The first "Prototype" was a game that, despite it's amazing potential, fell short of what it was capable of by the last few hours of the game. While it was an enjoyable experience for sure, there was a certain type of magic missing, not to mention a decent mission structure and polished gameplay. This gamer loved it, but knew that there was much more Radical could have done to match the greatness of their fantastic last-gen title, "The Incredible Hulk: Ultimate Destruction." But given that people love running up walls and blowing things up in video games historically, it sold well enough for Activision to give the talented developer another crack at the franchise. That's a good thing, because while "Prototype 2" will certainly not be the best game you play this year, it will give you some of the best times you're going to have with one.
Taking off a few years after the initial entry, this sequel puts you the boots of Army sergeant James Heller, who has lost his wife and daughter to the Mercer virus that has turned New York City into a parasite-infested wasteland. Fueled by PTSD from the Iraq War and rage from losing his family, Heller swears vengeance on Alex Mercer, the originator of the virus. For those unfamiliar with the franchise, Mercer was the protagonist of the first game, and seeing him in a whole new light really broadens the scope and perspective within the continuity. In this, he's a maniacal sociopath who has been corrupted by the virus that turned him into a superhuman, and on a whim, he decides to give this superhuman virus to Heller because he displays a large amount of spunk. This is a big mistake due to the fact that Heller has a burning hatred for Mercer, and what occurs is a fun and compelling revenge yarn between the two men.
Unlike the first game, "Prototype 2"'s story starts off kind of weak but soon turns into something genuinely compelling and fun. Both Heller's conquest of revenge and his one-man attack against the oppressive Blackwatch military that abducts innocent civilians to test new viruses on them make for some good, B-grade entertainment. The more characters that get introduced, the more perspectives the player is given access to, and watching these different outlooks and personalities mesh makes for a fun time during cutscenes. No character, though, is as entertaining and fun as Heller himself. A walking profanity and trash-talk machine, James isn't written off as the "stoic and angry African-American male" cliche that too many games use, and instead is one of the best and most believable Black leads in gaming. While the story isn't really anything groundbreaking or tearjerking (in fact, it's one of the weaker parts of the game), Heller makes it an overall more entertaining experience.
But one could ignore the story in "Prototype 2" and not miss much from their overall experience, because one element in the game itself is flawless through-and-through: the gameplay. Instead of forcing the player to work themselves up to a level of power equatable to Mercer's in the first title, Heller starts off with the most of the abilities an average gamer had at the end of "Prototype", and begins to get stronger at a rapid pace. This gives an untold level of power and control to somebody who picks up this title, which is a treat in and of itself. How Radical takes it one step further, though, is that every little gripe people had about the core gameplay before has been addressed, and now everything works the way it should. Heller adjusts perfectly to ledges he stands on, aiming is far more accurate, and gliding from roof to roof is streamlined to perfection. Vehicle controls no longer feel too sketchy, and doing large maneuvers such as ripping the missile launcher off a helicopter in mid-air or duel-wielding different abilities in the heat of battle can be pulled off with minimal effort. For the first time in my long history with video games, a developer has given a player the opportunity to be a superhuman and not held them back with cumbersome controls or overpowered enemies. Running up the sides of skyscrapers, karate-kicking helicopters hundreds of feet above ground... almost nothing in this game is impossible. Radical finally "gets" what people want from a title like this, and so many developers could take a cue from them.
Running around with insane abilities is nothing without a compelling setting, and the level designers obviously knew that. New York Zero is a gorgeous city whose imperfections have been coded with loving attention to detail and overall aesthetic. Every crack in the pavement and every hole in the building are all rendered with the utmost care. The same can be said for both the character models and enemy designs. While the NPC passerby are more or less drab, the main characters all look quite slick, with special notice needed to be given Heller's design. Moreso than Mercer, Heller's model is quite impressive, and always looks completely natural with the parasitic attachments his body grows. To top it off, his movement is fluid and realistic, making for a more believable "hero" than the previous protagonist. Overall, this is game is very pretty to look at, despite the ugly setting.
That's not to say it's all sunshine and daisies in this otherwise stellar game. What really holds Radical back this time around is the fact that their mission structure is questionable, to put it in kinder terms. Which is to say that many of the missions for the approximate first-third of the game are drearily repetitive, to the point where I thought my initial score for the game would be a good bit lower. The majority of these missions involve absorbing a Blackwatch trooper, infiltrating a base, and killing a new enemy/destroying something/absorbing somebody to gain information. It's a cool concept, but it soon wears thin, especially when considering that you're still doing these types of missions near the end of the game. For a game that houses gameplay so wonderful, it's a crying shame to see it getting bogged down by missions that lack creativity. And don't even get me started on the cookie cutter side-missions, which offer little to no incentive outside of gaining some extra experience points. This is a fun game, but the basic structure of the missions might have you believing otherwise at first. Don't worry, though, because when vehicles get introduced, much of this initial boredom is alleviated.
The only thing that never really improves is the music. I can't remember one bit of "Prototype 2"'s soundtrack, and I just finished the game last night. Nothing here is even remotely interesting to listen to. It's not really bad, per se, more than it is uninspired and very cliche. If you've listened to a big budget action movie with swelling orchestra pieces during crucial moments, then you've listened to the soundtrack for this game. What makes up for the lack of an original soundtrack is the phenomenal voice acting, which possesses the rare distinction of having a perfect actor for each and every role in the game. To be honest, that's one of the things that makes the plot more compelling. In the wrong hands, it would've been revenge tripe addled with cliches. Hats off to the voice director for preventing this work from falling into that lamentable pitfall.
A merely functional story, forgettable music and an often boring mission structure still don't hold back this unstoppable beast of a game when all is said and done. "Prototype 2" gives gamers more power than any superpower-driven open world game out there, and while it is nowhere near perfect, it's still a fun game that knows all of the sweet spots to hit. If you're willing to turn your brain off and just have a good time, few games come more highly recommended.
Plot: 7
Gameplay: 9
Sound: 8
Graphics: 9
Overall: 8.25