From Publishers Weekly
In Green's 12th novel, Callie Perry is a happily married photographer with two wonderful kids, a lovable sister, Steffi, and a best friend, Lila. Problems are minor: Steffi can never settle down, Lila has finally found love but the guy has a nightmare of an ex, and Callie and Steffi's divorced parents haven't spoken in 30 years. But then Callie, a breast cancer survivor, is diagnosed with a rare and incurable complication of the disease. Suddenly realizing that she has only months to live, she begins the painful process of saying good-bye. While the subject matter is intense and personal, it's far from depressing; the characters are warm, funny and realistic. Green (The Beach House) manages to create an authentic tale of a woman who truly loves her life and family and is trying to do the right thing for them before she dies. While Green breaks up her chapters with recipes (presumably because Steffi is a cook), this peculiar modern conceit in women's literature feels like a misstep. Overall, Green once again delivers an enjoyable emotional story. (June)
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Callie Perry seems to have it all: a handsome husband she adores, two adorable children, and a thriving business as a portrait photographer. A battle with breast cancer four years ago only made her marriage to Reece stronger, but the couple faces a major setback when agonizing headaches and a frightening blackout send Callie back to the hospital soon after celebrating her forty-third birthday. While Callie's oncologist tries to determine if her cancer has returned, her family rallies around her. Her younger sister, Steffi, a successful chef, has recently traded a fast-paced life in New York City for a quieter one in Sleepy Hollow in order to reassess her priorities. Callie and Steffi's father, Warren, has barely been able to be in the same room with their mother, Honor, since she left him; but news of Callie's plight brings him rushing to her bedside. Inspired by a friend's battle with cancer, Green's story definitely has the emotional heart and resonance to hook readers of women's fiction. --Kristine Huntley
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