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The Promised Bride [Paperback]

JEHANNE DUBROW (Author), Leah Maines (Editor)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

2007
A chapbook of poems. Jewish theme.

Product Details

  • Paperback
  • Publisher: Finishing Line Press; 1ST edition (2007)
  • ISBN-10: 159924148X
  • ISBN-13: 978-1599241487
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #3,598,307 in Books (See Top 100 in Books)

More About the Author

Jehanne Dubrow is the author of three poetry collections, most recently Stateside (Northwestern University Press 2010), which describes her experiences as a "milspouse." Her first book, The Hardship Post (2009), won the Three Candles Press Open Book Award, and her second collection From the Fever-World, won the Washington Writers' Publishing House Poetry Competition (2009). Finishing Line Press published her chapbook, The Promised Bride, in 2007.

Her poetry, creative nonfiction, and book reviews have appeared in journals such as The New Republic, Poetry, Ploughshares, The Hudson Review, The New England Review, Barrow Street, Gulf Coast, Blackbird, Shenandoah, Prairie Schooner, and on Poetry Daily and Verse Daily.

She is married to an officer in the U.S. Navy and currently lives on the Eastern Shore of Maryland, where she is an assistant professor in creative writing and literature at Washington College.


 

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1 of 1 people found the following review helpful:
5.0 out of 5 stars endorsements, July 25, 2007
By 
Leah Maines (Georgetown, KY, USA) - See all my reviews
(VINE VOICE)   
This review is from: The Promised Bride (Paperback)
In her startling cycle of *marriage* songs, Jehanne Dubrow brilliantly weds epithalamion to elegy to engender epiphany; her delight in the pleasures of love with her need to bear witness; and her awareness that *there*s nothing riskier than joy* with her realization that *The beautiful is often made / from blood* and *destruction hurries from nowhere.* To questions of how post-Holocaust writers can represent what confounds comprehension, how poets can elegize victims of the Shoah illuminating mourning as an effort without closure, this poet*s hybrid bride Shulamith, knowing the *other won*t / be reached,* responds with her own query: *Should I wear ash instead of white*?* Dubrow has earned the transgressive genius of her poems and discourse with her forbears and their kindred concerns through her craft*s attentive wildness, her renewals of received form and content, her erudition and implication of self. Her struggle with the *pornography of pain* asks that we struggle too, while in awe of what she accomplishes here.

--Yerra Sugarman
**
Fresh and searing as a new fire*s first bright flames, these gorgeous poems startle, seduce, and sustain. Jehanne Dubrow*s use of traditional poetic forms counterpoints and enhances the radical approach she takes to the Shoah. In her deep embrace of Shulamith, she marries herself to the darkest and most daunting epoch in world history. Her groom is the Holocaust, and she breaks the glass of form to free the fire of her vision.
--Charels Ad*s Fishman

A fine line keeps poetry that would engage the Holocaust today from edging into banality and worse. Jehanne Dubrow risks writing at that edge, and stays honest not banal. What's more, the formal turn her poems take, *the tight / ring of my hands,* gives us more grasp rather than less *after Auschwitz.* I'm grateful for The Promised Bride, facing the *broken world* as it does.
--John Felstiner has published Translating Neruda: The Way to Macchu Picchu, Paul Celan: Poet, Survivor, Jew, and Selected Poems and Prose of Paul Celan, and co-edited the Norton anthology Jewish American Literature.
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