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Psalm

Psalm

May 8, 2001

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  • Sample this album Title - Artist (sample)
1
30
6:56
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2
30
3:00
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3
30
5:40
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30
6:11
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30
5:06
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6
30
9:12
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4:20
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8
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7:39
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Product Details

  • Original Release Date: May 8, 2001
  • Release Date: May 8, 2001
  • Label: ECM
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 48:04
  • Genres:
  • ASIN: B000V6S7RG
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #303,080 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

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Most Helpful Customer Reviews

8 of 8 people found the following review helpful By Aaron Mendez on May 31, 2007
Format: Audio CD
I have the music on vinyl, purchased sometime in the early 90s. It features the young Bill Frisell. This collection shows Motian`s generally unacknowledged compositional talent for what it is: a unique vision of poetic delicacy. In Jazz composition the choice of players and how they are directed or left free is part of the composer`s process, and the ensemble here is brilliantly chosen and deployed, exhibiting psychic intertwining of sound.
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1 of 1 people found the following review helpful By G B on February 21, 2014
Format: MP3 Music Verified Purchase
This was Motian's fifth album as leader, and introduced his then-new quintet - Joe Lovano and Billy Drewes on saxophones (Drewes would be replaced by Jim Pepper on later albums), Bill Frisell on guitar, and Ed Schuller on bass. Unlike the Motian-Lovano-Frisell trio's later, more austere work, the dual saxophones as well as Frisell's lush, effects-heavy guitar fill a lot of sonic space. The compositions are all over the map - you have "White Magic" which flat out rocks, the slightly corny calypso "Mandeville", and then other pieces that that are more typically Motianish. The top highlights are a pair of tunes that first appeared on the Keith Jarrett album Byablue and are given superior interpretations here - the haunting "Yahllah" and "Etude". This is not the quintet's best album, but it's worth hearing.
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