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Psychology of Creativity
 
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Psychology of Creativity [Paperback]

Natalia Hughson (Author), Richard Hughson (Author)
2.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

January 2003
Artists, writers, scientists, managers, psychologists, educators, or anyone who creates. Are you looking for inspiration, words, a way to express yourself? Would you like to destroy the myth that creativity is a mysterious gift for only a chosen few? Would you like to know exactly what to do and sooner rather than later? Would you like to find yourself by losing yourself in your art form rather than be derailed by distractions to your real purpose in life? If so this is the book for you.

This is a textbook. It was written for any student who might sign up for the course entitled Psychology of Creativity. However, anyone who wanted to study it on their own could also find the book useful. It is for artists, leaders, managers, musicians and writers. It will describe the creative process for artist as well as writers or people from other disciplines. It allows the reader to find similarities and differences depending upon the creative process that each individual is exploring. It may de-mystify rituals of inspiration. Hemingway drank. Picasso used women in the same way that Hemingway used alcohol; he consumed them. This book may eliminate the mythology that you must have a gift in order to create. It never hurts to be gifted, but techniques do not have to be mysterious. Changing the world is an inside job.

Knowledge of the creative process cannot substitute for creativity itself. Some people seem unable to start. Those people should remember that a journey of one thousand miles starts with a first step. It seems easy to get stuck. Writers get writer’s block. Managers and executives sometimes plateau and as a result fail to continue to grow and prosper. Dr. Larry Liberty used to say that people are like plants. If you aren’t growing, you are already dead. Sometimes challenges seem too overwhelming, seem too intimidating and free inspiration seems blocked. There always seem to be setbacks and frustrations. It helps to know that these are phases of the natural cycle of creative processes. Perseverance is one component of the creative process. Long-term goals can be achieved. Sometimes there are milestones to be celebrated or even recognized because they are telling people that they are on the right track. Some struggles can take a lifetime. Frank Lloyd Wright was 72 before his work began to be recognized. Colonel Sanders was nearly bankrupt at 65 and died a multimillionaire more than two decades later. It was a struggle that generated incredible pleasure and joy. A lot of the things happen in life: false starts, mistakes, sometimes life itself gets in the way. Many attempts people make are imperfect; yet each one of those imperfect attempts is an occasion for growth. As Thomas Edison put it, "I haven’t failed; I’ve found 10,000 ways that don’t work."

The creative process is like a religious quest or odyssey that takes a person down a spiritual trail. Prisig would say that the motorcycle that you are working on is yourself. Nietzsche would probably say that a creative act is the only way to eliminate despair and alienation. The Zen monk might say that you can find yourself by losing yourself in your art form. There is a meaningful, original, authentic self inside of you waiting to be discovered and expressed.

How talented are you? What do Einstein, Picasso, and Bill Gates have in common? What are inspiration, insight, and improvisation? Do we need to wait for the Muses to come or is there another way to develop our imagination? Readers can get answers to these and other questions in this book. Discover the genius inside of you. This book provides a historical review of a variety of approaches to creativity. The material covered emphasizes psychological components of the creative process, the application of creativity in the writing process, the visual arts as well as music, leadership, problem solving and science, the preconditions for creativity, and the general characteristics of creative people. Hundreds techniques for creativity stimulation are organized into 15 workshops. 540 pages, 60 color illustrations.


Editorial Reviews

From the Publisher

This is not a print on demand Book. Copies are available.

From the Author

This book is a compilation of ideas, theories, and experiences. The main idea of creativity is: to be able to identify similarities between dissimilar things. So we brought together various ideas and theories. Every effort to give credit to those, living or dead, who have inspired or in someway contributed to this endeavor. The book was written, illustrated, and designed by creative people who are not professional artists or more specifically by the authors themselves. In this way, the effort was to try to demonstrate or prove in some way that everyone can be creative.

The first two parts of the book focused on the theoretical background of creative behavior. When the reader or student moves to the third part, the application of creativity in the visual arts, the writing process, business, leadership and so on; one needs to keep in mind that there is the same foundation for creative behavior in different fields. When engaging oneself in various activities for creativity stimulation, one needs to remember that the same principles and techniques may be applied in order to be creative in any endeavor.


Product Details

  • Paperback: 540 pages
  • Publisher: Amazing Books (January 2003)
  • ISBN-10: 0971197989
  • ISBN-13: 978-0971197985
  • Product Dimensions: 10.8 x 8.4 x 1.2 inches
  • Shipping Weight: 3.6 pounds
  • Average Customer Review: 2.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #2,267,943 in Books (See Top 100 in Books)

 

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2.0 out of 5 stars Typos, bad grammar and a bad index., January 17, 2009
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This review is from: Psychology of Creativity (Paperback)
I had this book for a Creative Psychology of Creativity class with Ms. Hughson as the instructor and had multiple complications using the textbook. As a textbook, there should be a working index. Almost every single keyword or subject in the index refers to a page that is simply not there. Some subjects were chapters away from their pages mentioned in the index.

There are multiple typos and grammar errors in the textbook, which can be overlooked for the most part, but still not a plus.

If you ever see this book as a requirement for your class, you may want to recommend something else to the faculty.

There is also a CD included with some of the newer versions of this book. It may make it easier to ctrl+f your keywords in the digital version of the book rather than refer to the index.
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