Have one to sell? Sell yours here
Profoundly Disturbing: The Shocking Movies that Changed History
 
See larger image and other views
 
Tell the Publisher!
I'd like to read this book on Kindle

Don't have a Kindle? Get your Kindle here, or download a FREE Kindle Reading App.

Profoundly Disturbing: The Shocking Movies that Changed History [Paperback]

Joe Bob Briggs (Author)
4.0 out of 5 stars  See all reviews (19 customer reviews)


Available from these sellers.


Formats

Amazon Price New from Used from
Hardcover --  
Paperback --  
Unknown Binding --  

Book Description

June 28, 2003
What the critics are saying:
"Beyond the bounds of depravity!"–London Evening Standard
"Despicable . . . ugly and obscene . . . a degrading, senseless misuse of film and time." –The Los Angeles Times
"People are right to be shocked." –The New Yorker

From the murky depths can come the most extraordinary things. . . . Profoundly Disturbing examines the underground cult movies that have–unexpectedly and unintentionally–revolutionized the way that all movies would be made. Called "exploitation films" because they often exploit our most primal fears and desires, these overlooked movies pioneered new cinematographic techniques, subversive narrative structuring, and guerrilla marketing strategies that would eventually trickle up into mainstream cinema. In this book Joe Bob Briggs uncovers the most seminal cult movies of the twentieth century and reveals the fascinating untold stories behind their making.

Briggs is best known as the cowboy-hat wearing, Texas-drawling host of Joe Bob's Drive-in Theater and Monstervision, which ran for fourteen years on cable TV. His goofy, disarming take offers a refreshingly different perspective on movies and film making. He will make you laugh out loud but then surprise you with some truly insightful analysis. And, with more than three decades of immersion in the cult movie business, Briggs has a wealth of behind-the-scenes knowledge about the people who starred in, and made these movies. There is no one better qualified or more engaging to write about this subject.

All the subgenres in cult cinema are covered, with essays centering around twenty movies including Triumph of the Will (1938), Mudhoney (1965), Night of the Living Dead (1967), Deep Throat (1973), The Texas Chain Saw Massacre (1974), Drunken Master (1978), and Crash (1996). Accompanying the text are dozens of capsule reviews providing ideas for related films to discover, as well as kitschy and fun archival film stills. An essential reference and guide to this overlooked side of cinema, Profoundly Disturbing should be in the home of every movie fan, especially those who think they've seen everything.


Editorial Reviews

From Publishers Weekly

Briggs, host of the long-running cable shows Joe Bob's Drive-In Theatre and Monstervision, is an acknowledged king of cult movie history. From Blood Feast to The Texas Chain Saw Massacre, Briggs analyzes 20 films and points out their cultural significance. The book is not, as the London Evening Standard put it, "beyond the bounds of depravity," but rather a wryly amusing, informative study of productions that some publicly disparage and privately relish. Roger Vadim's 1956 And God Created Woman broke down sexual barriers. His directorial shaping of Brigitte Bardot into a sex symbol, despite handicaps of coarse voice, cold manner and expressionless face, is a lusty and intriguing French version of Pygmalion. The Svengali theme also relates to Deep Throat, when Linda Lovelace, its star, became a steamy sex goddess in the hands of husband Chuck Traynor. These two movies permanently altered the way the world views celluloid sex, and Briggs demonstrates how Sam Peckinpah's The Wild Bunch did the same for violence. Briggs touches thoughtfully on controversial interpretations that The Wild Bunch film elicited before placing it in perspective as an artistically daring forerunner of modern action films. Shaft unleashed the blaxploitation boom, while The Exorcist turned Satan into a Hollywood high concept. The author also writes with insight and affection about such lurid enterprises as The Curse of Frankenstein and The Creature from the Black Lagoon. The book merits attention from fans tired of high-minded essays about classics such as Citizen Kane, and explains why crass, tasteless pictures often make more impact than those released with the stamp of respectability. 50 illus.
Copyright 2003 Reed Business Information, Inc.

From Booklist

Briggs brings the sensibilities of his late, lamented cable-TV review show, Joe Bob's Drive-In Theater, to the pages of this meditation on how sensational movies have changed film history and day-to-day culture. Briggs discusses the content, box-office success, and cultural effects of movies running the gamut from the mildly necrophilic Cabinet of Dr. Caligari to the fetishistic Ilsa, She-Wolf of the SS, and from the clumsy if well-intentioned 1942 facts-o'-life flick Mom and Dad to the pornographic Deep Throat. Of And God Created Woman, Briggs notes that star Brigitte Bardot was "the Pia Zadora of her day . . . all cheesecake and no class" until she and director hubby Roger Vadim collaborated on this film that challenged traditional perceptions of women because "both Bardot and her movie character . . . loved sex." Briggs' persona as an off-kilter yet knowledgeable cineast licenses him to be pithy and amusing. A must-have for those who consider Mike Weldon's Psychotronic film guides essential. Mike Tribby
Copyright © American Library Association. All rights reserved

Product Details

  • Paperback: 256 pages
  • Publisher: Universe (June 28, 2003)
  • Language: English
  • ISBN-10: 0789308444
  • ISBN-13: 978-0789308443
  • Product Dimensions: 6.8 x 0.6 x 9 inches
  • Shipping Weight: 1.5 pounds
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (19 customer reviews)
  • Amazon Best Sellers Rank: #255,142 in Books (See Top 100 in Books)

More About the Author

Discover books, learn about writers, read author blogs, and more.

Customer Reviews

Most Helpful Customer Reviews
11 of 13 people found the following review helpful
Bloom's Day September 6, 2003
Format:Paperback
Joe Bob's drive-in books of the past were certainly funny and sometimes informative, but cult film lovers looking for more meat on the bone will enjoy "Profoundly Disturbing." Instead of the standard Joe Bob treatment (breast counts, number of car crashes and/or severed limbs), he gives us an extremely informative and genuinely affectionate take on some of the most influential underground movies to ever offend delicate, G-rated sensibilities. Some of the flicks covered are even respectable (but no less offensive)-- the chapter on "Crash" is one of my favorites. Maybe fans who will accept absolutely NOTHING from John Bloom except his Joe Bob alter ego won't like it because of its lack of redneck element, but for fans (and cult film lovers) who appreciate the fact that behind Joe Bob there is a rather more intellectual and subtle mind, this is a great read.
Comment | 
Was this review helpful to you?
21 of 29 people found the following review helpful
Format:Paperback
The name on the cover is "Joe Bob Briggs" but make no mistake: "Profoundly Disturbing" is the product of the mind of John Bloom, Joe Bob's alter-ego and a damn fine writer and critic. Readers used to Joe Bob's comic persona may initially be put off by this difference in tone, but if they will stick with this book, they will experience a very satisfying set of essays of analysis and history about these films. These essays are very funny in a different, more irony-laced sort of way, in their own right. And what films they are! Some of them still couldn't be shown on network television after all these years.

Briggs/Bloom skillfully gathers together the pertinent, fascinating facts on each movie and gives his own perspective as well. I have never seen Cronenberg's "Crash" because of its somewhat perverted, NC-17 rated reputation. Joe Bob's persuasive essay on why it really is a fine film makes me want to seek it out and see it. The same can't be said for "Deep Throat" and "Ilsa She-Wolf of the SS", but he make me see why some people would be attracted to these dangerous films. Essays on "The Texas Chainsaw Massacre", "The Exorcist", and "The Wild Bunch" are nostalgic for the 1970's and what seems like the last era American movies were truly adventerous and independent.

Many observers have noted that Briggs/Bloom has written criticism for the conservative magazine "National Review", and that sort of tough realism about sex and violence carries over into this book. Politically correct liberal puritans would be shocked and appalled by most of these films. (In the essay on "Resevoir Dogs", Joe Bob chortles about how that film changed the image of the initially granola-ish, overly earnest Sundance Film Festival.) This book is a celebration of the freedom we have in America to appreciate art that is made from the most unlikely material. "Mom and Dad" and "Shaft" can teach us more about our great, weird old American culture than a thousand pious textbooks.

Was this review helpful to you?
2 of 2 people found the following review helpful
Terrific, Insightful Book February 27, 2006
Format:Paperback
I think some of the negative impressions of this book stem from the fact that people were expecting something different from "Joe Bob Briggs." Well, the truth is that before he was Joe Bob's, real name is John Bloom and he was (and is) a fantastic award winning investigative journalist.

His serious side really shines here. He has written a very accessible, erudite and enjoyable book of criticism here, and his critiques of these challenging films still resides within a moral frame work. He strikes a balance here that I think few critics could pull off given the subject matter.

But mainly it's just a great read, even for those that aren't necessarily film buffs. The generous and well-done layout is also worth commending. I highly recommend.
Comment | 
Was this review helpful to you?
Most Recent Customer Reviews
Joe Bob rules!
Anyone who subscribed to Joe Bob's We Are The Weird movie 'zines, will love this. In some ways, though, it's less humor and more social analysis of movies that... Read more
Published 6 months ago by Brian Maitland
Joe Bob Goes Beyond the Drive-in
Joe Bob Briggs, the redneck stage persona of film critic John Bloom, was the hilarious host of late-night B-movie programs DRIVE-IN THEATER on The Movie Channel (1986-1996) and... Read more
Published on September 19, 2008 by Michael R Gates
High Art and Glorious Dreck
It may be Joe Bob's name on the cover, but "Profoundly Disturbing" is much more the work of the more schooled, less outrageous John Bloom. Read more
Published on August 7, 2008 by J. Martin
JBB - Always fun!
Cinema doesn't have to be stodgy, even during serious discussion. After reading books of dry film theory and tepid reviews, Joe Bob Briggs's Profoundly Disturbing was a cool drink... Read more
Published on June 1, 2006 by Michael L. White
The end of Joe Bob as we knew him?
Everything about the cover of Profoundly Disturbing - the shaky letters, the posed fright on the creased poster, the phony rating, the chapter titles mimicking credits, the... Read more
Published on July 12, 2005 by John Rush
Good, but riddled with errors
Joe Bob Briggs is clearly a passionate guy who knows his stuff. He's very funny at times as well (see his critique of Linda Lovelace's post-DEEP THROAT career and why THE WILD... Read more
Published on August 12, 2004 by Jonathan E. Shapiro
Fun...but not Profound
Joe Bob Briggs is almost as much fun on the printed page as he is on television, so I opened PROFOUNDLY DISTURBING with great anticipation and closed it with some... Read more
Published on May 31, 2004 by Randall Ivey
And now I know
Profoundly Disturbing was not exactly what I had expected, but I was far from disappointed. The amount of information in this book is nothing short of incredible. Read more
Published on February 17, 2004 by Katherine G. Leis
Finally!
I'm so glad Joe Bob Briggs didn't write (yet) another tired and predictable book about [...] beer. I was pleasantly surprised to see more John Bloom in this novel. Read more
Published on October 20, 2003
HE SHOULD BE PAYING YOU...
...to read this VERY boring book. Joe Bob used to be an original, creative writer. His early work, with his witty observations and total lack of Political Correctness, always left... Read more
Published on August 15, 2003 by DriveInGuy
Search Customer Reviews
Only search this product's reviews

What Other Items Do Customers Buy After Viewing This Item?


Tags Customers Associate with This Product

 (What's this?)
Click on a tag to find related items, discussions, and people.
 

Your tags: Add your first tag
 

Sell a Digital Version of This Book in the Kindle Store

If you are a publisher or author and hold the digital rights to a book, you can sell a digital version of it in our Kindle Store. Learn more

Customer Discussions

This product's forum
Discussion Replies Latest Post
No discussions yet

Ask questions, Share opinions, Gain insight
Start a new discussion
Topic:
First post:
Prompts for sign-in
 

Search Customer Discussions
Search all Amazon discussions
   



So You'd Like to...



Look for Similar Items by Category


Look for Similar Items by Subject