For the professional and student here is a basic guide to raising money, obtaining rights and bringing a play to the stage. Appendices include actual examples of commonly used legal forms and contracts. "...likely to remain for some time to come the authoritative reference in its field." -Variety
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This review is from: Producing Theatre: A Comprehensive Legal and Business Guide - Second Edition (Paperback)
This a great resource for new theatre producers. I really enjoyed it and it gave me some great tips on the bare bones tips. Another great resouce that I've found is actually a blog from off-broadway producer, Ken Davenport. Check it out if you get a chance: [...]
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AN ORIGINAL WORK OF AUTHORSHIP, regardless of when it was created, is protected either by common law or by statutory copyright unless the work has fallen into the public domain. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
motion picture backer, theatrical conciliation council, weekly breakeven, official press opening, royalty pool formula, gross weekly box office receipts, musical contract, cash office charge, additional investor members, such investor member, joint review board, potential gross ticket sales, royalty pool participants, thereupon withhold, front money investor, consecutive paid performances, endangered theatres, extent such sums, such house seats, third extension period, first paid public performance, limited liability company operating agreement, estimated production requirements, other royalty participants, royalties payable pursuant Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Labor Day, Run-of-the-Play Contract, United States, Approved Production Contract, Dramatists Guild, Equity Association, Standard Minimum Contract, First-Class Performance, British Isles, Christmas Day, Columbus Day, Lincoln's Birthday, Paragraph Tenth, United Scenic Artists, Washington's Birthday, Election Day, Memorial Day, New Year's Day, Off Broadway, New Zealand, September January, Department of Law, September September, Sherman Antitrust Act New!
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Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
AN ORIGINAL WORK OF AUTHORSHIP, regardless of when it was created, is protected either by common law or by statutory copyright unless the work has fallen into the public domain. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
motion picture backer, theatrical conciliation council, weekly breakeven, official press opening, royalty pool formula, gross weekly box office receipts, musical contract, cash office charge, additional investor members, such investor member, joint review board, potential gross ticket sales, royalty pool participants, thereupon withhold, front money investor, consecutive paid performances, endangered theatres, extent such sums, such house seats, third extension period, first paid public performance, limited liability company operating agreement, estimated production requirements, other royalty participants, royalties payable pursuant Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Labor Day, Run-of-the-Play Contract, United States, Approved Production Contract, Dramatists Guild, Equity Association, Standard Minimum Contract, First-Class Performance, British Isles, Christmas Day, Columbus Day, Lincoln's Birthday, Paragraph Tenth, United Scenic Artists, Washington's Birthday, Election Day, Memorial Day, New Year's Day, Off Broadway, New Zealand, September January, Department of Law, September September, Sherman Antitrust Act New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
Citations (learn more)
3
books
cite this book:
- Entertainment Industry Economics: A Guide for Financial Analysis by Harold L. Vogel on page 297
- From Option to Opening: A Guide to Producing Plays Off-Broadway by Donald C. Farber in Front Matter
- Broadway Talks: What Professionals Think About Commercial Theater in America (Contributions in Drama and Theatre Studies) by Arvid F. Sponberg in Back Matter
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