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Public Domain [Paperback]

Brian Wood (Author, Artist)
3.5 out of 5 stars  See all reviews (2 customer reviews)


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Book Description

February 11, 2002
PUBLIC DOMAIN collects close to five years of preliminary and post-CHANNEL ZERO design and artwork, including close to 60 pages of never-seen comics from creator Brian Wood's art school years. Also included are dozens of deleted scenes, rejected pages, posters, sketches, script excerpts, creator's notes and character designs from the original series, as well as the contents of the special CHANNEL ZERO issue "Dupe", which remains out of print and unavailable since early 1999. All told, PUBLIC DOMAIN is a complete and fascinating collection detailing the origin of the concepts and characters that appeared in CHANNEL ZERO, the method that Wood employed to produce the series, and a detailed behind-the-scenes look at the whole creative process. Beautifully designed and meticulously compiled and edited by the creator himself, PUBLIC DOMAIN is a must-have for all CHANNEL ZERO and Brian Wood fans, for budding artists and writers, and for students of the graphic narrative format.

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Product Details

  • Paperback: 144 pages
  • Publisher: AiT/PlanetLar (February 11, 2002)
  • Language: English
  • ISBN-10: 0970936052
  • ISBN-13: 978-0970936059
  • Product Dimensions: 11 x 7 x 0.4 inches
  • Shipping Weight: 9.9 ounces
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #1,929,187 in Books (See Top 100 in Books)

More About the Author

Brian Wood released his first graphic novel, Channel Zero, in 1997 to considerable critical acclaim and has continued to create at a brisk pace ever since. Focusing almost entirely on creator-owned projects, he's become one of the most important indie creators of the last decade. Standout books include his The Couriers and Channel Zero series, Demo, Local and Supermarket. He's earned multiple Eisner Award nominations and editions of his work have been published in close to a dozen foreign markets. Currently under an exclusive contract for DC/Vertigo, Wood continues to write his unique brand of iconoclastic creator-owned work with DMZ, Northlanders, Demo and The New York Four.

Brian lives with his wife and daughter in Ditmas Park, Brooklyn.

 

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3.5 out of 5 stars (2 customer reviews)
 
 
 
 
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1 of 1 people found the following review helpful:
2.0 out of 5 stars Kind of Disappointing, February 2, 2007
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This review is from: Public Domain (Paperback)
Although I am a huge fan of Channel Zero, I was pretty disappointed in Public Domain. Although it's got some cool development information about CZ in it, this book really lacks in original artwork, and doesn't offer much in material that went unseen in the CZ books.

If you're a rampant Brian Wood fan as I am, this book is worth having in your collection, to complete it if nothing else. If you don't meet that criteria, you might want to skip this one.
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Excellent and Intriguing, but..., September 1, 2005
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This review is from: Public Domain (Paperback)
There's really no concise way to explain what this book is, but it all works as a cohesive whole. In the introduction, Brian Wood basically suggests this is more of a "DVD Special Extras" package, and really, that's the analogous equivalent.

There's really not as much direct exploration of behind the scenes on the production of the Channel Zero graphic novel proper as much as it's odds and ends that led up to that book's production. This isn't a scriptbook, and really the Channel Zero project is too complex to be given away so simply.

About half of the book is a graphic exploration of production art, source photos, and sort of remixed visual ambience from the Channel Zero universe. The rest is a handful of source stories and aborted story concept pitches surrounding the Channel Zero project, including offbeat would-have-been spinoffs and similar projects.

It's a bit of a shame that there's not more related illustration work related to the Jennie 2.5 character, because the section of sketches and character designs toward the end of the book are absolutely incredible. Wood has a unique drawing style--a lot more "action-y" than many of his indie counterparts, but distinctly more flowing and wild than mainstream artists. As much credit as Wood gets for his graphic design, he's really very underrated as an illustrator, I think. In this book, he shows a very clear processional development in his drawing style that is educational to would-be illustrators and intriguing on its own.

Obviously this book is a supplement to the Channel Zero graphic novel, but it's well worth checking out Wood's other graphic novels (particularly Couscous Express, Couriers and Demo) prior to picking this one up as well, possibly. However, as a visual treat, and for anyone looking for another dose of CZ-related goodness, this book is well worth the low cover price.
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