From School Library Journal
Grade 2-4-A unique tale of a quiet kind of heroism-literally and figuratively. A young boy tells the story of his deaf father who loved working as a printer for a major newspaper but was saddened by the fact that his hearing coworkers ignored him because he couldn't talk. When a fire erupts in the noisy pressroom, he and his deaf colleagues use their hands to signal the danger to their hearing cohorts, and everyone escapes the inferno. When the plant reopens, the grateful men express their thanks in sign language and crown their savior with a four-cornered hat made from the freshly printed newspaper. Based on the author's own father, the hero is an unassuming man who tries to do his work to the best of his ability. The simplicity of the story gives the text its drama, and its message of caring for one's fellow humans is powerful. An endnote provides details about the printing industry of the 1940s and the role that deaf workers played in newspaper production. Sírensen's realistic oil paintings complement the serious mood of the text. Although some of the facial expressions lack intensity, the artwork does a good job of conveying the action. Use this title for classroom discussions focusing on labor history, handicaps, or moral values.
Nancy Menaldi-Scanlan, LaSalle Academy, Providence, RICopyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to the
Hardcover
edition.
Gr. 2-4, younger for reading aloud. In a story set in New York City in 1940, a young boy talks about his deaf father, who loves his job as a printer with a big daily newspaper, where the thundering noise of the giant presses is merely a vibration that Dad feels through the soles of his shoes. Dad and the other deaf workers feel isolated from their hearing colleagues, until one day Dad discovers a deadly fire in the factory and uses sign language to warn everyone. The fictionalized drama is not entirely convincing. Why does it take so long for other workers to notice the flames? It's the endnote about the history of printing, the use of American Sign Language, and Uhlberg's own deaf father, also a printer, that is most interesting. Like Sorenson's art for Carmen Deedy's
The Yellow Star (2000)
, the large, realistic paintings are enthralling, showing close up both the strong men at work with the pounding machinery and the boy's bond with his brave, gentle father.
Hazel RochmanCopyright © American Library Association. All rights reserved
--This text refers to the
Hardcover
edition.