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3 of 3 people found the following review helpful:
3.0 out of 5 stars
Amusing, But With Major Plot Holes, January 10, 2011
The story is a weird but interesting one. I really enjoyed the beginning where the two of them walked the streets of London. Imhotep IV and Lillian bond over their marginalization and powerlessness in society. Both are loved by the professor, but more as possessions than as real people. They also both suffer from daddy issues.
After the opening though, I thought the story went downhill. The plot is a bit far-fetched, even for a fantasy story. The actions that the characters take at pretty much any point do not seem particularly likely. The perfect example of this is the kidnapping of Queen Victoria, which, while funny, serves absolutely no point. It is merely to be entertaining. The plot, such as it was, failed to wrap up in a way I found satisfying, as the big issue with the romance was entirely ignored.
I was also a bit bothered by the fact that the mummies were capable of just sloughing off their bandages and looking like real men again. If so, why wouldn't they just do that? Why live the life of a mummy, destined to be stuck under glass for a museum display, when you can just walk around like a normal man?
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3 of 3 people found the following review helpful:
4.0 out of 5 stars
Angieville: THE PROFESSOR'S DAUGHTER, November 2, 2008
This review is from: The Professor's Daughter (Paperback)
This charming, madcap Victorian romp was originally published in 1997 and has just recently been translated into English and reissued by First Second. The French pairing, Joann Sfar and Emmanuel Guibert, have infused their girl-meets-mummy love story with equal amounts whimsy and longing. Lillian Bowell is the daughter of renowned Egyptologist Professor Bowell. During one of her father's many absences, Lillian befriends one of her father's many mummies, Imhotep IV. Lillian soon feels safe with the debonair mummy and Imhotep finds the lovely lady reminds him of his long-dead wife who was not mummified and therefore will not be around to enjoy eternity with her spouse. Together these two unlikely confidantes spend a day out on the town, strolling through the streets and parks of 19th century London.
Mayhem ensues when Imhotep gets into a drunken pub brawl and Lillian is forced to drug the police who come to investigate the matter. Unfortunately, the sedative turns out to be poison and Lillian is put on trial for murder. Both fathers attempt to come to the rescue of their besotted children, but the British justice system will not be perverted and the two lovers must find a way out on their own. Always zany, at times hilarious, this original tale rushes headlong toward a satisfying, if slightly cringe-worthy conclusion. The text is enchantingly abrupt and fast-paced, and the accompanying artwork is utterly beguiling. Highly recommended.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars
Very Diverting Absurdist Fun, December 12, 2007
This review is from: The Professor's Daughter (Paperback)
First Second is a wonderful imprint that's been publishing some of the most interesting graphic storytelling of the last several years in beautifully produced editions. This slender story, a translation of a book that appeared ten years ago in France, is no exception. At 64 pages, with generally six panels a page, it's a quick read, albeit a pretty strange one. Sort of Monty Python meets Preston Sturges meets Tales From the Crypt -- or something like that.
There's no way to summarize the story and do it justice, all you need to know is that it involves a romance (of sorts) between the beautiful daughter of an Egyptologist and the decidedly animated mummy of Imhotep IV. A day out together turns into a madcap farce involving drunken disorder, poisoning, element, multiple kidnappings, a pirate mummy, a court scene, a soggy Queen Victoria, surreal dream sequences, and various other outlandish elements.
It all moves along at a cracking pace with abrupt shifts in the story, so much so that I had to stop a few times and make sure I hadn't missed some transitional page along the way. For the most part, the translation manages to hit the right sassy, snappy, silly tone, with only a few misfires here and there. The artwork is really excellent and unusual, lovely pencilwork and watercolors with a great sense of palette. Guibert captures the Victorian era and brings it to life while also creating engaging characters with relatively simple features. The lettering is slightly disappointing, a lame faux-handprinted font called "Felt Tip" that is resized throughout depending on space. This a minor quibble though, and the book is perfect for the reader looking for an absurd and witty diversion.
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