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Puccini: Turandot
 
 

Puccini: Turandot [Import]

Giacomo Puccini , Giuseppe Verdi , Gianandrea Gavazzeni , Oliviero de Fabritiis , La Scala Theater Orchestra , Rome Opera Theater Orchestra , Birgit Nilsson , Ettore Bastianini , Franco Corelli , Franco Ricciardi , Mino Russo , Mirella Parutto , Nicola Zaccaria , Piero de Palma , Renato Capecchi Audio CD
5.0 out of 5 stars  See all reviews (1 customer review)


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Product Details


Disc: 1
1. Turandot, opera
2. Turandot, opera
3. Turandot, opera
4. Turandot, opera
5. Turandot, opera
6. Turandot, opera
7. Turandot, opera
8. Turandot, opera
9. Turandot, opera
10. Turandot, opera
See all 25 tracks on this disc
Disc: 2
1. Turandot, opera
2. Turandot, opera
3. Turandot, opera
4. Turandot, opera
5. Il Trovatore, opera: Deserto sulla terra
6. Il Trovatore, opera: Non m'inganno
7. Il Trovatore, opera: Di geloso amor sprezzato
8. Il Trovatore, opera: Non son tuo figlio?
9. Il Trovatore, opera: Mal reggendo all'aspro assalto
10. Il Trovatore, opera: L'usato messo Ruiz invia!
See all 17 tracks on this disc

 

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5.0 out of 5 stars (1 customer review)
 
 
 
 
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18 of 18 people found the following review helpful:
5.0 out of 5 stars Some Excitement at La Scala, April 21, 2000
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This review is from: Puccini: Turandot (Audio CD)
What so special about this recording is its atmosphere - after you've listened to it you'll want to buy other live recordings. Do overlook Corelli's late entrances and do not pay attention to that Italian mama who never shut up after `Signor ascolta'. Vichnevskaya will melt your heart as a pitiful Liu; and Corelli will astonish anyone with his reckless energy. Everything is topped up by Nillson's inexhaustible Turandot (sounds as if she could sing it all over again the same night!).

The whole performance comes across as a clash of the titans - undoubtedly, certain stage chemistry is going on between Calaf and Turandot; and a strong rapport exists between Liu and Timur. Over all - a rear event when the principles are equally brilliant and the audience knows it too well and shows it! The sound is good, though not as good as a studio recording sound. Having listened to most other live versions of Turandot (inl. 3 other with Nillson/Corelli team)I would choose this one.

Studio recordings such as Sutherland/Pav give you better sound and musical precision but not the document of an exeptionally exciting show.

If one wants to find out more about this performance, Vishnevskaya dedicated few pages in her autobiography to this special evening.

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