Amazon.com Review
Joseph Kanon's debut thriller,
Los Alamos, captivated readers and critics alike and was awarded the 1998 Edgar Award for Best First Novel.
The Prodigal Spy, set in the aftermath of the Manhattan Project, offers a glimpse at cold war espionage and a very personal story about the effects of McCarthyism and the paranoia that it spawned. Once again, Kanon effortlessly weaves together history and fiction in prose that is thick with period details. The real achievement of the book, though, is the author's strong sense of his narrative center, Nick Kotlar.
The novel begins in 1950 in the Kotlar home in Washington, D.C., as young Nick tries to make sense of the masses of reporters who have gathered outside his house. Though his parents struggle to shield him from the truth, he inadvertently sees a newsreel that reveals his father's predicament: State Department undersecretary Walter Kotlar is under the intense scrutiny of Congressman Kenneth Welles of the House Un-American Activities Committee. Kanon perfectly captures the sensibilities of a child with a parent in peril; disbelieving Nick becomes a fledgling spy, trying to erase any clues in his home that might support Welles and his committee. But one night, after an explosive conversation with Nick's mother, his father disappears. That same night, the woman who had accused Walter Kotlar of spying commits suicide--or was she murdered? In 1953, Mr. Kotlar gives a press conference from Moscow announcing his defection. The book then moves to London in 1969, where Nick meets a young woman who tells him that not only is his father still alive but he has been keeping tabs on his son for the 19 years since he fled to the Soviet Union. This revelation draws Nick into a meeting with the seriously ill elder Kotlar and propels Nick into some intelligence gathering of his own--to uncover the man who caused Walter Kotlar's defection and who killed his father's accuser. With The Prodigal Spy, Kannon has once again breathed new life into spy fiction. --Patrick O'Kelley
From Publishers Weekly
Kanon's second novel, after the very well-received Los Alamos, is somewhat disappointing. He ventures into John le Carre territory, telling the tale of an American State Department official, hounded by the McCarthyites in 1950, who proves them right by abruptly decamping to the Soviet Union in the middle of congressional hearings into his loyalty. The tale of Walter Koltar is told by his son Nick, both at the time of his disappearance, when Nick is a small boy not quite understanding what is happening to his father, and nearly 20 years later, when he receives a mysterious summons to visit his father, now living in Czechoslovakia, just after the illusory "Prague Spring" of 1968. Walter wants to return home and thinks he has a trump card that will make that possible. Will Nick help out? As he proved in Los Alamos, Kanon is very adept at rendering the feeling and atmosphere of another time, and his early chapters are powerful evocations of that strange period in American life. He is good, too, on the bizarre quality of life in Prague after the Soviet invasion. The book is thoughtful, often penetrating, though at its considerable length, and with its comparatively small cast?Nick; his abandoned mother; his stepfather, Larry (another top Washington official); and his girlfriend Molly?it sometimes is a bit claustrophobic. The real problems appear in the last 100 pages, where the pace accelerates, J. Edgar Hoover is introduced as a not altogether convincing walk-on, and Nick takes a catastrophic action that seems entirely out of character with how he has been presented previously. It is as if the conventions of the spy thriller are working against Kanon's real strengths, which are in the creation of character as forged by intelligently re-created history.
Copyright 1998 Reed Business Information, Inc.