Product Details

• Actors: Jason Gedrick, Tracy Pollan, Kiefer Sutherland, Meg Ryan, Googy Gress
• Directors: Michael Hoffman
• Format: Color, Dolby, NTSC
• Language: English
• Rating: R (Restricted)
• Number of tapes: 1
• Studio: Vestron Video
• VHS Release Date: January 1, 1998
• Run Time: 110 minutes
• Average Customer Review: 3.2 out of 5 stars See all reviews (5 customer reviews)
• ASIN: 6301049764
• Amazon.com Sales Rank: #6,285 in Video (See Bestsellers in Video)

Customer Reviews

Most Helpful Customer Reviews

13 of 15 people found the following review helpful:

3.0 out of 5 stars Not what they thought it would be..., July 9, 2003

By	FrKurt Messick "FrKurt Messick" (Bloomington, IN USA) - See all my reviews (TOP 10 REVIEWER)

I got a copy of the film 'Promised Land' from a friend. It is set in a small midwestern town where high school basketball is king. Sounds rather like Indiana, doesn't it? This gave the initial appeal to me, as films like this can help me understand the people in the area better -- at least, this is my hope, since I am not an Indiana native.

The actors are all very young. The film stars a very young Keifer Sutherland (Danny) and Meg Ryan (Bev) as a rather unlikely couple. The real 'star' of the film, the one who gets top billing, is Jason Gedrick (Hancock), whose career has been rather less prominent than Sutherland's or Ryan's. Tracy Jo Pollan (Mary) also stars in one of her few starring film roles. Pollan is now much better known through her marriage to Michael J. Fox.

The plot is a rather simple one. Four characters -- a high school basketball star (Hancock), a cheerleader (Mary), a dropout (Danny), his wife from a western state (Bev)-- all get tangled together in a final blow-up in the small hometown. The film opens during the all-important last moments of a basketball game. Of course, our guys win; the basketball star announces he's leaving for college, and the dropout announces he's leaving town. The cheerleader is left behind, but has hopes of her own.

Fast-forward two years. The basketball star is back home, working as a policeman. We slowly discover during the course of the film that he didn't make it as a college basketball star, and couldn't stay in college any other way. Mary, meanwhile, has gone off to another college, but has come home for the Christmas holiday, and as Hancock tries to rekindle old feelings, probably largely derived from hoping to recapture feelings of past glory, she feels pressured.

Danny, in the meanwhile, has gone out west and married Bev, a strange and wild woman. We learn that Danny has spent time in jail, and has never had a steady job or stable life. We don't learn as much about Bev through her speech, but can assume as much is true for her through her behaviour. Danny and Bev marry is a bizarre Las Vegas wedding ...and begin the long trek back home so she can be introduced to the family for Christmas (something that takes Bev by surprise).

Danny comes home and, in the course of various strange happenings, ends up with Bev in a convenience-store robbery. Hancock is the officer called to the scene, and ends up shooting Danny dead.

There are many unrealistic parts to the plot. Few high school jock stars are as likely to be friendly toward the dropouts as Hancock is toward Danny, for instance. When Danny returns home and goes to a bar, his friends wave hello, calling out 'Hi, Senator!' Apparently, Senator was his mock-ironic nickname in high school. One of his friends asks if he has become a senator yet; I hope that small-town folk aren't this unaware of the ways of political reality!

However, many of the emotions and situations ring true. Hancock's frustration with having reached the pinnacle of his life's glory at age 18 are very present; Mary's resistance at being drawn back into that life, yet still being attracted to Hancock is understandable. Bev is a strange character overall. She possibly represents the wildness that was lacking in the sombre (read - boring) small town environment.

'In a small town like that, you only get to make about one mistake.' Danny says this to Bev, and that is a real insight. Small towns are the same the world over -- those who don't leave remember everything for generations.

The production quality of the film is fairly good, but as one of the earliest of the Sundance productions, it lacked a budget for the final, Hollywood polish. The director, Michael Hoffman, does not have an extensive filmography, but has directed such diverse films as Soapdish, Restoration, and A Midsummer Night's Dream. A little editing. The acting is good, but not great. The script is sometimes lacking, but passing fair. The characters are people who begin to spark an interest, but are ultimately unsustainable. Had there not been the emotional and violent ending (very uncharacteristic for the town, one imagines), there would be little memorable.

This is a slice of American life in the middle; not the top, nothing glitzy or glamourous here, but not the bottom either. A very different view of high school and college-age years than typical Hollywood fare -- hopes have been dashed, if there were hopes at all, and the future stretches out in front, but as a rather bleak picture of sameness.

The film does not have a happy ending. Perhaps even without the shooting at the end, there would not have been a happy ending. Does one want a fast death in a blaze of glory, or a slow death by mediocrity? Sometimes that seems like the only two options for many people, and not just those in small towns. Ultimately, there is no Promised Land here. It is something these characters aren't permitted to enter, because it has been defined beyond their abilities to attain.

This film is largely overlooked, and has many points in which improvement can be made. Ultimately, it hangs together adequately, but not superbly, and perhaps that is ultimately its downfall.

7 of 7 people found the following review helpful:

4.0 out of 5 stars Gorgeous junkfood., July 8, 2001

By A Customer

Alas, the whole is less than the parts. Promised Land is a beautifully filmed, well acted, heartbreaking story with an absolutely fabulous score by the always excellent James Newton Howard. Its just that the material--the story itself--isn't worthy of such gorgeous cinematography and fine performances. Storywise, its pretty much junk but what raises it up are some really (visually) beautiful scenes.

4 of 5 people found the following review helpful:

4.0 out of 5 stars The American Dream, January 15, 2002

By	Erich Loehr (San Jose, CA USA) - See all my reviews

The American Dream is something different for everyone and cannot easily be defined. This film does a pretty fair job on debunking the generalized commonly accepted myth of the standard American Dream theory, espeially as it is based on true events. James Newton Howard was just starting back then and his brilliance shines through magnificently in his score. The film craft itself beautifully rendered, well acted and is to me well balanced and paced for the subject matter. I have to dust it off every once in awhile to remind myself what the potentials and pitfalls of being American is all about.