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8 of 9 people found the following review helpful:
4.0 out of 5 stars
Creepy, emotional, definately not for everyone., February 5, 2004
By A Customer
Right from the first sight of cover of this album you pretty much know that it's going to be confrontational. And, it is. You're either going to love this album or hate it. This is an album of extremes. The music itself doesn't seem to be based in normal pop song structure at all. Using found objects for percussion and electronic instruments for the broad noise making, it appears to be a collection of extremes (loud/quiet, melodic/free-form, sing/scream). But, underneath it all are often soft, beautiful guitars. The electronics are used in the most opposite way from tradition. No cheesy loops or beats, no passing off sounds in place of real instruments. Next, Jamie Stewart lets out lyrics that are nothing but raw. He either hits the mark dead on (Apistat Commander) or produces eye-rolling groans (Walnut House). Regardless, the album is so naked and open about its emotion you are either swept in or completely put off. Where the music doesn't grab you, the voice and lyrics will. It's hard to even compare anything to Xiu Xiu. You can't; I've yet to hear anything close and that's a good thing. This is a very polarizing album. Even the cover of Tracy Chapman's "Fast Car" is uncommon. Instead of a slightly uptempo folk song, it becomes a slow, heart-wrenching near dirge. I think it's one of the best albums I purchased in years. Uncompromising, unique, and raw.
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