Prokofiev: Piano Concerto No 3 ; Rachmaninov : Piano Concerto No 3 / Mikhail Pletnev

Prokofiev (Composer), Rachmaninoff (Composer), Mikhail Pletnev (Performer), Mstislav Rostropovich (Conductor), Russian National Orchestra (Orchestra) | Format: Audio CD

Product Details

• Performer: Mikhail Pletnev
• Orchestra: Russian National Orchestra
• Conductor: Mstislav Rostropovich
• Composer: Prokofiev, Rachmaninoff
• Audio CD (March 11, 2003)
• SPARS Code: DDD
• Number of Discs: 1
• Label: Deutsche Grammophon
• ASIN: B00008GQTP
• In-Print Editions: MP3 Download
• Average Customer Review: 3.5 out of 5 stars  See all reviews (10 customer reviews)
• Amazon Best Sellers Rank: #249,282 in Music (See Top 100 in Music)

Editorial Reviews

Amazon.com

A fascinating release that views Prokofiev through Romantic lenses and Rachmaninov through modernist ones, to the benefit of both works. The Rachmaninov Third is a virtuoso warhorse which Pletnev sails through with aplomb. His dazzling technique is everywhere in evidence, and in stripping the piece of the sentimental overlay so often imposed upon it, he makes it a tougher, tighter work. In the go-for-broke last movement, Pletnev plays with astounding virtuosity and in the concertos's more lyrical moments he lavishes sufficient poetry and full-bodied tone to bring out those aspects as well. He plays the longer and more difficult of Rachmaninov's first movement cadenzas. Rostropovitch and the crack Russian orchestra provided a bed of full-blooded Romanticism as the framework for Pletnev's explorations, and they bring a similar approach to the Prokofiev. There, Pletnev's articulation at fast speeds is nothing short of amazing, as is the full-bodied tone he brings to a work that’s often played with a shallow, leaner tone. Here again, the lyrical parts come off as well as the more overtly virtuosic ones. There are excellent performances of both works available from artists like Argerich, Ashkenazy, and others, but this one ranks among the best. --Dan Davis

Customer Reviews

Most Helpful Customer Reviews

22 of 22 people found the following review helpful:

5.0 out of 5 stars Mixing common conceptions, March 20, 2003

By 

Alex Serrano (Perrysburg, Ohio United States) - See all my reviews

This review is from: Prokofiev: Piano Concerto No 3 ; Rachmaninov : Piano Concerto No 3 / Mikhail Pletnev (Audio CD)

Deutsche Gramophone has paired two of today's top performers for aruguably the most difficult piano concertos commonly performed. Both Pletnev - the pianist, and Rostropovich - the cellist, alternate constantly as conductors so it is only fitting that they bring a distinct symphonic approach to these works. The results are mixed yet always exhilarating
Rachmaninov wrote his 3rd piano concerto as a virtuoso piece with which he hoped to conquer mostly American audiences - off course, as with any work of his this is not a mere showpiece for the pianist but is also brilliantly orchestrated and beautifuly annotated. But, there is no doubt that the music works around the piano soloist. So - Pletnev and Rostropovich give more than usual consideration to the orchestra and at parts the piano merely becomes another instrument rather than the soloist - added to Pletnev's light tone, this is a performance where honors and demeanors are shared by soloist, conductor, and orchestra. Many passages come off beautifuly while in others you just cant help yourself from wishing a more extrovert piano performance. Played in this manner, the rachmaninov 3rd piano concerto is transformed into a symphony with a piano part. At times this is fascinating, and then also frustrating. This is not an average performance.
This approach works much better in the Prokofiev. Here for once, both the orchestra and the piano part seem to lose their traditional motoric and percussive nature and instead we are presented with an emotionaly charged yet subtle performance where the understanding between the performers is always apparent. Also - result of this approach is that for once, Prokofiev's 3rd piano concerto is portrayed as full of drama, anguish, and finaly - triumph. The symphonic approach here allows for this concerto for once to not become episodic - rather, all the parts and variations seem to be integrated and eveolve logicaly. Pletnev's tone and technique is in top form throughout the whole disc, but in the prokofiev it becomes simply amazing. It is not a matter of just speed and power, rather than submission to a musical idea that seems to work perfectly.
Overall, this is a disc no serious collector should do without - its a doccument of 2 very serious musicians at the top of their form presenting music in a manner which is both fresh and respectfull of the music. This approach may not always please those who have preconceived notions of how these works should be played, but there is no denying that it is presented in an honest, professional, and inspired manner.

15 of 16 people found the following review helpful:

5.0 out of 5 stars Freshly Imagined Music-Making, April 18, 2003

By 

T. Beers (Arlington, Virginia United States) - See all my reviews
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This review is from: Prokofiev: Piano Concerto No 3 ; Rachmaninov : Piano Concerto No 3 / Mikhail Pletnev (Audio CD)

This really is a superb disc. I haven't listened to the Rachmaninoff Third with pleasure for quite some time now, most performances striking me as just banging out the notes. Rostropovich and Pletnev offer a brand-new take on this magnificent piece, one that explores orchestral textures and the interplay of piano and orchestra in really subtle ways. I can understand how some people might be put off by this (relatively) low-pressure approach, but to my ears the piece positively comes alive with sounds I'd never suspected. Rachmaninoff debuted this concerto in New York in late 1909, first with the New York Symphony under Walter Damrosch, then a few weeks later with the New York Philharmonic under Gustav Mahler. Decades later, Rachmaninoff still vividly remembered that second performance, detailing to his biographer about how carefully and completely Mahler rehearsed the music, insisting that the orchestra not be treated as mere accompaniment but as a full partner. That's how Rostropovich's work on the podium strikes me here and that's high praise indeed!

Pletnev is simply incomparable, every phrase is freshly imagined and shot-through with surprising insights .... not to speak of the man's staggering virtuosity. But Pletnev's virtuosity that never provides just empty display. Wow! And the same kind of imaginative, out-of-the-box thinking gets applied to the Prokofieff concerto as well. Rostropovich and Pletnev zoom in on all of the hard-edged, fantastic elements of the score, but subtly and not in any way I've ever experienced before. If the piece thereby loses some of its usual muscle, it gains an incredible variety of color. But, don't misunderstand me, this isn't anachronistic Prokofieff playing: there's no attempt to "tastefully" sanitize or romanticize the music, or turn this into second-hand Rachmaninoff. It's just that Rostropovich and Pletnev have such a light touch that they completely avoid the opposite sin of Prokofieff (mis)interpretation: turning the concerto into steely-fingered "machine music." The orchestral performance is just about perfect. The Russian National Orchestra project a fabulous technicolor sound that still manages to completely avoid sounding cheap or garish. Finally, the recording quality is about as good as you can imagine on a conventional CD. As I said, a really superb disc in every way and one that triumphantly vindicates both concertos as first-rate music, not just flashy display pieces.

5 of 6 people found the following review helpful:

5.0 out of 5 stars Pletnev at his Best!, May 21, 2005

By 

Krish Krishnanand "Krish" (San Jose, CA United States) - See all my reviews
(REAL NAME)   

This review is from: Prokofiev: Piano Concerto No 3 ; Rachmaninov : Piano Concerto No 3 / Mikhail Pletnev (Audio CD)

A few of the reviewers' comments on this CD disappoint me. What we have here is Mikhail Pletnev providing absolutely fresh insights into both the concertos. Add this to the list of Argerich, Rodriguez, Horowitz. A must, must buy!!