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The Prince of Poison: A Novel [Paperback]

Pamela Kaufman (Author)
2.8 out of 5 stars  See all reviews (13 customer reviews)

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Book Description

April 11, 2006
For decades, Pamela Kaufman has entertained a loyal readership with the mesmerizing and often hilarious adventures of Alix of Wanthwaite, madcap medieval beauty. In Shield of Three Lions, the unflappable Alix braved the crusades dressed as a man to spar with the king of England over her birthright. Banners of Gold saw her taken hostage, drawn into a web of international politics, and entangled in the heartstrings of three different men. Now, The Prince of Poison finds Alix homeward bound at last, with a half-royal child in tow and an angry monarch on her trail.

Set amidst the pomp and savagery of twelfth-century Europe, the Alix of Wanthwaite trilogy renders a glorious mishmash of ruffians, peasants, troubadours, murderers, pretenders, barons, princesses, and popes in charming and disarming detail. Alix’s bawdy, free-wheeling narration wickedly lampoons historical notables like Richard the Lion Heart and Eleanor of Aquitaine, spinning the historical novel in a fresh direction.

This guide is designed to enhance your group’s discussion of Alix’s escapades in The Prince of Poison.
--This text refers to the Kindle Edition edition.

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Editorial Reviews

From Publishers Weekly

This brisk if jumbled historical romance concludes the author's trilogy about Lady Alix of Wanthwaite, a 13th-century English noblewoman whom trouble seems to follow. Most pressingly, King John, the prince of the title, believes Lady Alix to be carrying the bastard son of his dead brother Richard the Lion-Hearted—i.e., the rightful heir—so John marks her and her unborn child for death. After biting the king's member at the climax of a highly improbable but winningly bawdy opening chase scene, Alix, who narrates, escapes back to England with the help of Norman Jews and has the baby—a boy, natch. Unfortunately her legal husband and true love, the Scotsman Enoch, has thought her dead, and remarried, and John is soon back on the trail of Alix and son Theo. Alix and Theo are separated, and John eventually tracks Theo down. John does not relent, but Alix has connections, and Enoch is never completely out of the picture. Kaufman, who lives in L.A., mixes sound historiography and vivid dialogue with implausible events; this follow-up to Banners of Gold gets good mileage out of genre conventions. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Excerpt. © Reprinted by permission. All rights reserved.

Enoch and England

Book One


Enoch. Suddenly the very name was a sunburst in my soul. I'd dwelt so completely on the fact that his death was a lie, that Richard had lied to me, that I hadn't been fully aware till this moment of the portent of that lie. Enoch lived, that was the miracle, as remarkable as if I'd learned that my father and mother awaited me at Wanthwaite. . . . There was a long hazardous road ahead with Enoch, and I wasn't ready to ride it yet.

Meantime, it was enough to know that he breathed the same air I did, knew dawn and sunset, hope and despair. He might hate me forever, but I was still glad he lived.

Now I must face the physical dangers at my heels. I walked to Sea Mew and mounted. Hamo and Bok, dressed as gardeners, mounted as well.

Had the death knell stopped ringing, or were we beyond its reach? Above, an invisible lark trilled its song.

"Where is the closest port where we might sail with safety?" I asked Hamo.

Surprised at my purposeful tone, he thought a moment. "Bordeaux. It's the queen's favorite city, but she rarely goes there."

"Which way?"

He pointed directly toward the sun, where it already rested at a blinding angle on the topmost branches, and beyond to the long slope to the sea.

"Stay low as we cross the mead," I ordered.

Once again the world transformed itself, not from rain to tears or to diamonds, but to sunstruck sea spray.

I bent and whispered to Sea Mew. "It's time to swim the channel, darling. Hoyt!"

Ears raised with joy, he flew fast as a bird toward the radiance that was England.

From Banners of Gold



Enoch and England.

Enoch and England.

My head nodded to the rhythm of the hooves.

You're being followed.

You're being followed.

I woke with a start. Ahead of me, Bok and Hamo were already dismounted--they'd heard it, too.

"Quick, off your horse!" Hamo grabbed my reins.

"Not here! Bordeaux!"

The hoofbeats behind us were getting closer.

Bok jerked me to the ground. "Into that oak--climb high! Quick, Lady Alix! It's your life!" He adjusted his noseguard.

One oak among small pines. Beyond them, the sea washed a wide beach.

Hamo barked from his horse. "Take cover--we'll avoid fighting if we can!" Both had discarded their gardening tunics. "We'll guard your horse!" They rode toward the north with Sea Mew behind them.

I was alone, with only the pines, the oak, and a pile of brush on the scrubby landscape. My heart pounded like a kettle in the absolute silence--well, not absolute, angry rooks flapped from the oak and, on the far side of a line of spindly baby pines, the sea's hissing rolled and retreated. Now male voices rumbled over the sound of hooves. King John! Deus juva me!

I dashed to the oak, tripped on my borrowed nun's habit, and fell heavily onto my gravid stomach! When I could breathe again, I crawled toward the oak. Too late to climb-- horses were here, the male voices clear--I crouched behind the thick trunk and just hoped it sufficed, barely before royal routiers pushed into sight.

One pointed to where I'd dismounted. "Ils se sont arretees ici."

"Pas pour longtemps. Tu vois les traces qui diregent vers le nord?"

The first laughed derisively. "C'est sans doute un ruse. Le roi dit qu'elle essayerait d'atteindre un port--Bordeaux est le plus proche."

Never underestimate his intelligence, I heard Richard warn. Aye, if intelligence be to seize the throne from Richard's unborn son I was now carrying, but to know I was planning to escape through Bordeaux! More than intelligent--the man was uncanny! At least his knights had been too distracted by the hoofprints to see me!

Eleven horsemen had dismounted to examine the hoofprints. Suddenly they fell to their knees--King John rode into sight. He looked much as I'd seen him not an hour ago at Fontevrault, except that he appeared even more inebriated. Dressed in the long red tunic of a Plantagenet king, he held a flask in his glove, from which he drank before he looked. He'd finished his pork rib, though a faint dribble of fat ran down his chin. When he tried to dismount, he sprawled on the ground.

"Bitte, je suis bourre!" He giggled helplessly. "Je suis dans le vigne du seigneur!"

Two knights helped him to his feet, as if accustomed to this task.

"Have you found the bitch?" the king asked thickly.

The knight on his right, a short man with a nose like a parrot's beak, pointed to the hoof marks.

"A trick, you stupid pissants!" John staggered along the tracks. "Her guards went north and she's probably hidden somewhere close." He looked up into my oak. "You find her knights--I'll take care of the slut."

The man with the parrot nose had to wear his noseguard to the side. Nevertheless, the giant formidable destriers made me fear for poor Hamo and Bok.

"So we're alone." John emptied his flask and tossed it away. "No hurry." He laughed. For the first time, I felt real fear; drunkalew he might be, but he was dangerous. "Time to fuck, time to die! After you give me the document you promised." He shook his head. "Oc, promised. And I waited while you went to fetch it from the convent." He belched softly. "Do you believe the philosophers who say that love and death are connected? Mesiphisically--metaphysically--do you?"

He reached under his tunic to find his tool, then pissed into a bush. When he'd shaken himself dry, he whined, "Why didn't you give me Richard's document when I asked you at Fontevrault, eh? I asked you nicely, didn't I? That's all I want. Must I destroy both you and Richard's brat to get the will? My very first act as king and it's your fault!" He fondled himself. "But why shouldn't I? Comus, I'm king!" He whinnied in jubilant disbelief. "Only your silly bulge between me and security!" He guffawed louder. "As if my faggot brother could push his pathetic worm into your slit!"

He staggered closer; I could smell piss, wine, starch, and rosewater. He stroked his part. "Yet somebody made you gravid, putaine, and you might be clever enough to fool Richard, but not baby John."

He reached the oak. We stared at each other without speaking. He was handsome in the Angevin manner: dark blond wavy hair and beard, full firm lips, straight nose, fringed eyes like icy blue jewels, shifting triangles of sunlight. Yet his face was deadly, deadly and cruel.

"Die." His low musical voicie caressed the word. "Oc, die." He belched. "Most beautiful damsel in all Europe, Richard used to brag. He was right and--unlike him--I'm the expert." He bent close to whisper. "Is your slit beautiful? Can it compete with a boy's anus? That was Richard's taste!" His beard smelled of his pork. "Your face, like a cherub. Aye, my brother sought angelic boys to suck his limp little cock." He put a finger to my lips. "You're about to have a treat!"

He sank to the ground beside me. He reached inside his tunic and pulled out a sharp blade. "Don't be so frightened, sweet; this is merely to assure that you do my bidding." Now he fumbled for his cock again. "Treat, I'll give you a treat, and you'll give me a treat. I like your big titties--is that because you're English or because you carry a brat? French women have no tits! Curious thing, racial characteristics!" He nodded sagely. "Zample: all Normans have big horns in their crotches, like me. Richard was an Aquitanian."

He raised his hips so his tool stood upright. It was, indeed, impressive

"Grand, isn't he?" He stroked himself. "I call him Raoul; Raoul, meet the most beautiful damsel in all Europe." He reached for my face--his blade pressed the back of my neck. "While I suck your bloblos, you'll enjoy Raoul, my chauve a col roule. Turn around! And then . . ." His voice thickened. "Copulation, followed by death. God's feet, it's titillating, isn't it? Philosphers may be right!"

Was I really about to die? Aye, I thought I was--was there no escape? I saw only one.

"Suck my cock!"

I bit Raoul hard! Blood spurted! The dagger fell to the grass!

"Merde!" the king howled.

Where could I hide? Everything open! Then, a rock, out in the sea! I ran toward the surf!

Panting and belching, King John gained upon me. I sobbed--his hand clutched at my tunic--I wrenched away! Leaped over the pile of brush!

"Merde!"

Then suddenly everything was quiet. The rolling waves spread frothy fingers in the sand in stillness. I glanced over my shoulder--my pace slowed. Stopped. Where was the king? Was it a trick? Nothing but small pines, the oak, and the mound of branches. The king's horse munched at new grass. I glanced to the north for his knights, then moved back cautiously to the pile of branches between me and the tree. As I drew close, I heard him--sobs, curses, scratching sounds. The brush had concealed a deer trap! The king had fallen in! Aye, there was a clear hole where he'd stumbled.

"My lord king?" I called softly. What would I do if he were injured?

Cautiously, I peered over the edge. The hole was deep--even standing, John reached hopelessly for the edge. The pit smelled strongly of rotting...

Product Details

  • Paperback: 432 pages
  • Publisher: Three Rivers Press (April 11, 2006)
  • Language: English
  • ISBN-10: 1400080630
  • ISBN-13: 978-1400080632
  • Product Dimensions: 7.9 x 5 x 1 inches
  • Shipping Weight: 10.4 ounces (View shipping rates and policies)
  • Average Customer Review: 2.8 out of 5 stars  See all reviews (13 customer reviews)
  • Amazon Best Sellers Rank: #345,113 in Books (See Top 100 in Books)

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14 of 15 people found the following review helpful:
1.0 out of 5 stars Just awful...., May 19, 2006
By 
Alianore (United Kingdom) - See all my reviews
This review is from: The Prince of Poison: A Novel (Paperback)
I waited about 18 years for this novel, the sequel to 'Shield of Three Lions' and 'Banners of Gold'. Unfortunately, it wasn't worth waiting 18 minutes for.

Kaufman seems to have given up on any kind of characterisation or description here. The characters are cardboard. I found the first two novels in the series rather silly, but they were extremely entertaining and brought the characters and their world vividly to life. Here, although the novel is narrated by Alix of Wanthwaite in the first person, we learn almost nothing about what she is thinking. It follows on directly after the end of 'Banners of Gold', when Alix's lover King Richard died and she grieved for him. Does she grieve here? Does she ever give him a second thought? Kaufman never tells us. What does Alix think about anything? We rarely find out.

Plot threads from 'Banners of Gold' are never tied up. Alix believed that her husband Enoch - furious at her relationship with the king - was trying to kill her. I looked forward to seeing this resolved. However, it's never even mentioned.

Considering that Alix's constant refrain in the early part of the novel is 'Enoch and England', the things she craves to see once more, there is precious little emotion when she finally meets her husband again. This should have been a powerfully emotional scene, but again Alix seems to feel very little. The complex relationship between Alix and Enoch is 'resolved' on the final page, in a deeply unconvincing manner.

I'm really puzzled by Alix's lack of feeling in this novel. In the first two, her narrative voice was strong and compelling. Here, she's a cipher whom we never get to know. It's very disappointing.

The historical timeline here is very compressed. We start with the immediate aftermath of King Richard's death, which occurred in April 1199. The novel ends shortly after the death of King John, in October 1216. However, there's no sense at all that over 17 years have passed - it seems to be about 5 or 6 years. Kaufman does not acknowledge this in her Author's Note. I find this unforgivable.

I'm not an expert in the early 13th century, but even I can spot some real howlers. There's a reference to the Duke of York, which is interesting, considering the title didn't exist till 1385. Even the Author's Note contains some gross errors: Kaufman correctly states that John's widow Isabelle married the son of her former fiance, who was betrothed to Isabelle's daughter. Kaufman writes 'there's no record of what happened to the daughter'. Umm, yes, there is; she married Alexander II of Scotland, a perfectly well-known fact.

Most of the novel is taken up with Alix's meetings with the barons and the Archbishop of Canterbury, endlessly discussing what the barons wanted to be included in the Magna Carta. This is an important historical document, but the never-ending debates on exactly what it should say become incredibly tedious.

Apart from negotiating over fish-weirs, Alix spends most of her time travelling, over improbably large distances. One journey takes her from Northumberland to London to Hereford to Wales to Edinburgh to Windsor to Northumberland! If you're unfamiliar with British geography, check a map to see how unlikely such a journey is.

On the subject of children, is it likely that a woman around 1200 would name her daughter 'Leith', which is the port of Edinburgh? Is it likely that Queen Isabelle could have committed incest with her own half-brother, and allowed him to father her children? Judging by the historical novels I've read recently, no man in the Middle Ages was the father of his children! I'm sick to death of it.

I'm also annoyed with the depiction of King John as a paedophile. It's stated that he married Isabelle when she was 8 years old, and consummated the marriage. In fact, Isabelle was 12 or 13, a perfectly normal age for a noblewoman to marry in 1200. This left a nasty taste in my mouth. Alix meets Isabelle at the time of Magna Carta, when the historical Isabelle was about 27, and describes her as a child. However, Isabelle also has 4 children by John. How can she be the mother of 4 children and be a child herself?

In conclusion, this novel is not worth anyone's time. There's no characterisation whatsoever, almost no description, almost no interior monologue, almost nothing of any interest. Only plot, and plot that usually makes no sense and doesn't go anywhere. I was so looking forward to this, and I read it to the end because I really wanted to find out how Alix's story ended, but this is by far the worst historical novel I've read in a very long time. Historical novel? Apart from the real historical people in it and references to castles, you'd never know it was set in the Middle Ages, thanks to the almost total lack of description.

A total waste of time.
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12 of 15 people found the following review helpful:
4.0 out of 5 stars A massive review for the end of a sometimes great trilogy, April 24, 2006
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This review is from: The Prince of Poison: A Novel (Paperback)
The Prince of Poison is the last novel in the Alix of Wanthwaite trilogy. There was a huge publishing gap between the second and third books (over ten years I think) which can only be credited to what Pamela Kaufman says in her authors note-her husband died, and her son died of a brain tumor. If the author ever reads this review I would like to express my deepest sympathies on her loss.

I loved the first book of this trilogy, Sheild of Three Lions, and I was enthralled by the romance between Alix, a young, very vulgar and smart girl, and Enoch, a Scot in every way who takes in Alix as his brother (she was pretending to be a boy) and ends up going on crusade to protect her for the lascivious king Richard of the Lion Heart. And I was very angry in the second book, Banners of Gold, when Alix, told falsely that Enoch was dead, became King Richard's mistress because he needed an heir and was gay (sorry folks, but historical evidence confirms it) and she was the only woman he'd ever been attracted to. I was especially angry because at the end of novel Alix was pregnant for the second time with Richard's child (the first was miscarried and a girl), had just watched Richard die, had just been told Enoch was alive, and was being hunted down by the new king, John. It's a big cliffhanger I thought would never be resolved.

But now it has been. This novel picks up right where the last one left off. Alix manages to escape John-who wants to have sex with her and then kill her-and wanders around in the forest. Then she manages to find Bonel, her kind Jewish friend from Banners of Gold who's in love with her, and has her baby in a Jewish Commune. It's a boy, named Theo. Then she learns to cut jewels and a year later she and Theo head to England, Theo with Matilda de Bros (if you know the name you'll have a guess of what happens next) and Alix on a Viking ship.

But she's shipwrecked on England's shores-close to her home of Wanthwaite. She heads for home, determined to finds her husband Enoch, and when she gets to the castle she finds a wedding celebration. For Enoch. He thought she was dead.

Hurt but brave Alix chooses to ignore Enoch's marriage (she did after all, cheat on him) and head to London to pick up her son. But Enoch won't leave her, until she says she's going to get the crown jewels, which Richard left to her. So Enoch follows her-but Theo isn't in London anymore.

So begins the start of their seemingly continues trek across England, often with different people, but always Alix and Enoch-in their typical way ignoring the feelings between them and keeping a safe distance from each other. And always to try and contain the villainy of King John.

That's what this book is really about, the Magna Carta and the rights of the Barons of England.

This is a good book, not amazing, but very solid. My only complaints where that no sense of Time is in the novel, so its passage went unmarked and I had no idea how long something had been happening. I think the scope of the novel in real history was over ten years but I the story doesn't take nearly the time I think the real events took in history. I also, like many Americans, can not speak or read French or Latin, and would have appreciated an English translation for the conversations that took place in those languages. And I think the situation between Alix and Enoch was a little absurd toward the end of the book. You can't spend that much time with a person without at least figuring out if you hate them or love them or are uncaring towards them.

All in all, a semi-sold book and a nice ending to the trilogy. Four stars. I can't say I'll read this again, but I probably will check out Sheild of Three Lions again. I still think it makes a better novel as a stand-alone.

If you like this period in history check out Sharon Key Penman's "Here be Dragons" which is about John's daughter Joanna and the Magna Carta. Or "Lords of the White Castle" by Elizabeth Chadwick-about the life of one of John's Barons who forced the signing of the Magna Carta.
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9 of 11 people found the following review helpful:
2.0 out of 5 stars Disappointing, April 13, 2006
This review is from: The Prince of Poison: A Novel (Paperback)
I was disappointed with the writing and editing. The whole book seemed rushed and did not at all approach the character development and depth in the Shield of Three Lions and Banners of Gold. I didn't feel connected with the characters as I did in the previous books. I have been waiting since I was fourteen for the conclusion to Alix's story and though I am pleased with the outcome, I was wholly disappointed with the book. In addition, misspelling and typos throughout.
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