Amazon.com Review
Catherine Temma Davidson's roots as a poet are immediately apparent in the lyrical prose style she adopts for her first novel,
The Priest Fainted. Describing the lives of young girls in Greece, where the unnamed narrator has come for a year, Davidson writes: "Girls helping their mothers to prepare simple meals acquire an unspoken knowledge in their palms and fingers. If you come from these villages, you must find your history in your body." Larissa, the Greek village she visits, "sweats in the plains, dusty and sedentary. Like a promise, the peaks rise in the distance, garlanded in gorges and wild onions, goats and streams." This closely autobiographical novel follows the fortunes of a 21-year-old Greek-American woman as she returns to the land of her foremothers and reimagines their lives and her own in terms of classic Greek myths. Food, (the book's title is the name of a popular eggplant dish), mythology, religion, and feminism are just a few of the themes Davidson's heroine touches on in the course of her year in Greece as she caroms between the personal (her Greek relatives, an affair with a Greek-American basketball player) and the political: the circumscribed lives of women down through the years. By the end of the book, the narrator has realized that no individual life story exists in a vacuum; in order to understand ourselves, we must understand those who came before.
--This text refers to an out of print or unavailable edition of this title.
From Publishers Weekly
Imam baildi, a Greek dish whose name translates to "the priest fainted," is a delicacy both bitter and sweet?like this meditative debut from poet Davidson (Inheriting the Ocean) about a young Greek-American woman's journey to her ancestors' homeland. Framed by Greek myths (which open each chapter) and interwoven with tales of her mother's visit 30 years earlier, the story concerns the odyssey of an unnamed, 19-year-old narrator who travels to Athens and the small town of Larissa, unwittingly following in the footsteps of the mother she is trying, for the moment, to escape. Her own lively expatriate experiences?which include an obsession with a promiscuous Greek basketball player, a friendship with an impetuous American model, an Athenian newspaper job and a firsthand understanding of the conservative ethos surrounding Greek women?show the difficulty of being at once of a culture and foreign to it. As she slowly discovers more about her mother's life-altering decision not to marry a Greek man, she realizes that not all family resemblances are on the surface. Davidson's reworking of the myths sometimes feels familiar (yet another unremarkable interpretation of the Orpheus and Eurydice story) and she has a tendency to poeticize that detracts from the narrative's authentic charge. Nevertheless, her voice is agile and intelligent, and the novel ultimately proves to be a surprisingly resonant melange of wisdom and humor, a testimony to the strong bonds of family and cultural traditions.
Copyright 1998 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.