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Public Image Ltd. - Greatest Hits So Far
 
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Public Image Ltd. - Greatest Hits So Far

Public Image LimitedAudio CD
3.9 out of 5 stars  See all reviews (17 customer reviews)

Price: $11.08 & eligible for FREE Super Saver Shipping on orders over $25. Details
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Biography

Public Image Ltd (PiL) are an English post-punk band formed by vocalist John Lydon, guitarist Keith Levene and bassist Jah Wobble, with frequent subsequent personnel changes. Lydon is the sole constant member of the band.
Lydon emerged after the break-up of the Sex Pistols with PiL's First Issue (1978). His new band had a more experimental sound: Wobble's "droning, slow-tempo, bass-heavy noise… Read more in Amazon's Public Image Limited Store

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Customers buy this album with Never Mind the Bollocks, Here's the Sex Pistols (U.S. Version) $7.99

Public Image Ltd. - Greatest Hits So Far + Never Mind the Bollocks, Here's the Sex Pistols (U.S. Version)
  • This item: Public Image Ltd. - Greatest Hits So Far

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Product Details

  • Audio CD (June 29, 1992)
  • Original Release Date: 1990
  • Number of Discs: 1
  • Label: Virgin Records Us
  • ASIN: B00000DR6J
  • Also Available in: Audio CD
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (17 customer reviews)
  • Amazon Best Sellers Rank: #23,484 in Music (See Top 100 in Music)

1. Public Image
2. Death Disco
3. Memories
4. Careering
5. Flowers Of Romance
6. This Is Not A Love Song
7. Rise
8. Home
9. Seattle
10. The Body
11. Rules And Regulations
12. Disappointed
13. Warrior
14. Don't Ask Me

Editorial Reviews

No Description Available.
Genre: Popular Music
Media Format: Compact Disk
Rating:
Release Date: 20-OCT-1998

 

Customer Reviews

17 Reviews
5 star:
 (6)
4 star:
 (7)
3 star:
 (1)
2 star:
 (2)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
3.9 out of 5 stars (17 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

36 of 38 people found the following review helpful:
4.0 out of 5 stars A good but frustrating introduction, March 7, 2003
This review is from: Public Image Ltd. - Greatest Hits So Far (Audio CD)
This collection brings together most of the best songs from the band's entire career (well, ok, not the last album) while including some interesting remixes. People who listen to this CD will fit into 4 groups.

Some people won't like it at all. Hey, PIL is not for everyone. Go buy something else.

Some people will like the later stuff but won't be able to stand the early stuff at all (except for maybe the first song, Public Image). Some people will love the early stuff and find the later stuff boring. Either way, you'll be skipping tracks on this CD and you'll need to buy another 3-4 CDs to get all the songs you like.

Some people will like it all (although maybe not back to back). Those people will want to get the Plastic Box boxed set and will probably still want to eventually pick up most of the albums to get a complete collection. There are a few odds and ends (remixes and outtakes) that are out of print which is kind of annoying.

What I think is needed is two separate greatest hits CD's, an early one and a late one. There are enough gaps in this collection to warrant it. Who knows if that will ever happen.

One other thing. The sound on this CD is not all that great. Everything was remastered for the Plastic Box boxed set. The tracks on there just sound a whole lot better. I made a CDR of songs from both compilations and the difference in sound quality was jarring. Just another reason that fans would be better served by another collection.

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14 of 14 people found the following review helpful:
5.0 out of 5 stars Not Perfect, by any means, but excellent for new listeners.., September 21, 2004
This review is from: Public Image Ltd. - Greatest Hits So Far (Audio CD)
Surely after the disbanding of "The Sex Pistols" few would have put money on singer "John Lydon / Johnny Rotten", setting up a
'Post-Punk' band, from the ashes of his first band. But then John Lydon was always about confounding the publics perceptions. So with World music / Worldbeat / Alternative bassist "Jah Wobble" (Who would be later sacked from the band), PiL is an amalgamation of early post-punk, Dub-rock, Alternative Dance & (later on) Pop/Rock.

First and formost, It must be noted that this is a 'Singles' collection more than anything, and thus forgoes consistency in favour of popular hits or singles tracks. So the collection of songs is understandably diverse and a little erratic. Although that's not to say that the singles in question are anything less than excellent choices, in fact it's surprising how well these singles stand up under close inspection considering how old some of them are (late 70's - Early 80's).

The First Track, "Public Image" is closer to the fiercer rockier side of the band that first emerged, with chugging guitars, rapid drumming and John Lydon shrieking with lyrical contempt "Two sides to every story, Somebody had to stop me, I'm not the same as when I began, I will not be treated as property" shows that his disdain of the establishment hadn't completely deserted him, when the Sex Pistols split. In fact this is one of the songs that is like a closest relative to the pistols work. Urgent, conformational, short and to the point noise rock!!. Sure, it's no replacement for the Pistols, and it certainly isn't Punk, but that rough & ready Angst-ridden alternative sound isn't too hard to discern.

If there's a particular stand out track, then for me, it's unquestionably got to be "Careering", a particularly exemplary example of Dub-Rock / Alternative Dance, that takes a sublime slow tempo slap-heavy bass (courtesy of 'Jah wobble'), brooding percussion, and scattershot electronics, which sound like thousands of metallic ball bearings hitting sheets of aluminium. and a shouty-sung dancey aesthetic that belies it's easy to miss seriousness of lyrics, with Lydon yelping "A face is raining, Across the border, The pride of history' The same as murder, Is this living, He's been careering!!", its a stunning juxtaposition of articulate lyrics mixed with the bouncy post-punk, dance sensibility, that earmarks some of the genres finest tracks, and went on to feature on several Post-Punk compilations.

"This is not a love Song" begins to show the transition of the band into a more accessible Alternative Pop/Rock, Alternative Dance group (much to the cargin of fans of their early material). And yet if you (like me), You are happy to take the music on its own merits, (as opposed to worrying about it's lack "Sticking it to the Establishment" approach from before). Then the introduction of a more refined and less abrasive sound Lydon won't disappoint, as well the use of a horn section, spiky guitars, and a far more FM Rock orientated sound. (Not strictly FM rock, as such, but certainly something that had more chance of being played on the radio, then their early work). But maybe its Lydon's reluctance to completely give in to the general public, because although the lyrics were less confrontational, they still retained that sarcasm that Lydon is famous for, with the lyric "I'm adaptable and I like my new role, I'm getting better and better, And I have a new goal, I'm changing my ways, where money applies" being a particularly Lydon-ish moment.

"Rise" is possibly one of the biggest concessions to refining a more accessible sound. And the single I remember most, on hearing it being playlisted on the radio on its first release. But actually a song that seems to touch up social/racial injustice with Lydon firing up unifying lyrics like : "I could be wrong I could be right, I could be black I could be white...", over looping guitars, keyboard and droning synths, showed that the transition to something that could make an entry into the musical charts was complete (possibly to subvert from within the pop/rock industry??), and although this is the point that they admittedly attracted a new audience with it's more rhythmic sounding instrumentation, largely broader musical scope and less confrontational lyrics (this song was actually the track I remember most, when I first heard PiL), It probably had their intital audience moving elsewhere, but the repeated shouting of "Anger is an Energy" showed that Lydon hadn't completely forgotten his past.

So there you have it, It's not a complete summary of the band by any means, and there are almost certainly omissions in track selection. And as been previously mentioned in the reviews below, is the the albums lurches wildly from Experimental Dub-rock track one minute, to Post-Punk throwdown the next, without much consideration for what went before. Plus not forgetting that the album feels largely in two distinct halves. The early Post/Experimental Punk/Rock & Art-Rock work, and the later, Alternative Pop/Rock & Dance sounding tracks, which may alienate early or later adopters to their music. But then this collection was never designed with them in mind. and they should seek out the individual albums.

So bearing in mind these criticisms, why is this release getting 5-Star's??....simple, because if your not concerned with their musical transitions, and how they were then, or how they are now. This is a fantastic singles collection full stop. There's some truly superb material here, irrespective of whether its : Dub, Noise-Rock, Art-Rock, aggressive Rock, Alternative Dance, or any of the other multitude of genres the band touched upon. PiL enthusiasts may want to overlook this release in favour for the studio albums, but the rest of us (especially those relatively new to the band), will find this to be an excellent primer for their work.
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9 of 9 people found the following review helpful:
4.0 out of 5 stars Severely Limited introduction, March 9, 2005
This review is from: Public Image Ltd. - Greatest Hits So Far (Audio CD)
Slender but reasonably comprehensive package which if nothing else serves as a good intro into for the novice into the PiL oeuvre. John Lydon actually had to haggle with Virgin Records (Virgin originally wanted a mere 8-song set), but the end result is still frustratingly meagre. Inevitably, many gems are absent, and sadly the LP remake of "This Is Not A Love Song" is included instead of the original single version which, ironically enough, was PiL's greatest (commercial) hit. Still, there are superior remixes of "The Body," "Rise" and "Disappointed," and the set is closed off nicely with the supremely catchy eco-pop single "Don't Ask Me." But there's little need to revisit this collection once you get all the PiL albums.
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Public Image Ltd.'s album The Greatest Hits, So Far was engineered by Dan Hersch.
Jah Wobble, Martin Atkins, John Lydon, Keith Levene, John McGeoch and seven other artists have been a member of Public Image Ltd..

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