Customer Reviews

The Producer as Composer: Shaping the Sounds of Popular Music

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I love this book! It finally brings to light for the average popular music consumer as well as the scholarly directed the vital function that has made the producer the king of the studio. We members of the business side of popular music have recognized the financial rewards that come to producers from the likes of Phil Spector and Leiber and Stoler on to the producers of more current rap, hip hop and other genres including disco. But this book finally brings a search light of musicology to show the skills that warrant the status of producers as a vital contributor to the music scene. It is a worthy tribute to each of the many producers whose contributions are analyzed with skill by an author who combines his role as professor and working musician.
Bill Krasilovsky ( co author of This Business of Music)

I've been trying to find a book like this for quite a while. It's an excellent academic, yet accessible, study of modern producers - their techniques, technology, and personalities. I only wish it covered more people. ...though the producers that were chosen were excellent choices.

A great book for people wanting to understand the basics of record production and how it ties in with music composition.
There has been a strong trend lately for the composer to be a musician, engineer, arranger, producer... of their music.
This is a good book for music students or anyone who would like to understand modern music production.

I got this book for my son for Christmas.I didn't read it myself but he said he enjoyed it. Very informative.

If you are an aspiring producer, audio engineer, or songwriter, this book is amazingly insightful. I used this as a resource for a final graduate level project in songwriting and producing. The look into how songwriters are using the studio as a writing tool is great. Don't skip this book, it is a short, easy read that is packed full of invaluable knowledge.

Mr, (Dr.??) Moorefield has collected a lot of research and experience into the process of production. Aside from some editorial errors, it's a good, quick read that warrants re-reading.

This book is a nice study on production. I especially appreciate the classic tracks-style breakdowns of historic song productions. I will look into using it for one of my future production classes.