From Publishers Weekly
This autobiography-cum-cautionary tale candidly explores the "dark side" of the music industry. Taylor, former drummer of Crosby, Stills and Nash, recounts the excitements and the risks of life in the rock 'n' roll fast lane. He explains that it is very difficult for a young musician to separate the trappings of a successful career--fame, money, sexual debauchery and drugs--from music-making. Consequently, Taylor became one of many rockers to suffer repeated bouts of substance abuse and many broken relationships. Taylor's dream of harmony and freedom--symbolized by the 1969 Woodstock festival--soured as his heroine addiction began to cost him jobs, friends and self-respect. After several suicide attempts, he kicked the habit in 1985, with the help of a treatment program, but his body had suffered; in 1991 he needed a liver transplant. While vividly capturing his younger self's wide-eyed enthusiasm for rock 'n' roll, Taylor begins each chapter with a graphic account of a physical and/or mental pain he has suffered while he played. He presents a stark picture of himself as a rock 'n' roll casualty, while maintaining a belief in the most positive, idealistic aspects of the contemporary music scene. Photos not seen by PW.
Copyright 1994 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
Rock cognoscenti will immediately recognize the author's name: Taylor provided the backbeat for some of the brightest stars of the Sixties and Seventies, most notably Crosby, Stills, Nash, and Young, with whom he performed at Woodstock. Prisoner tells two tales: one of Taylor's successes and failures in the rock music business, and the other of his struggle with drug addiction. With the author recounting his associates' indulgences along with his own, this smoke-and-tell will draw readers looking for the lowdown on rock stars. As he tells his recovery story, Taylor's humor and sometimes painful insights will engage the reader's empathy; his casual prose, while less than substantial, is spirited and lively. David Crosby's autobiographical Long Time Gone (LJ 11/15/88) is a better chronicle of recovery by a more important figure in rock. Nonetheless, this is recommended for public libraries whose patrons have a strong interest in rock music and/or chemical abuse problems.
Bill Piekarski, Southwestern Coll. Lib., Chula Vista, Cal.Copyright 1994 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.