In full acknowledgment of the important cultural significance of film, this outstanding collection of psychoanalytic essays brings a methodological and theoretical sophistication to an absorbing range of film material. From Wild Strawberries and Vertigo to Titanic and Being John Malkovich, this intelligent and enjoyable collection succeedes in combining clarity and accessibility with a deeply informed scholarship.
Psychoanalysis and Film
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About the Author
Glen O. Gabbard is Brown Foundation Chair of Psychoanalysis, Professor in the Department of Psychiatry and Behavioral Sciences, and Director of the Baylor Psychiatry Clinic at Baylor College of Medicine in Houston, Texas. He is also Training and Supervising Analyst at the Houston-Galveston Psychoanalytic Institute in Houston. He was Joint Editor-In-Chief of the International Journal of Psychoanalysis between 2001 and 2007.
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