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| 1. Peter and the Wolf, children's tale for narrator & orchestra, Op. 67: Introduction. Peter and the Wolf - a musical tale for children | |||
| 2. Peter and the Wolf, children's tale for narrator & orchestra, Op. 67: Now to our story. Early one morning, Peter opened the gate . . | |||
| 3. Peter and the Wolf, children's tale for narrator & orchestra, Op. 67: Suddenly, something caught Peter's attention | |||
| 4. Peter and the Wolf, children's tale for narrator & orchestra, Op. 67: No sooner had Peter gone . . . | |||
| 5. Peter and the Wolf, children's tale for narrator & orchestra, Op. 67: And now, this is how things stood | |||
| 6. Peter and the Wolf, children's tale for narrator & orchestra, Op. 67: But now, . . . now the hunters came out of the woods | |||
| 7. Peter and the Wolf, children's tale for narrator & orchestra, Op. 67: And now . . . now imagine the triumphant procession | |||
| 8. Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Tuning up | |||
| 9. Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: It all st | |||
| 10. Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: All of th | |||
| 11. Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: It is tim | |||
| 12. Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: When two | |||
| 13. Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Clarinets | |||
| 14. Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Easily re | |||
| 15. Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: 30 of the | |||
| 16. Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: The alto | |||
| 17. Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: The violo | |||
| 18. Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: The doubl | |||
| 19. Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Words plu | |||
| 20. Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: The horn | |||
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Most Helpful Customer Reviews
16 of 16 people found the following review helpful:
5.0 out of 5 stars
Fine performances,
By S. Greer (Tallahassee, FL) - See all my reviews
This review is from: Prokofiev: Peter and the Wolf; Britten: Young Person's Guide to the Orchestra (Audio CD)
The narrator Alec Clunes does a fine job in Peter and the Wolf, and Maazel's ballet sensibility pays off. (In fact, you should find his recording of Romeo and Juliet if you can.) Maazel also does well as the narrator in Britten's piece, and I don't find the altered text (approved by Britten) inhibiting at all. There are also a few orchestral perks: the French National Orchestra was a fine opera orchestra, and it portrays the various characters and instruments well. A highlight is the great and rarely recorded flutist Fernand Dufrene, who uses his uncanny skill in tonal blend to play a fine bird (at least I think it's him - there are no solo attributions). The other soloists are fine and attentive. Other recordings I would recommend are Dorati with Connery narrating, and at least one of the modern-sound recordings just for reference. In this I tend to favor Abbado, who is the finest of today's Prokofiev conductors, with Sting, or Nagano with Loren/Clinton (yes, Bill)/Gorbachev (yes, Mikhail). The latter recording features a fine new composition which is a sequal to Peter and the Wolf.
14 of 16 people found the following review helpful:
2.0 out of 5 stars
Good performance, antiquated recording,
By
This review is from: Prokofiev: Peter and the Wolf; Britten: Young Person's Guide to the Orchestra (Audio CD)
My kids and I have much enjoyed this recording, but the narration is often too quiet and sounds a bit muffled. Moreover, the narrator speaks with a British accent, making comprehension a bit trickier for little ones. In general, I have missed the sound quality obtained in digital recordings, so I'm now shopping for a better recording of this wonderful piece of music.
22 of 27 people found the following review helpful:
5.0 out of 5 stars
Great Alternative to TV for a 2-year old,
By A Customer
This review is from: Prokofiev: Peter and the Wolf; Britten: Young Person's Guide to the Orchestra (Audio CD)
My father gave this to my son when he was a baby. We tried it at age 1, but it was too scary. My son is 2-1/2 and loves listening to this - it is very well narrated. The first day I took it out again, he listened to it 3 or 4 times. We don't usually do the Young Person's Guide to the Orchestra piece, so I can't comment on that.
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