The Prince and Other Writings (Barnes & Noble Classics) [Hardcover]

Niccolo Machiavelli (Author), Wayne A. Rebhorn (Translator, Introduction), Wayne Rebhorn (Introduction)

Book Description

Publication Date: October 21, 2004

The Prince and Other Writings, by Niccolo Machiavelli, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:

New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works.

 

One of history’s greatest political philosophers, Niccolò Machiavelli is notorious for his treatise The Prince, which has become a cornerstone of modern political theory. Written in 1513 and published in 1532, after Machivelli’s death, The Prince immediately provoked controversy that has continued unabated to this day.

Defining human nature as inherently selfish, Machiavelli proposes that social conflict and violence are natural phenomena that help determine the ablest, most versatile form of government. Asserting that idealism has no place in the political arena, The Prince primarily addresses a monarch’s difficulties in retaining authority. Considered the first expression of political realism, it has often been accused of advocating a political philosophy in which “the end justifies the means.” Indeed the emphasis in The Prince on practical success, at the expense even of traditional moral values, earned Machiavelli a reputation for ruthlessness, deception, and cruelty. Many scholars contend, however, that the author’s pragmatic views of ethics and politics reflected the realities of his time, as exemplified by the Medici family of Florence.

Debates about Machiavelli’s theories are as lively today as they were 450 years ago, but no one questions the importance of his fundamental contribution to Western political thought. This newly translated edition also includes Machiavelli’s Letter to Francesco Vettori, The Life of Castruccio Castracani, and excerpts from the Discourses on Livy.

 

Wayne A. Rebhorn, Celanese Centennial Professor of English at the University of Texas, has authored numerous studies of Renaissance European literature. His Foxes and Lions: Machiavelli’s Confidence Men won the Howard R. Marraro Prize of the Modern Language Association of America in 1990.

Editorial Reviews

Excerpt. © Reprinted by permission. All rights reserved.

From Wayne Rebhorn’s Introduction to The Prince and Other Writings
All of Machiavelli’s works, and especially The Prince, can be read as a series of responses to the crises he was living through, to the personal crisis he experienced when the Florentine republic fell in 1512, and to the larger crises involving Italian and international politics, the theoretical conception of the state, and the vision of the ruler. Or perhaps it would be better to say that his texts are not just passive responses to those crises, but active attempts to define, to give voice to, what was happening in the world around him, and indeed to promote action in that world as well. In them Machiavelli is asking over and over the same questions: why are we Italians so weak, so much unlike our Roman ancestors? Why have we become the prey of the larger states around us? And how can we remedy this situation? What sort of state and what sort of ruler will allow us not just to maintain our independence, but perhaps to regain some of the glory of ancient Rome? Bound up with these questions was Machiavelli’s more personal one: why did I fail, and how can I get back the political role I once played in the republic? As he tries to answer these questions in The Prince, the Discourses, and his other works, he also grapples with the problem of how to make sense out of history, how to extract useful lessons from it so that we can avoid the mistakes of the past.
Although Machiavelli theorizes about politics throughout his works, he takes pains to separate what he is doing from the work of pure theorists. Thus, at the start of chapter 15 in The Prince, he distinguishes himself from those who “have imagined republics and principalities for themselves which have never been seen or known to exist in reality.” Instead, he tells us, he writes about la verità effetuale della cosa, “the effectual truth of the matter.” By “effectual truth” he means a truth—about politics as well as about human nature—that has an effect in the real world, rather than something more purely speculative or contemplative. Although More’s Utopia might seem to be the sort of work about an imaginary republic that Machiavelli is objecting to here, it was written in 1515 and 1516, some two years or so after Machiavelli started working on The Prince. Nevertheless, More’s thought-experiment about the best of all possible states grows out of a long tradition, which Machiavelli surely knew, of imagining ideal states and rulers, a tradition that stretches back into antiquity and that has Plato’s Republic as one of its clear progenitors. Moreover, there was a genre of political writing to which both authors are responding in their books, a genre called the speculum principis, the “mirror for princes,” in which authors composed idealized portraits of princes and their duties in order to offer instruction to rulers and rulers in training. The great Dutch Humanist Desiderius Erasmus had written just such a volume, the Institutio principis christiani (The Education of a Christian Prince), for Charles V, and published it in 1516. Like many works in this genre that stretch back well into the Middle Ages, Erasmus’s book offers sober advice stressing the importance of Judeo-Christian morality as the basis for governing. While More’s Utopia fits quite comfortably into this genre in many ways, Machiavelli’s Prince can almost be read as a parody of its idealistic moralizing, for his book repeatedly underscores the gap between morality and politics, insisting that a prince who tries to do good in a world full of bad people will inevitably come to grief. Machiavelli takes the name of the genre seriously: he tries to reflect in the “mirror” of his book what real princes really do—and must do—in the real world if they are to obtain and maintain political power.
In keeping with his preference for an effectual truth that bears fruit in the real world, Machiavelli stresses the importance of judging human beings and their deeds in terms of how things turn out in the end. This is not the same thing as saying that the end justifies the means, although sometimes Machiavelli is interpreted that way. Revealingly, in chapter 18 of The Prince, “How Princes Must Keep Their Word,” he uses a phrase that shows just how different his thought is on this subject. The phrase occurs just after Machiavelli has declared that a prince must appear to be “all mercy, all loyalty, all sincerity, all humanity, all religion,” although he need not actually have any of these qualities. The reason is that men in general judge things by appearances and that the few who may perceive the truth will be overwhelmed by the many who do not. Moreover, he continues, “in the actions of all men, and especially of princes, where there is no court of appeal, one looks at the outcome.” “One looks at the outcome”: si guarda al fine. Machiavelli’s statement here may seem to suggest he is saying that the end or outcome justifies whatever means the prince might use to achieve it—in other words, that a good end makes even the most wicked means morally acceptable. But what he is really saying is that people will judge a prince’s means to be good as long as he succeeds and the outcome is beneficial to them. Machiavelli admits, both here and in his works generally, that morality may be a good thing, but it is not what drives people’s behavior in the real world. What he is not saying, however, is also important, for by not declaring that the end justifies the means for the prince, he is not offering the prince a convenient way out of the moral dilemma he faces, which results from the fact that if he wants to gain and keep political power, he has to do despicable things that cannot really be justified morally by the end he pursues. If one could argue that a prince who does evil does it simply in order to bring about some greater moral good—defined as, say, political stability or economic welfare— then this problem would vanish. Such a move was precisely the one made by political theorists in Machiavelli’s wake who came up with the idea of ragione di stato or raison d’état—namely, that some serious and morally unimpeachable “reason of state” could justify the most criminally culpable acts. By contrast, what Machiavelli is saying is harder, more uncomfortable, more thought-provoking, and more cynical: sometimes the prince must do evil simply because he cannot gain or preserve power otherwise, but as long as he succeeds and people benefit from it, they will not be upset.

Product Details

• Hardcover: 272 pages
• Publisher: Barnes & Noble Classics (October 21, 2004)
• Language: English
• ISBN-10: 1593083289
• ISBN-13: 978-1593083281
• Product Dimensions: 8.4 x 5.7 x 0.9 inches
• Shipping Weight: 15.2 ounces
• Average Customer Review: 4.8 out of 5 stars  See all reviews (4 customer reviews)
• Amazon Best Sellers Rank: #520,021 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

2 of 2 people found the following review helpful:

5.0 out of 5 stars It is safer to be feared than loved, June 20, 2007

By 

Steve Amoia (Washington, D.C.) - See all my reviews
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This review is from: The Prince and Other Writings (Barnes & Noble Classics) (Hardcover)

This book, which was expertly translated by Professor Wayne Rebhorn of the University of Texas at Austin, provides an excellent view of the seminal work of a Renaissance scholar: Niccolo Machiavelli. Professor Rebhorn also included a few of the lesser known works of Signor Machiavelli: The Letter to Francesco Vettori, The Life of Castruccio Castracani, along with selected excerpts from the Discourses on Livy.

Machiavelli's frequently quoted line, "It is better to be feared than loved," actually has a somewhat different meaning that is not always seen in modern times. " ... è molto più sicuro essere temuto che amato, quando si abbi a mancare dell'uno de' dua." "It is much safer to be feared than loved, when one has to lack either of the two." Which is my own translation.

As Professor Rebhorn mentioned in a lengthy and informative introduction, sometimes the translator is a traitor (traduttore tradire). Dr. Rebhorn went to great lengths to explain his own philosophy of translation, and his efforts to properly convey the Renaissance thoughts of Machiavelli into present day English. As a life-long student of the Italian language, I appreciated the detailed nature of Professor Rebhorn's premise to make the language of Machiavelli more understandable. Especially to those of us who are not Renaissance scholars.

"The Prince" should be required reading for all students of the Renaissance. As you will see, Machiavelli was more than a political figure. He was a great historian, diplomat, and son of the Republic of Florence.

Thank you for the opportunity to review this intriguing book.

1 of 1 people found the following review helpful:

5.0 out of 5 stars Great Hardcover of a Classic, March 11, 2008

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J. Brutto "~ RevOf11" (Macungie, PA) - See all my reviews
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This review is from: The Prince and Other Writings (Barnes & Noble Classics) (Hardcover)

There's not much to say. It's a great hardcover edition of a must-read for just about everyone out there. In terms of philosophical importance, the examination of this book must be included in your curriculum (be it personal or via formal education).

1 of 1 people found the following review helpful:

5.0 out of 5 stars Call a spade a spade, July 10, 2007

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Aditya Dua "Book Worm" (Stanford, CA) - See all my reviews
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This review is from: The Prince and Other Writings (Barnes & Noble Classics) (Hardcover)

You can disagree with Machiavelli's take on life and politics all you like, but you have to agree that his writings are a must read for anyone even remotely interested in political philosophy.
Of course, I will never be able to read the original works (until I learn Italian), but I think the translator does a great job here. The chapter end notes are quite extensive and useful too.
Read it!