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Proper Names (Meridian: Crossing Aesthetics) [Hardcover]

Emmanuel Levinas (Author), Michael Smith (Translator)
3.0 out of 5 stars  See all reviews (1 customer review)

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Book Description

February 1, 1997 Meridian: Crossing Aesthetics
Combining elements from Heidegger’s philosophy of “being-in-the-world” and the tradition of Jewish theology, Levinas has evolved a new type of ethics based on a concept of “the Other” in two different but complementary aspects. He describes his encounters with those philosophers and literary authors (most of them his contemporaries) whose writings have most significantly contributed to the construction of his own philosophy of “Otherness”: Agnon, Buber, Celan, Delhomme, Derrida, Jabès, Kierkegaard, Lacroix, Laporte, Picard, Proust, Van Breda, Wahl, and, most notably, Blanchot.

At the same time, Levinas’s own texts are inscriptions and documents of those encounters with “Others” around which his philosophy is turning. Thus the texts simultaneously convey an immediate experience of how his intellectual position emerged and how it is put into practice. A third potential function of the book is that it unfolds the network of references and persons in philosophical debates since Kierkegaard.



Editorial Reviews

Review

“Perhaps the names of persons whose saying signifies a face—proper names in the middle of all these common names and commonplaces—can resist the dissolution of meaning and help us to speak.” —From the author’s Foreword

From the Inside Flap

Combining elements from Heidegger’s philosophy of “being-in-the-world” and the tradition of Jewish theology, Levinas has evolved a new type of ethics based on a concept of “the Other” in two different but complementary aspects. He describes his encounters with those philosophers and literary authors (most of them his contemporaries) whose writings have most significantly contributed to the construction of his own philosophy of “Otherness”: Agnon, Buber, Celan, Delhomme, Derrida, Jabès, Kierkegaard, Lacroix, Laporte, Picard, Proust, Van Breda, Wahl, and, most notably, Blanchot.
At the same time, Levinas’s own texts are inscriptions and documents of those encounters with “Others” around which his philosophy is turning. Thus the texts simultaneously convey an immediate experience of how his intellectual position emerged and how it is put into practice. A third potential function of the book is that it unfolds the network of references and persons in philosophical debates since Kierkegaard.


Product Details

  • Hardcover: 208 pages
  • Publisher: Stanford University Press (February 1, 1997)
  • Language: English
  • ISBN-10: 0804723516
  • ISBN-13: 978-0804723510
  • Product Dimensions: 8.6 x 5.5 x 0.9 inches
  • Shipping Weight: 12.8 ounces (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #9,629,917 in Books (See Top 100 in Books)

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5 of 5 people found the following review helpful:
3.0 out of 5 stars Best for those already familiar with Levinas' work., August 27, 2001
By 
"rpatz" (Blacksburg, VA USA) - See all my reviews
Proper Names is a fascinating collection of essays previously available only in French. The pieces range from discussions of ethical, philosophical and theological questions in the work of Buber, Max Picard, Proust, Derrida and, especially, Maurice Blanchot. These works will be of interest to anyone who is already familiar with the extraordinary work of Emmanuel Levinas, who is, in my mind, one of the most important and original thinkers of the 20th century. The texts allow one to watch Levinas engaged in acts of response/responsibility to and for the Other within the framework of his own ethical system. It is my experience that, if one is concerned with the possibility of ethics after Hegel or, more precisely, Heidegger, everything that Levinas wrote is worth reading. However, if one is not already acquainted with this writer, one should start elsewhere. Infinity and Totality is the best starting point, but The Levinas Reader and Otherwise than Being (the more difficult of these three works) are better starting points.
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