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The Procedure [Hardcover]

Harry Mulisch (Author)
4.2 out of 5 stars  See all reviews (5 customer reviews)


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Book Description

July 5, 2001
Harry Mulisch's last novel, The Discovery of Heaven, was published to critical acclaim on both sides of the Atlantic. The Times Literary Supplement called it an "exhilarating, magnificent and dangerous book" and John Updike in The New Yorker compared Mulisch's "magnum opus" to Joyce's Finnegans Wake, Thomas Mann's Magic Mountain, and Umberto Eco's Foucault's Pendulum. Mulisch's new novel, The Procedure, is about everything you could say about the world, mankind, time, life, birth and death, man and woman, love and creation, ethics and genetics.

In the late-sixteenth century, Rabbi Jehudah Low, in order to guarantee the safety of the Jews in Prague, tries to make a golem with the aid of a third-century Cabalist text. Four hundred years later Viktor Werner, a biologist, causes an international uproar when he creates in his laboratory a complex organic clay crystal that can reproduce and which has a metabolism. He has, in effect, manufactured a primitive organism out of inorganic materials. We learn of Viktor's life after his discovery as he starts new research and is pursued by his own inner and outer demons. In this elegantly written and immaculately constructed story of two men who suffer similar punishments for their hubris, Harry Mulisch attempts nothing less than to unravel the structure and meaning of man's being.

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Editorial Reviews

From Publishers Weekly

When Mulisch's masterpiece, The Discovery of Heaven, was published in the United States (1997), it was hailed as his magnum opus. His newest again approaches science from a literary perspective this time the creation of life from inanimate matter. God created Adam from clay; Doctor Frankenstein used the parts of corpses; Pygmalion used marble. Victor Werker, a middle-aged scientist, has discovered an "eobiont" a clay crystal with metabolic properties and self-reproducing powers. That such discoveries lead to disaster is prefigured in the admonitory tale that begins the book, a retelling of the story of Rabbi Jehudah L”w, a 16th-century Prague rabbi who, at the behest of the mystagogic emperor, Rudolf II (a man who kept half the charlatans of Europe at his court), animated a clay figure, or golem. The golem promptly killed L”w's son-in-law, Isaac. Fast-forward to Victor in Berkeley, where he is writing letters to his ex-lover Clara, ostensibly addressed to their dead daughter, Aurora. Victor's eobiont has made him famous, but his power to create life normally has been cruelly thwarted: Clara left him after her pregnancy resulted in a stillbirth. Victor is a mixture of appealing gentleness and appalling egotism, especially when it comes to jockeying for credit for the eobiont, and he has totally (and in his mind justly) supplanted his partner, Brock. Now he thinks Brock is behind the phoned threats that seem to dog Victor but are the calls real or just symptoms of his paranoia? Although it feels somewhat disjointed overall, like a fantasia between novels, Mulisch's obviously powerful literary intelligence is at work here. (July 9)Forecast: The esteem Mulisch gained for The Discovery of Heaven will probably ensure respectful reviews, but lame jacket art (a clay-covered fist) and the lurking sense that this is a minor work may discourage potential buyers.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal

The central events in the life of Dutch microbiologist Viktor Werner are that he has created a life a living organism made from clay in the laboratory and experienced a death, with the loss of his unborn daughter. The genetic and scientific details of the creation are convincingly rendered, and Viktor's attempts to come to grips with his lost daughter and to resurrect a relationship with her mother form the emotional core of the novel. Operating on many levels, the book also recounts the tale of a rabbi in 16th-century Prague who creates a golem, the legendary automaton of occult Judaism. Recurring motifs of occultism, parallels between sacred systems and scientific formulas, a woman's fertilization cycle, and the DNA code all intertwine into a mystery with a surprise ending. Here, Dutch novelist Mulisch continues some of the scientific and philosophical themes of his previous novel, The Discovery of Heaven (LJ 10/15/96), with thought-provoking results. Recommended for academic and larger public
Copyright 2001 Reed Business Information, Inc.

Product Details

  • Hardcover: 256 pages
  • Publisher: Viking Adult; First edition. edition (July 5, 2001)
  • Language: English
  • ISBN-10: 0670910244
  • ISBN-13: 978-0670910243
  • Product Dimensions: 8.9 x 6.1 x 0.8 inches
  • Shipping Weight: 11.2 ounces
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #2,602,430 in Books (See Top 100 in Books)

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Average Customer Review
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8 of 8 people found the following review helpful:
4.0 out of 5 stars Timely, March 14, 2002
This review is from: The Procedure (Hardcover)
Genetic engineering, the mapping of the Human Genome, and Cloning are all intensely debated issues at present. All are generally viewed as parts of the absolute leading edge of high technology. Genetically engineered life forms have been patented, the Human Genome has been mapped, and despite the political and religious protestations, cloning has continued to duplicate ever more complex replicas of life. And while laws are contemplated and passed forbidding the cloning of a human, it is not only likely, but also probable that such research proceeds somewhere.

The creation of life by mortal man has been routinely held as the ultimate taboo against nature and deeply held religious beliefs. Harry Mulisch writes in his book, "The Procedure", of two instances of creation and demonstrates the idea and perhaps the practice is not only far from new, it is centuries old. In the late 16th Century a Rabbi creates a Golem for a King, the procedure for which is outlined in a 3rd Century Text. Then in the 20th Century a Scientist creates a very primitive organic organism from non-organic materials, which gains the name eobliant. A Golem and the primitive organism that is created 400 years later have little in common as final products. The latter is a test tube creation while the former is, well the book will explain.

The commonality between these two events is obvious, and if I read the work correctly, the obvious is not what the author intended. The writing is deceptively straightforward to read. The Rabbi has an arguably valid and selfless reason for what he does, our contemporary scientist does not. The author diverges along the way with the tale of Frankenstein, the author and her contemporaries, but writing about an act and practicing it are widely separated issues.

Our scientist is also portrayed as being at the very least eccentric. He relates much of his story through letters he writes to his daughter who never lived. While the letters are to her, they are sent to the woman who would have been the child's mother. She left him for he failed her at the critical moment in their relationship, a moment that should not have been an issue for a father much less a man of science, and a man who was manipulating artificial life himself. For all the notoriety his creation has brought him, he gains no piece of mind, and constantly erodes as a person until he is having fictional conversations with a woman that would have been his wife about the cloning of their stillborn child. Cloning is a physical reproduction only, the mind, or the soul, if you prefer, is not replicated.

As I mentioned the book can read as deceptively straightforward, and my reading may be completely off the mark. Either way the book is a great piece of work, and a tremendous read. More than one reading would probably be appropriate.

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7 of 7 people found the following review helpful:
5.0 out of 5 stars Yet another endlessly satisying masterpiece from Mulisch, September 16, 2001
By 
J. Picone (Portland, OR United States) - See all my reviews
(REAL NAME)   
This review is from: The Procedure (Hardcover)
In many ways, I admire this book more than Mulisch's deservedly decorated opus The Discovery of Heaven. The Procedure is a tightly written novel that manages to incorporate a number of TDOH's humanist themes in a more complex and disturbing manner. This book is much, much more than a re-telling of the golem myth and a cautionary tale about pride. (And in case you hadn't noticed, Mulisch is proud to be an egomaniac so he ain't about to warn anyone about pride anytime soon.) The two odd chapters that open the book are easy to overlook once the narrative begins to unfold, but they ultimately serve as a sort of Rosetta stone for unraveling the novel's mysteries. When a book has the epigraph "So cleverly did his art conceal its art," the author is warning the reader to pay very close attention. I don't want to argue that this book displays an "either you get it or you don't" dynamic, because it's complex enough to yield new interpretations every time you read it, but, of the dozen or so reviews I've read, only one mentioned what I believe to be is the central metaphor of the novel. I find this troubling only because the mainstream reviews suggest that this is a minor, simple work that is easily digestible and of little consequence. Newsflash: when the brain and book collide, it's not always the book that is wanting. While the protagonist's creation of an a simple organic lifeform from inorganic matter does parallel the rabbi's creation of a golem, the novel's initial chapters suggest a much more immediate parallel to the golem than the largely undefined lifeform created by Victor. I don't want to ruin it for anyone, so I'll just say it's the best novel of the year (outside of Franzen's Corrections) and that everyone should read it. If you haven't read THOD, you should read that first, since it's more straightforward than this book.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Unforgettable!, October 7, 2003
By 
This review is from: Procedure (Paperback)
It all started with the creation of Adam. But doesn't the bible tell us that man and woman were created equally? If so, Eve could not have been the first woman, because she was created out of Adam's rib. Who is than the first woman? The answer: Lilith. When Victor Werker is born nobody has a clue that he will turn out to be one of the most renowned scientist of the twenty-first century. His future accomplishment will come close to what God did when he created man: he will give life to death material, a new form of life called the eobiont. But is this a good thing or will he have to justify his actions because he unwillingly created an evil Lilith?

Harry Mulish is at his best in this metaphysical story about the most powerful subject of all time: life. At the start of the story you easily loose track of what it is all about, but this is clearly done on purpose. As some kind of inauguration the reader is offered a speed course in the biblical study of letters and numbers. Once you have struggled through this first episode the impact of what follows is even more surreal.

Slowly but steadily the scope of the book widens and flirts with topics like the human genome, twin studies and Egyptology. Although the book nears epic proportions, Mulish never looses track of the essence. Constantly he surprises the reader with new viewpoints and digs deeper in the soul of the protagonist. Victor Werker is not different from anyone else, although his impact on science has been enormous. On the run for the past, he does nothing but chase his own shadow. When finally he notices that the future has much in common with what has been, he can do nothing but start to embrace his past. Like atoms that collide, this act of defeatism leads to total catastrophe, but also to the sweetest redemption.

Only a limited amount of books can force the reader to start rereading them the moment you turn that last page. The Procedure is certainly one of the few. Without seemingly any effort Harry Mulish has again created a Masterpiece.

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Victor Werker, Nobel Prize, Sefer Yetsirah, San Francisco, Aurora's Key, New York, Palazzo Grassi, Harry's Bar, Hotel Excelsior, Middle Ages, Aldo Tas, Inspector Sorgdrager, Mahler's Fourth, Piazza San Marco, Rio de Janeiro
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