goes on behind the hype, the media glare, and the roar of the fans surrounding the most fabled organization in the world of professional sports.

The New York Yankees began the 2006 season with baseball’s highest payroll and sky-high expectations—and more challenges than other any Yankee team in history. From owner George Steinbrenner right on down, the team took an urgent, almost militaristic, approach toward winning their twenty-seventh world championship. Morrissey had full access, chronicling the ups-and-downs on the field and the public and private skirmishes that defined their season:

·Why manager Joe Torre and general manager Brian Cashman chose to stay on for another season, despite chafing under Steinbrenner in 2005
·The saga of Alex Rodriguez: his peculiar relationship with the fans and the media and the crushing scrutiny that shaped 2006
·How Johnny Damon, the fun-loving, former Red Sox superstar, assimilated into the Yankee line-up and clubhouse
·How Jason Giambi quietly overcame a steroid scandal and became a reliable, formidable power once again
·How the acquisition of Bobby Abreu at the trade deadline redefined the Yankees, attempting to overcome serious injuries to Gary Sheffield and Hideki Matsui that nearly derailed the team’s prospects
·An unexpected role for Bernie Williams, a huge fan favorite whose Yankee career seemed to be over until team injuries drew the aging star back into the line-up
·Why the Yankee pitching rotation never felt bulletproof – from inconsistencies by Randy Johnson to the embarrassing injury streak suffered by Carl Pavano
·How Yankee superstar and captain Derek Jeter handled relentless expectations to win the World Series, guided the team through disastrous injuries, and faced stinging accusations of not supporting teammate Alex Rodriguez


Nothing in sports compares to the prestige and weight of wearing the pinstripes. THE PRIDE AND THE PRESSURE takes Yankees fans behind the scenes and brings it all to life.



Editorial Reviews

About the Author

MICHAEL MORRISSEY has been covering Major League Baseball since 1997 and has been a baseball writer for the New York Post since 2000. He has been honored in The Best American Sports Writing three times, and national television and radio outlets frequently seek out his expertise. He lives in New York.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One
HOME OPENER
April 11, 2006



Brian Cashman fiddled with his World Series ring. Twisted it, turned it, slid it off his ring finger, and put it back on. It was a glorious spring day in New York City, and the Yankees were about ninety minutes from their home opener against Kansas City, which, for millions of fans who live and die with the team, meant renewed hope and anxious expectation.

As Cashman stood on the lush grass just wide of the first–base line at Yankee Stadium, he intermittently (and subconsciously) toyed with the bauble while discussing, among other things, how badly he wanted to win another. And how immense the challenge would be. And how lucky the Yankees were to have the ones they owned. The diamond–encrusted ring was, obviously, gorgeous; it was a talisman that signified the triumphant moment men spend their lives toiling to attain. Having been in the Yankees organization since he was an intern in 1986—and having been the GM since 1998—Cashman had his pick of rings.

But he always gravitated toward the one from 2000.

“It was the toughest one to get,” he said.

It was also the twenty–sixth, and last, the Yankees had earned.

Just a few moments earlier, Cashman had shared a moment with Johnny Damon, the newest hired gun in the Yankees’ mercenary arsenal. The two joked around and gave each other gentle pats on the back after batting practice, and then Damon went into the clubhouse to prepare for the game. Damon’s improbable, clandestine departure from Boston over the winter was the stuff of legend, a late–night coup that enraged Boston fans. Even some Yankees fans had a tough time initially swallowing the move, which once and for all bumped the beloved Bernie Williams out of a position he had owned since 1993. In essence, it was a real–life defection with as much suspense as a Tom Clancy novel. Damon was the Yankees’ Red October.

So when Cashman was asked whether it would take time for Damon to completely win over Yankee Stadium, the GM paused for four seconds. The answer was one he would rather not acknowledge.

“Probably,” he finally responded. “Some people are already on board, some people are die–hard Red Sox haters. Roger Clemens took a while for people to adjust [to] when he got here. And I’m sure for some people it took a while for Wade Boggs to adjust to when he got here. So some people are going to embrace it right off the bat. Some people are still going to have some of those memories of the damage that Johnny did against us over the years.”

Cashman was right on target, judging from the boos Damon received that day. But it was nothing like the nasty reception the Yankee center fielder would receive when he returned to Boston in early May.


Not only was it bizarre that the Yankees had an “idiot” Boston immigrant patrolling center field, but Cashman’s return in 2006 was something that was far less than a certainty. When the Yankees lost to the Angels in Game 5 of the ALDS in October 2005, he cried in the bowels of Angel Stadium. His contract was up, and many baseball observers thought the episode was proof he was mentally and emotionally moving on. (Coincidentally, it was only a few days earlier that Damon had broken down in the Fenway clubhouse, mourning a season and his own potential exodus.) For years, Cashman had uncomfortably wiggled under The Boss’ thumb, honored to be in such a lofty position at such a young age but constantly thwarted by the backstabbing and machinations of others in the Yankee Fishbowl.
The rogue Tampa faction was especially insidious, since it operated where Steinbrenner, looking feebler every year, now made his home year–round. In the end, Cashman knew his best chance of winning came in New York. And he couldn’t cut the cord to a team he himself had built.

“The challenges would’ve been anywhere,” Cashman said. “If I went somewhere else, I would’ve been in the same mind–set. But I have a lot invested. It’s not just as simple as you sit down at a table in the winter with an agent, or you sit across the table from a player.”

Cashman felt the obligation to players such as Alex Rodriguez, who had agitated for a trade from Texas after the 2003 season even though he had just won the MVP there and was the game’s highest–paid player, with a $252 million contract. When a deal with Boston fell through before the 2004 season, Rodriguez offered to change positions and become a third baseman. Jason Giambi was another established All–Star who had followed to the place where Tino Martinez, Paul O’Neill, and other Steinbrenner “warriors” had once beaten all comers. Giambi exited Oakland after the 2001 season, even though the California native was a frat–house king with the A’s. Of course, the money was way better in New York (seven years, $120 million), but Giambi toned down his personality and polished his image in order to conform to what he hoped were world–championship standards.

“I mean, there’s so many examples,” Cashman said. “And it’s not BS. These guys are sincere.”

Cashman cited another: Mike Mussina, who prior to the 2001 season had left the Baltimore organization he grew up in, alienating a fan base with which he had an excellent relationship, to sign with a hated division rival. Back on November 30, 2000, the day Mussina signed a six–year contract, you never in your life would’ve guessed that he wouldn’t win at least one World Series with the Yankees—who had won four of the previous five at that time. Mussina, who was now thirty–seven, was in his final season with the Yankees unless the team exercised a club option. Late in 2005, his pitching elbow began bothering him for the first time, and he missed twenty–one games.

“Who knows how much longer he’s pitching?” Cashman said. “He’s been great for us so far, and he’s been a great free–agent sign. In his first year, we got to the World Series. And in his third year, we got to the World Series. But we didn’t complete it. You don’t want to be that close.”

Essentially, Cashman conceded that the pressure to win a title had grown greater. The Yankee Fishbowl had grown smaller, and every year there were bigger fish swimming in it. Whereas the Yankees had once relied on a mixture of homegrown talent and veterans such as Scott Brosius, Martinez, and O’Neill, who seemed to be better than their stats when crunch time came, they had now accumulated immense talent and big personalities—some would say at the expense of chemistry. And yet the GM chose not to think of the title drought in terms of pressure.

Instead, Cashman took a proactive approach, trying to cultivate a culture where being a Yankee meant being accountable to the exacting standards of perfection. That’s why he insisted, when he signed his new contract with Steinbrenner, on a separate agreement acknowledging that he’d have full authority over the personnel of the club. (Whether the famously impatient and temperamental Steinbrenner would adhere to such a guarantee was another story.)

When the dust settled on the 2006 season, Cashman said, he wanted to be able to look in the mirror and know he had done everything he could to try to attain a championship. He believed in setting a goal, and establishing a plan to achieve the goal. But at the same time, he understood that it was a sport played by fallible people. He recognized that there were other teams in other cities trying to accomplish the same goal.

“If somebody’s better than you, you can live with it,” he said. “You just don’t want to miss opportunities, you don’t want to look back and say, ‘I wish I did it differently,’ or ‘I wish I would’ve worked a little harder,’ or ‘I wish I would’ve planned a little bit better.’ You just don’t want any of those. Because I can live with doing everything possible, checking off everything and tip your hat if someone was better. But you don’t want to look back and say, ‘That should’ve been ours.’”

The Yankees hadn’t even returned to the Fall Classic since 2003, where they lost to an upstart Florida bunch after holding a two–games–to–one lead in the series.

“I know people are worried about how we haven’t won a World Series in five years,” Cashman said. “It’s supposed to be some sort of insult, I guess. But it’s not. I recognized even when we were winning how difficult [it was]. You can look in the archives and pull it out. We said at that time, ‘People better pay attention to what they’re witnessing right now, because this stuff doesn’t happen like this very often.’ And it doesn’t, runs like that.

“And obviously we’re operating in the shadows of the ’96, ’98, ’99, 2000 championship clubs. And people keep saying, because we haven’t done that, we’re failures. That is so special. It’s hard to win one, let alone [four out of five] and being in the World Series two years after that. It was such a great, successful run. We still feel like we’re capable. But we’ve got to prove it. I know how difficult it is, I know how hard our guys try. And it’s all I can ask of anybody, and all that these guys ask of themselves.”


Once again, the Yankees outspent the competition. Their Opening Day payroll was about $194 million, which was actually down $14 million from the year before. But the former boy–wonder GM knows that everybody from The Boss, G...

Product Details

  • Hardcover: 288 pages
  • Publisher: Doubleday (March 13, 2007)
  • Language: English
  • ISBN-10: 0385520867
  • ISBN-13: 978-0385520867
  • Product Dimensions: 9.1 x 6.2 x 1.1 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 3.2 out of 5 stars  See all reviews (14 customer reviews)
  • Amazon Best Sellers Rank: #1,646,689 in Books (See Top 100 in Books)

More About the Author

I have been covering Major League Baseball since 1997, and in New York City since 2000. I'm a baseball writer at the New York Post, which is the fifth-largest newspaper in the country. I have been recognized nationally in the Chicago and New York markets and have been honored in "Best American Sports Writing" three times.
My expertise is often sought after by local and national TV and radio outlets, and my past experience includes appearances on "SportsCenter," "Outside The Lines" and "Countdown with Keith Olbermann."
Last season, I covered 130 major-league season games in person, including 70 Yankees games.
Before I worked at the Post, I worked at a paper called The Times of NW Indiana, in Munster, Indiana. The paper was right on the border of Illinois, and we covered pro sports in Chicago. I got my start in Palmer, Massachusetts, after graduating from the University of Massachusetts at Amherst in 1994.

 

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Average Customer Review
3.2 out of 5 stars (14 customer reviews)
 
 
 
 
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5 of 6 people found the following review helpful:
2.0 out of 5 stars Tabloid Columns Disguised As a Book, April 10, 2007
By 
Karen Lee "Karen" (New York, New York, USA) - See all my reviews
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This review is from: The Pride and the Pressure: A Season Inside the New York Yankee Fishbowl (Hardcover)
This whole book is a collection of tabloid-like articles telling us more than we really need or want to know about some of the Yankee players. For example, Hideki has raging acne and a large collection of porn. Jeter isn't very nice to Miguel Cairo (I didn't know that and I'm sorry. I like Miguel).
The writing style is very irritating. Morrissey obviously did a lot of taping and includes many long quotes from the players, verbatim. Often they didn't bother to finish their sentences or spoke disjointedly, and we are expected to read their minds to know what they meant to say. I am a dedicated Yankee fan and still didn't know what was meant a lot of the time.
Publication of the book seems to have been rushed to coincide with the opening of another season of controversy starring the mortal enemies, Derek and Alex. Don't buy it. It's already outdated because, as of this week anyway, A-Rod is doing great - having hit a walkoff HR and being pushed out of the dugout by Jeter for a curtain call. If you must keep up with the Yankees' behind-the-scenes personal stuff, read the NY papers in hard copy or online. There is nothing wrong with some good gossip. But this is just junk
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9 of 12 people found the following review helpful:
2.0 out of 5 stars Nothing you don't know already., April 1, 2007
This review is from: The Pride and the Pressure: A Season Inside the New York Yankee Fishbowl (Hardcover)
My reaction to this book was almost identical to Forgerelli's. If you're a fan who watches every pitch, reads the papers every day, and discusses the team on blogs, there will not be a single thing in this book you don't already know.

I think this book is flawed in many ways: it rehashes the broad stories that have been told a million times; it never creates a sense of the season's progression; Morrissey is a poor writer (the Humpty-Dumpty line is just one example -- his editor let him make some jaw-droppingly bad analogies); it's irritatingly redundant; and Morrissey too often uses his book to beat up on people he doesn't personally like.

It's a huge disappointment that Morrissey didn't take more time with this book and write an in-depth study of the 2006 season, which was fascinating. There was so much drama -- starting with Matsui and Sheffield getting hurt and being out much of the year; the emergence of Melky Cabrera; A-Rod's struggles; the Boston Massacre Part II, which turned the season around; Bernie William's one last hurrah.

So much happened and the season was such an emotional roller-coaster -- but you never get a sense of this from the book.

Morrissey's insight into the actual game of baseball is limited, and sometimes he simply gets it wrong. He writes: "[Wang] was no can't-miss kid... [T]he Yankees offered him only $1.9 million, reportedly less than the Braves did." 1.9 million dollars is a huge sum of money to pay for an international free agent, and ranks as one of the biggest signing bonuses the Yankees have ever given to one. It was an especially high amount for a 20-year-old Taiwanese kid. Morrissey also reiterates things that are known to be false, such as the Yankees not wanting to draft overrated St. John's closer Craig Hansen because they didn't want to pay him the money he wanted.

Morrissey spends a long time talking about the A-Rod/Jeter relationship (which I guess we should come to expect at this point). He goes out of his way to trash Jeter, essentially calling him a phony who never missteps in front of the cameras but acts like a jerk when they're away. He doesn't let A-Rod off the hook, but he repeats the idea that A-Rod needed Jeter to defend him when times got tough. While bashing Jeter for not doing it, he doesn't state the obvious: what does it say about Alex Rodriguez if he's so fragile that he needs a teammate to stand up for him in the press to stay together mentally?

Carl Pavano is everyone's favorite punching bag, so it's no surprise he's dragged through the mud again. Morrissey is almost gleeful recounting the shots teammates (anonymously) took at Pavano. He questions if Pavano had the mental toughness to play in New York and ridiculously wonders if Pavano was really hurt (as if you can "pretend" to have bone chips and broken ribs). He uses Tanyon Sturtze playing through an injury in 2006 as an example of Pavano not being a good teammate or a real man -- but doesn't point out that Sturtze was so awful while playing that fans were calling for him to be cut, and that when Torre found out about the injury he went berserk. An injured player is a useless player, but Morrissey can't stop himself from calling Pavano a "coward" and "malingerer."

Morrissey reveals a stunning pettiness in the end, as he takes shots at a rival newspaper and trumpets how the "Post" became more popular than the "Daily News." It's childish, to say the least, but holds the pattern of how he takes low-blow shots at the players he doesn't like.

The book comes slightly alive when he chronicles the vastly disappointing playoff series against the Tigers. Because he finally -- finally -- details a series (the only other time he does it is the Boston Massacre). The ALDS was a disaster, and Torre was at his worst. Morrissey gets the tone of chaos and dread correct. It's just too bad he didn't do this for the entire season, giving a better representation of the ups and downs that the Yankees experienced.

In the end, you could get the same effect you get from this book by reading a year worth of blog postings from the 2006 season. It really does nothing more than rehash everything you've already heard. Aside from one nice interview with Jason Giambi, where he opens up more than I've ever seen him open up, there's nothing here a devoted fan doesn't already know, and probably better and more intimately than Morrissey.
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4 of 5 people found the following review helpful:
2.0 out of 5 stars Decent as a research paper, poor as a book, April 25, 2007
By 
Phil Carlucci (Valley Stream, NY) - See all my reviews
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This review is from: The Pride and the Pressure: A Season Inside the New York Yankee Fishbowl (Hardcover)
I remember when I used to write papers in school and in college -- if I had trouble filling the page demands, I would stretch the material as far as I possibly could, fluff up the quotes, throw in some extra notes I had edited out before, and so on. It seems Michael Morrissey approached "The Pride and the Pressure" the same way, taking what is essentially an extremely long magazine feature piece and padding it until it became a 250+ page book. It's probably my least favorite baseball book of all time.

I'll admit, I didn't have high hopes for this book going in. I'm a die-hard Yankee fan, but there are two things -- I felt -- that worked against this book right from the start. 1) Despite what Morrissey and some reviewers contend, the 2006 Yankees weren't all that interesting. They had some injuries, some clubhouse tension, high hopes that fell short -- but there wasn't much so extraordinary that it was worthy of a book. 2) Only five months separated the end of the '06 season and the day the book hit the stores -- as a result, there is nothing but quotes, quotes, and more quotes. Any anecdotes on the team or players that were new or interesting were very infrequent. There is probably a reason why some of the best books that recap a season or consecutive seasons (Summer of '49, October 1964, October Men, The Last Good Season, Boys of Summer, to name a few) come out years or decades later, giving the material time to grow and the people that were involved time to reflect back and share their thoughts in a different (more interesting and less inhibited) way.

As others have noted, the major flaw in this book is the use of quotes. I don't ever recall seeing a book so heavily padded with unnecessary quotes as this effort by Morrissey. Quotes go on for paragraphs at a time, and often, they make no sense. With the apparent lack of editing, some do nothing but confuse the reader who is forced to read someone's spoken rant verbatim.

To compare, "Birth of a Dynasty," another recent book written by a NY Post sports reporter, had me hooked within the first three chapters, and it was a breeze to finish. "Last Night of the Yankee Dynasty" was very good. "The Pride and the Pressure," unfortunately, does not come close to either one. It simply did nothing for me and was frustrating to read.

Like I said earlier, it basically reads like Morrissey was told to write a 250-page paper on the Yankees as a final project, but he stalled at about 150.
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