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Projections 12: Filmmakers on Film Schools [Paperback]

John Boorman (Editor), Walter Donohue (Editor), Fraser MacDonald (Editor)


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Book Description

August 1, 2002 Projections (Book 12)
In the 1960s film schools sprang up around the globe and since then one-time student film-makers such as Milos Forman and Martin Scorsese have enriched world cinema. Yet when young upstarts such as Quentin Tarantino and Robert Rodriguez were able to succeed without a formal film school education the very need for such institutions was put into question. Projections 12 explores film education past, present, and future. Composed of a series of wide-ranging dialogues with current teachers at major schools such as Columbia and USC and recent alumni from across the disciplines -- including editing, script writing, and cinematography -- this is an ideal volume for anyone interested in a film career.

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Editorial Reviews

From the Publisher

Edited by John Boorman, Walter Donohue, and Fraser MacDonald

In the 1960s film schools sprang up around the globe and since then one-time student film-makers such as Milos Forman and Martin Scorsese have enriched world cinema. Yet when young upstarts such as Quentin Tarantino and Robert Rodriguez were able to succeed without a formal film school education the very need for such institutions was put into question. Projections 12 explores film education past, present, and future. Composed of a series of wide-ranging dialogues with current teachers at major schools such as Columbia and USC and recent alumni from across the disciplines -- including editing, script writing, and cinematography -- this is an ideal volume for anyone interested in a film career.

About the Author

John Boorman was born in London in 1933. After working as a film reviewer for magazines and radio, he joined the BBC in 1955 as an assistant editor, and later directed a number of documentaries. His first feature was 'Catch Us If You Can' in 1965. His latest film, Country of My Skull, opens in 2003. He is a five-time Academy Award-nominee, and was twice awarded Best Director at the Cannes Film Festival for Leo the Last (1970) and The General (1998). He is the author of Money Into Light: The Emerald Forest - A Diary, as well as the being the co-founder and editor of Faber and Faber's long-running series Projections: Film-makers on Film-making.

Product Details

  • Paperback: 320 pages
  • Publisher: Faber & Faber; 1st edition (August 1, 2002)
  • Language: English
  • ISBN-10: 0571206948
  • ISBN-13: 978-0571206940
  • Product Dimensions: 9.2 x 6 x 0.9 inches
  • Shipping Weight: 1.3 pounds
  • Amazon Best Sellers Rank: #209,237 in Books (See Top 100 in Books)

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Inside This Book (learn more)
First Sentence:
Roger Crittenden has been at the NFTS since its inception in1971. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
graduation film, film school experience, best film school, film education, thesis film, film schools, film department
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Green Lanes, Central Station, Los Angeles, Under the Sand, Colin Young, Channel Four, Nick Ray, Small Deaths, Last Resort, Lynne Ramsay, Water Drops, Wim Wenders, Cinema Novo, Fanny Ardant, Ian Sellar, Oren Moverman, The Stringer, Socorro Nobre, Criminal Lovers, Dick Ross, East Coast, Mike Figgis, Naked Lunch, Nicholas Ray
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This book cites 29 books:
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