From Publishers Weekly
Horror novelist James ( Twilight ) slowly reveals the connections between a 17th-century necromancer, an archeologist, an actuary, the number 26, a series of horrific accidents and a Ouija session in this complex tale of evil. British museum archeologist Francesca Monsanto meets actuary Oliver Halkin and his son, Edward, at a train station. Unbeknownst to either of them, Oliver, the 24th Marquess of Sherfield, stepped into Francesca's parents' sandwich shop on March 26, 1988, minutes before his wife was hit by a truck and decapitated. Coincidentally, the shop was built on the site of the original London residence of the Halkin family, where, on March 26, 1652, Francis Halkin, second Marquess of Sherfield (who was a necromancer, child-rapist and murderer), was executed by Parliamentary soldiers. In the present day, a romance ensues between Francesca and Oliver. Meanwhile, an eerie series of tragic coincidences begins to afflict the participants in a Ouija game organized by Francesca in 1988. The shocking ending of the work is neatly related to the motto carved on the Halkin family crest: Non Omnis Moriar , I shall not altogether die.
Copyright 1994 Reed Business Information, Inc.
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British Museum archaeologist Frannie Monsanto meets widowed mathematician Oliver Halkin. As they become involved, Frannie grows concerned about the odd behavior of Oliver's son, Edward. Strange links appear between Frannie's family history and that of Oliver's noble forebears while, simultaneously, a series of tragedies strikes down too many of both Frannie's college friends and Oliver's family. Edward gradually becomes the apparent focus of the dreadful events at the Halkins' ancestral castle and in London, and as calamities continue, it is disclosed that the ghost of Oliver's seventeenth-century ancestor, the second marquess of Sherfield, is exerting baleful influence on events. Finally, Frannie returns to her childhood origins--geographical and spiritual--to lay the ghost to rest. James is touted as Britain's Stephen King, and this story of arcane horror amid everyday lives and landscapes fosters the comparison.
Dennis Winters
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