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Progressive Printmakers: Wisconsin Artists And The Print Renaissance Hardcover – November 9, 1999

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Editorial Reviews

Review

Printmaking at the University of Wisconsin, 1945–1995

About the Author

Warrington Colescott is an internationally known artist and the Leo Steppat Professor of Art Emeritus, University of Wisconsin–Madison. Arthur Hove, special assistant emeritus at the University of Wisconsin–Madison, served in a number of capacities during a long association with the University. He was assistant to the chancellor and director of public information from 1970 to 1989. From 1989 until his retirement in 1996 he was special assistant to the provost. In addition to his administrative responsibilities, he also taught courses in the School of Business, the School of Journalism and Mass Communication, and the Department of Art. He holds the Distinguished Alumnus Award presented by the Wisconsin Alumni Association and is the author of The University of Wisconsin: A Pictorial History also published by the University of Wisconsin Press.

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Product Details

  • Hardcover: 184 pages
  • Publisher: University of Wisconsin Press; 1 edition (November 9, 1999)
  • Language: English
  • ISBN-10: 0299161102
  • ISBN-13: 978-0299161101
  • Product Dimensions: 8.5 x 0.8 x 11 inches
  • Shipping Weight: 2.7 pounds (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #3,003,717 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews

By R. Froen on November 19, 2014
Format: Hardcover Verified Purchase
Really great book. Beautiful reproductions. Covers topic very well.
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0 of 1 people found the following review helpful By James on November 23, 2010
Format: Hardcover Verified Purchase
"Progressive Printmakers" documents a wonderful chapter in American printmaking history with scholarly but NOT dry text and multitudes of colorful and important prints by a variety of printmakers who taught at Madison. After having worked with the renown Parisian printmaker Stanley Hayter at his New York atelier, "Studio 67", the pioneers of the American Print Renaissance during the post WWII era spread Hayter's "gospel" throughout academia, most notably at the University of Wisconsin and also surrounding Midwestern universities and art schools.
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0 of 1 people found the following review helpful By Jay R. Yager on May 23, 2007
Format: Hardcover
Excellent overview of an important development in 20th century printmaking by one of the century's most important printmakers.
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Progressive Printmakers: Wisconsin Artists And The Print Renaissance
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