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223 of 254 people found the following review helpful:
5.0 out of 5 stars
Outstanding, April 5, 2011
This review is from: Primetime Propaganda: The True Hollywood Story of How the Left Took Over Your TV (Hardcover)
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Ben Shapiro's book is exactly what it says it is: a muckraker exposing Hollywood's extreme liberal bias in its entertainment programming. Mr. Shapiro also exposes the intent of this left wing bias is to change American public opinion to its political point of view.
The best proof of the premise of Primetime Propaganda is the numerous biographical sketches of the writers and producers of the hit programs profiled in the book. This is followed up by direct quotes from interviews the author had with these same people. The book does prove that the bias is real and it has had its intended effect of changing America's political landscape.
My only negative comment is Mr. Shapiro pours on the proof to the point of boredom. Bio after bio, quote after quote, and statement after statement is provided by the author to show that there is no doubt that his premise is proven. He even goes into depth on shows that I had, prior to reading this book, thought were non-political programs, such as, Happy Days, The Mary Tyler Moore Show, Three's Company, et al.
Primetime Propaganda also displays the viciousness of the liberal elite running Hollywood. The story of Michael Moriarty, the former star of Law and Order is sickening. He lost his job because he openly opposed attempts by Janet Reno to control primetime programming. Such things happen in America, and everywhere else no doubt, but they should not. Liberal viciousness is nonpareil and Mr. Shapiro proves it.
Now for my confession, I agree with everything the book says. Every word. As you may suspect I am a conservative from a rural area of the nation. I am so conservative that I think Dancing With The Stars should be forced to put clothing on its women. Any conservative will enjoy the book, but liberals will probably burn it at one of their midnight meetings.
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96 of 108 people found the following review helpful:
4.0 out of 5 stars
I wasn't sure just what to expect from this., May 25, 2011
This review is from: Primetime Propaganda: The True Hollywood Story of How the Left Took Over Your TV (Hardcover)
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I'm so tired of the polarized politics in the country. Everyone on the one side thinks everyone else is a nut, and everyone on the other side thinks everyone else is a moonbat. I sit more in the middle, although I do seem to have more of a conservative leaning despite a couple key conservative beliefs I hold the opposite view on...
But I think sitting more towards the middle rather than on either side of the fringe has given me a little better overall view of the battle between left and right, and one of the things I've noticed is that the news does seem to slant quite a bit towards a left bias. And while I also knew there were a lot of popular TV shows out there that seemed written more towards the liberal point of view, I never realized just how pervasive it had been, since I watch so few TV shows.
The book starts with some of the history of the political situation in hollywood, and later goes into some show by show breakdowns and details of some of the biggest shows at various times, from The Honeymooners and Dick Van Dyke clear through Family Guy and Two and a Half Men. Some were clearly obvious, but some were less so, in the messages they communicated in the shows.
He also goes into some good points about the different ways the left dominates and maintains that domination. Through some of the chapters in the middle of the book I was expecting some seriously dry, nodding-off moments when I'd see the chapter title, but it was far more engaging, and at some points, scary, than I had anticipated, since I am one of the first people to laugh at conspiracy theories. But when he broke down the top shows that were watched by self proclaimed conservative viewers, it really did show the point that there is a paucity of conservative content, that conservatives are just turning to shows that are less liberal. that they have no options but to choose shows that are "closest to being apolitical or at least not openly insulting to conservatives."
Some of the details seem to be stretching to make a point though, such as a 1979 study that had one week with over 800 "depictions" of sex incidents, but only 4 of those were actual depictions of implied intercourse... The rest were innuendo or language referencing it. To me, these examples, while factual, seem to really reach to prove the point.
I did really like the chapters about government and hollywood though, because I had seen clearly the situation through the last presidential election. These chapters had some great information I had not been at all aware of. And the section titled, "Yes, Virginia, There's Politics in Children's Television" made me laugh out loud when I got there, because with a 7 year old son, I see nothing in children's programming available other than things that swing quite a bit to the left.
Depressing though is the end where he lists the top 12 conservative shows of all time...
If you're a conservative or a middle of the road person like me, there's plenty of meat in this book to wrap your mind around.
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93 of 107 people found the following review helpful:
4.0 out of 5 stars
Well-Written, Well-Researched, May 19, 2011
This review is from: Primetime Propaganda: The True Hollywood Story of How the Left Took Over Your TV (Hardcover)
Customer review from the Amazon Vine™ Program (What's this?)
I thought this book would be an interesting one to read since the premise is quite the bold one: for the past 40+ years, the leftist agenda has infiltrated TV - even shows you may not expect. Through the introduction and the first chapter, Mr. Shapiro kept introducing his main thesis - reminding me over and over again what the book was going to show me - and I found myself eager to actually have him get to the point (mark one against the book).
Something else off-putting: he slams his book "Porn Generation" in the introduction for making a 'moralistic argument' that is 'utterly ineffective' and fails 'miserably for one main reason: television is awesome.' Well, I guess I don't want to read that book any more (mark two against his writing). That statement though ('television is awesome') answers the comment of: "If you don't like it, turn it off." TV is an awesome drug! (I must be up front and say that our household watches little TV.)
Mr. Shapiro's explanation of why those in Hollywood criticize capitalism (a la Michael Moore) while at the same time benefitting from capitalism, is pretty plausible: vanguardism. On another level, this book explains for me personally why so much of Hollywood has a hatred of the Catholic Church (and other equally conservative religions), its teachings and its loyal followers: the liberal base of Hollywood does not allow any variation from the leftist message. Hollywood is so insular and cliquey that it simply does not allow for any outside influence or thought.
This is a well-researched, in-depth study of liberal programming and history of TV. It's often hard to see it in early shows because we are looking at those shows from our eyes colored by the past 40+ years of liberal programming. The history of the three major networks was really not all that surprising, just a confirmation of what seems obvious: NBC was started by a capitalist conservative, CBS moreso, and ABC by a die-hard liberal. "NBC became a semi-elitist mouth piece geared toward informing the public; CBS became a ratings juggernaut interested almost solely in revenue; ABC focused on sex and violence."
Mr. Shapiro also explains the small steps in the beginnings of television that started down the road towards more liberal content: creators, stars, writers, and producers that were liberal; loss of live audiences (and thus pushing the censors); the move to the West Coast; the executive-creator split; the push of sex & violence to survive the ratings; the end of profit-only TV and the beginning of social goal-oriented TV; segmented programming; leading the audience instead of mirroring the audience; just to name a few.
To be clear, the minor criticisms I have are not enough to dissuade anyone from reading this book. Your eyes will be opened by how much liberal programming has infected TV, with the help of the government, with almost a dearth of any conservative programming. Don't regret not getting this book.
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