Prokofiev - Romeo and Juliet / Corella · Ferri - Kenneth MacMillan (Teatro alla Scala 2000)
 
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Prokofiev - Romeo and Juliet / Corella · Ferri - Kenneth MacMillan (Teatro alla Scala 2000)

Alessandra Ferri , Angel Corella , Tina Protasoni  |  NR |  DVD
4.7 out of 5 stars  See all reviews (12 customer reviews)

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Prokofiev - Romeo and Juliet / Corella · Ferri - Kenneth MacMillan (Teatro alla Scala 2000) + Tchaikovsky - Swan Lake / American Ballet Theatre, Murphy, Corella + Don Quixote / Baryshnikov, Harvey, American Ballet Theatre
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Product Details

  • Actors: Alessandra Ferri, Angel Corella
  • Directors: Tina Protasoni
  • Format: Classical, Color, Dolby, DTS Surround Sound, DVD, Widescreen, NTSC
  • Language: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.77:1
  • Number of discs: 1
  • Rated: NR (Not Rated)
  • Studio: Euroarts
  • DVD Release Date: November 25, 2003
  • Run Time: 115 minutes
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (12 customer reviews)
  • ASIN: B0000TWMNY
  • Amazon Best Sellers Rank: #76,674 in Movies & TV (See Top 100 in Movies & TV)

 

Customer Reviews

12 Reviews
5 star:
 (10)
4 star:    (0)
3 star:
 (2)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.7 out of 5 stars (12 customer reviews)
 
 
 
 
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36 of 37 people found the following review helpful:
5.0 out of 5 stars Beautiful, romantic version of this classic ballet, November 4, 2004
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This review is from: Prokofiev - Romeo and Juliet / Corella · Ferri - Kenneth MacMillan (Teatro alla Scala 2000) (DVD)
Kenneth MacMillan's choreography of Prokofiev's Romeo and Juliet is undoubtedly one of the most popular ballets ever made. And why not? It boasts a lush romantic score, a heartrending, classic story and a real sense of theater. The street scenes are bawdy and vibrant, the private moments between the star-crossed lovers are unforgettably intimate.
MacMillan utilizes both elements of classical and modern ballet. There are no traditional tutus nor is there a "white act." However, the large scenes at the Capulet ball and in the Verona streets make great demands on any ballet company's corps, and the pas de deux are the soul of the ballet.
I'd say this 2000 live film from La Scala is one of the best video versions of the ballet that we have. It's not perfect: for one, the La Scala Ballet is not the Kirov or Paris Opera Ballet. The corps lack the precision of a truly world-class company.
On the other hand, both Alessandra Ferri as Juliet and Angel Corella as Romeo are undoubtedly world-class dancers by any standards. Ferri, with her beautiful extensions, graceful style, and girlish, fragile persona, is a natural Juliet. She first made a big splash as a teenager at Covent Garden in this role. You can see her then in a video with Wayne Eagling and her youth and ardor are breathtaking. It's 16 years later, and while she is no longer as young, the qualities that make her special remain, especially her floating, birdlike quality. She can seemingly remain suspended on air as if perched atop a cloud. Juliet is not a virtuostic role, and Ferri was never a virtuoso dancer. What she does have in spades is grace, personality, and beauty of form. Even in the Tomb Scene when she's supposed to be "dead" she can manipulate her body to look lifeless and limp, yet with the most gorgeous turnout! Amazing.
Ferri has a Romeo worthy of her Juliet. Angel Corella is a good partner for Ferri. Unlike Ferri, Angel IS a virtuoso: he is famous for his huge leaps, his triple piroeuttes, his amazing spins. Comparisons to Baryshnikov are inevitable: Corella is also short of stature, like the great Russian. But what separates Angel from Baryshnikov is that while Mikhail's athleticism was breathtaking, his stage persona was distancing. Chilly, even. Angel, on the other hand, exudes an infectious joy and ardor. Watch him ecstatically lift up Ferri during the balcony scene, or tenderly stroke her hair during the Bedroom Pas de deux.
I have seen Angel and Alessandra dance R&J together, and what a great souvenir this dvd is, capturing two amazing dancers in this beautiful ballet. If you love ballet, this is not even a discussion: get it!
As a side note, lovers of the ballet will also want in their collection the 1966 film with Fonteyn and Nureyev which I also reviewed. The chemistry between Margot and Rudi is even more magical than between Angel and Alessandra, although the film is grainy.
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19 of 19 people found the following review helpful:
5.0 out of 5 stars Beautiful, December 4, 2003
By A Customer
This review is from: Prokofiev - Romeo and Juliet / Corella · Ferri - Kenneth MacMillan (Teatro alla Scala 2000) (DVD)
Angel and Alessandra seem perfect for their roles in this recording of Romeo and Juliet, with Angel's boyish charm and Alessandra's fluid grace coming together beautifully in this powerful ballet. Prokofiev's score is, needless to say, amazing, and the dancing is excellent, for the most part. Apart from Angel, though, the male dancers are severely lacking in technique; they have tricks coming out the wazoo, but it would be nice to see someone actually pointing their feet. The girls, on the other hand, are all superb dancers, and of course Angel and Alessandra are simply amazing. The balcony scene pas de deux is absolutely stunning. Unless you are a severe ballet critic, the flaws of the male soloists and corps are easily made up for in the beauty of the score, costumes, and set and in the well-played roles of Angel and Alessandra. One of my favorite recordings of any ballet.
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17 of 17 people found the following review helpful:
5.0 out of 5 stars Truly the best Romeo and Juliet, December 29, 2004
This review is from: Prokofiev - Romeo and Juliet / Corella · Ferri - Kenneth MacMillan (Teatro alla Scala 2000) (DVD)
I have been a ballet lover since childhood and seen many performances of Romeo and Juliet. This is far and away the best due to the very fine production at La Scala. Superb dancing by all but in particular to the outstanding performances of Corella and Ferri. I have never seen finer interpretations of these roles - Corella captures the youthful spontaneity and the manly qualities of Romeo. He sees deeply into the soul of this young man to portray his true nobility, and the depth of his love for Juliet.
I first saw Alessandra Ferri dance with the Royal Ballet in 1982 and was very impressed with her quality as a dancer. She like Corella has deep insight into the character of Juliet, and is able to capture her youthful playfulness, and also her transformation into a woman through her love for Romeo. She portrays this love with every fibre of her being. I have never seen a dancer able to convey emotion as clearly as Ferri. She is truly a dancer who can interpret a dramatic role better than anyone else I have ever seen.
I would like to add that I have seen all the great dancers of the Royal Ballet from the end of World War 2!
There has never been a performance of Romeo and Juliet to equal this.
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