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Proportion and Style in Ancient Egyptian Art
 
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Proportion and Style in Ancient Egyptian Art [Hardcover]

Gay Robins (Author), Ann S. Fowler (Illustrator)
5.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

1994
The painted and relief-cut walls of ancient Egyptian tombs and temples record an amazing continuity of customs and beliefs over nearly 3,000 years. Even the artistic style of the scenes seems unchanging, but this appearance is deceptive. In this work, Gay Robins offers convincing evidence, based on a study of Egyptian usage of grid systems and proportions, that innovation and stylistic variation played a significant role in ancient Egyptian art.

Robins thoroughly explores the squared grid systems used by the ancient artists to proportion standing, sitting, and kneeling human figures. This investigation yields the first chronological account of proportional variations in male and female figures from the Early Dynastic to the Ptolemaic periods. Robins discusses in detail the proportional changes underlying the revolutionary style instituted during the Amarna Period. She also considers how the grid system influenced the composition of scenes as a whole. Numerous line drawings with superimposed grids illustrate the text.



Product Details

  • Hardcover: 296 pages
  • Publisher: University of Texas Press; 1 edition (1994)
  • Language: English
  • ISBN-10: 029277060X
  • ISBN-13: 978-0292770607
  • Product Dimensions: 11.2 x 8.8 x 0.9 inches
  • Shipping Weight: 2.8 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,181,947 in Books (See Top 100 in Books)

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6 of 8 people found the following review helpful:
5.0 out of 5 stars Proportion and Style In Ancient Egyptian Art, August 18, 2002
By 
DONALD H MARK "DustyTomes" (Portland, Oregon, United States) - See all my reviews
(REAL NAME)   
A comprehensive account of the squared grids used by the artists of ancient Egypt to achieve acceptable proportions for standing, sitting and kneeling human figures. Traces the system from its Old Kingdom origins through its development in the Middle Kingdom and its continued employment into the Late and Ptolemaic periods.
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